O Peixe Grande & Begônia

I have not watched a film made in China for quite a long time even if I am Chinese myself. Our film industry still has a long way to go. However, I am deeply impressed by the creative story and the perfect combination of 2D and 3D animation of DaYuHaiTang, and I personally consider the film as a revolutionary art piece.

Through the story, the film emphasize the relationship of our life and our dreams. It encourages us to stick to what we eager for, to what we believe, even when the environment is against us. In the movie, Kun is the symbol of our dreams. It grows, it flies, and its life is tightly related to the one who raises it. We are born to achieve something, if the goal in our life isn't achieved eventually, our life is meaningless. Be brave and go ahead, that's what the film wants to teach us.

The movie contains many Chinese traditional elements, which has seldom been seen before. I am also glad to see that Chinese animation has finally started to focus on how to move audience emotionally. However, there are many shortcomings as well. The film has a good story, but it failed to tell it well. The plot goes too fast at the beginning, and too slow at the end. Besides, a lot of redundant words can be found during conversations. Maybe the film crew should do something about that in their next movie.

The film did a great job, but it's the audience in the cinema that let me down. I was shocked to see many people laughing mockingly at the characters at some meaningful scenes just because it seems funny to them. Some people are even insulting the film and the characters on the Internet as well. In my opinion, whether a film is good or not, it is an art piece, and it is the result of the film crew's diligence and creativity. We should talk about the strong points and drawbacks of the film objectively, not insulting it without thinking deeply. The poor moral quality of the audience can be seen in those rude remarks. The Chinese animation industry is developing rapidly, it's the audience ability to appreciate films that failed to keep up.

I had the chance to see "Big Fish and Begonia" in the cinema yesterday. I was a little bit disappointed. Liang created a beautiful fantasy world and quite an original story background. Also the animations look fantastic. There are indeed many things to like about this movie. So it's all the more of a shame that the story is not very well told. Cuts between scenes always seems to come at the wrong moment and a lot of the characters and dialogues are redundant in regard to the main story. A lot of the movie is just a chain of depictions of cute little details in Liang's fantasy world. It feels a little bit like he tries so hard to be Miyazaki that he forgets all about the plot. Because of this, it's hard to get a feel for the movie. Which is a shame because it had a lot of potential. I hope that Liang's future works will try less to be Miyazaki and dare to be more Chinese. Although this movie may not be great, it might well be the start of a new age in Chinese animation cinema. I recommend this movie to people who are hugely into Chinese cinema and/or animation films. Otherwise, wait for something more worthwhile.

Visually pleasing and technically well executed enough, this Chinese animation started off with loads of promises but very soon fall into a narrative mess with no meaningful nor discernible plot flow, with characters introduced from nowhere then uncerimoniously dropped for no reason.

Character motivation is at best flimsy and perplexing to the point the viewer no longer has any motivation to stay engaged.

Very unfortunate this animation was decimated by the egoistic desire to show off the visual technicalities with scan attention paid to a meaningful plot with characters who can engage viewers ... instead what we have is a pointless rainbow of visuals and memes which go nowhere.

And to then get the usual bunch of paid 10* hustler-reviewers to put in their cheap adoration ... just salt into wound :(

What a missed opportunity! 😭😭😰😡😠🙁

We really enjoyed this movie for its striking animation, fantastic and beautiful worlds, and likable characters. Although the original language and mythological themes are Chinese, the animation was done by Studio Mir, based in South Korea, which also worked on the Legend of Korra. Almost all of the Chinese animated epics deal with how the characters (often gods, spirits, or demigods) relate to heaven; in Big Fish & Begonia, the alternative universe is under the earth, or, more precisely, under the sea. We also noticed a lot of allusions to Studio Ghibli, above all Spirited Away, especially in some of the characters (for example the steward of souls was like a male version of the witch who runs the bathhouse). Plus the strong female lead character whose story is nevertheless closely tied to a romantic interest.

Full Review on my blog max4movies: The art direction and quality of Da Yu Hai Tang (international title: "Big Fish & Begonia") really help to present a fantastic view on some classic Chinese folktales. The overall narrative possibilities are amazing and could provide for so much more plot, however some key moments fall short because of mediocre pacing and/or editing, and sub-par character writing.