Contagem Regressiva

My hope is that if one makes the effort to look past the action (a spectacular choreography, by the way) and this genre-specific plot clichés, one's going to find a fresh and an interesting take on the age old dilemma that entertains the question whether people as a whole (as a society; as a global collective, if you wish) ought - let alone deserve - to be made aware of all the details and parameters of an impending extinction-level event.

Or, in other words - will we succumb to our most primal and atavistic impulses and instincts? Or maybe human spirituality's evolution has had finally caught up with the technological one? Are we all remaining to be simply cavemen (and "cavewomen", lets not be sexist ;) with cell phones and lap tops, or at last we've crossed over some kind of a mental - or a spiritual - threshold, thus becoming something... more? The thing is, we won't be sure which is it until we actually find ourselves on the precipice of some catastrophic, cataclysmic event. Once we had been reduced to creatures that act solely on their instincts and nothing else, then it will become clear whether the human nature has had evolved beyond that of cavemen (and cavewomen - I would hate to find this review dismissed on grounds of sexism and misogyny, hehe).

I think that the series have the real potential to gain "a must-watch" status. It all depends on whether the show's creators have dedicated more screen time and a stronger accent to the question has the humanity's mentality's evolution reached the point where we had finally become mentally fit enough to survive a global cataclysm.

If not, at least the show's entertaining, if nothing else.

I would give it higher marks but whoever arranged the music does not know what they're doing. If you play: Dramatic music, Dramatic music, Dramatic music, Dramatic music. It loses its effect and just becomes annoying noise to the point where your head is about to explode and when at last for just a few seconds you turn the blasted noise off it is a tremendous relief and you think 'Thank goodness for that!'

I mean, guy walks up to flat (dramatic music, heartbeat music) knocks on the door (dramatic music, heartbeat music), woman opens door (dramatic music, heartbeat music), 'Hiya' he says, 'Hello' she says. ?

Some of the other music is just a horrid wailing sound! It really was a challenge for me to just not turn it off and I'm not sure I'll be able to sit through many episodes if it continues like this as it really does my head in.

I hope there will be a second season because there are several questions left open. I really liked the characters and I liked especially that within the main story there are several smaller stories around the main characters. I can only recommend this series and I hope for a sequel.

The British are great at writing crime, this serie is another proof of that. While crime is not usually my favorite genre, I do like Luther and that series comes from the hand of Neil Cross. Since this mini-serie is written by him too I decided to give it a go, and I wasn't disappointed.

Agyness Deyn, who plays the role of Elaine Renko, was originally a model before she got into acting. When I read that I almost couldn't believe it, because she puts down a very convincing performance, that seems to come natural to her. Her character is a tough cookie and it's definitely not one you'd like to pick a fight with. As we get further into the series we do see more depth added to her character, which makes her all the more interesting.

The other lead role is played by Jim Sturgess. He portrays the character of Charlie Hicks, a cop with a rogue edge but otherwise a good man. Or at least, he thinks he is, but the story itself leaves the viewer to make up their own mind about that.

And that is not the only issue on which the viewer gets to fill in the blanks. A lot is left unanswered, but not in an annoying way. Or at least to me it wasn't irritating, but some people may not like it. I however, think it was done in a good way and with a satisfying ending.

The writer, Neil Cross, has said he was interested in doing a fiver year story arc, but to the best of my knowledge the series hasn't be renewed. It's a shame, because it's rare to see doomsday genres combined with crime, and it's even more rare to see it being done with this level of quality.

The end of the world is nigh, and the criminals are still at it, even when the world comes to an end we are still need cops and spooks to put the bad guys away. Fortunately this serial was better then the premise suggested, what sounded daft was actually very good viewing, an unlikely pairing of Agyness Deyn and Jim Sturgess worked incredibly well together, two actors I absolutely love, so wonderfully talented, Sturgess for his recent work on Close to the Enemy. I'm just glad to see a drama serial on the box on a Saturday night, Taboo showed that it can work, we don't have to be made to switch off with only reality TV on. Bravo BBC again.