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IMDbPro

Pássaros de Verão

Título original: Pájaros de verano
  • 2018
  • 14
  • 2 h 5 min
AVALIAÇÃO DA IMDb
7,5/10
14 mil
SUA AVALIAÇÃO
Pássaros de Verão (2018)
Torn between his desire to become a powerful man and his duty to uphold his culture's values, Rapayet enters the drug trafficking business in the 1970s to secure a dowry to marry Zaida and finds quick success despite his tribe's matriarch Ursula's disapproval. Ignoring ancient omens, Raphayet and his family get caught up in a conflict where honor is the highest currency and debts are paid with blood.
Reproduzir trailer2:05
1 vídeo
35 fotos
CrimeDrama

Durante o boom da marijuana, em uma década violenta que viu as origens do tráfico de drogas na Colômbia, uma família indígena estão envolvida em uma guerra para controlar o negócio que acaba... Ler tudoDurante o boom da marijuana, em uma década violenta que viu as origens do tráfico de drogas na Colômbia, uma família indígena estão envolvida em uma guerra para controlar o negócio que acaba destruindo suas vidas e sua cultura.Durante o boom da marijuana, em uma década violenta que viu as origens do tráfico de drogas na Colômbia, uma família indígena estão envolvida em uma guerra para controlar o negócio que acaba destruindo suas vidas e sua cultura.

  • Direção
    • Cristina Gallego
    • Ciro Guerra
  • Roteiristas
    • Maria Camila Arias
    • Jacques Toulemonde Vidal
    • Cristina Gallego
  • Artistas
    • Carmiña Martínez
    • José Acosta
    • Natalia Reyes
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    14 mil
    SUA AVALIAÇÃO
    • Direção
      • Cristina Gallego
      • Ciro Guerra
    • Roteiristas
      • Maria Camila Arias
      • Jacques Toulemonde Vidal
      • Cristina Gallego
    • Artistas
      • Carmiña Martínez
      • José Acosta
      • Natalia Reyes
    • 45Avaliações de usuários
    • 143Avaliações da crítica
    • 85Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 30 vitórias e 42 indicações no total

    Vídeos1

    U.S. Trailer
    Trailer 2:05
    U.S. Trailer

    Fotos34

    Ver pôster
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    Elenco principal42

    Editar
    Carmiña Martínez
    • Úrsula
    José Acosta
    • Rapayet
    Natalia Reyes
    Natalia Reyes
    • Zaida
    Jhon Narváez
    • Moisés
    Greider Meza
    • Leonídas
    José Vicente
    • Peregrino
    • (as José Vicente Cote)
    Juan Bautista Martínez
    • Aníbal
    Miguel Viera
    • The Pupil
    Sergio Coen
    • Singing Shepherd
    Aslenis Márquez
    • Indira
    José Naider
    • Miguel Dionisio
    Yanker Díaz
    • Leonidas as a Child
    Víctor Montero
    • Isidoro
    Joaquín Ramón
    • Gabriel
    Jorge Lascarro
    • Sigifredo
    Germán Epieyu
    • Minister
    Luisa Alfaro
    • Victoria
    Merija Uriana
    • Herminia
    • Direção
      • Cristina Gallego
      • Ciro Guerra
    • Roteiristas
      • Maria Camila Arias
      • Jacques Toulemonde Vidal
      • Cristina Gallego
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários45

    7,513.6K
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    Avaliações em destaque

    8paul-allaer

    Family drug drama from Colombia: nothing like you'd expect it

    "Birds of Passage" (2018 release from Colombia; 125 min.) is a drug drama about a Wayuu (northern Colombia) family. As the movie opens, Zaida has completed her year of confinement "with grace and dignity" according to her mom, and now the village is celebrating Zaida becoming a woman. Rapayet, a young man in the village, has his eyes on her, and his uncle asks Zaida's family. The family, however, is demanding a dowry of 30 goats and 20 cows, among other things. Rapayet needs to come up with money, lots of money, and by coincidence (when a Peace Corps guy is looking for weed) gets involved in the drug trade... At this point we're less than 15 min. into the movie but to tell you more of the plot will spoil your viewing experience, you'll just have to see for yourself how it all plays out.

    Couple of comments: this is the latest movie from Ciro Guera (who previously brought us the equally excellent "Embrace of the Serpent") and Cristina Gallego. "Birds of Passage" follows one particular family's involvement in the drug trade from 1968 to 1980, and the movie is brought in 5 chapters (called "Songs" in the movie: Song I Wild Grass 1968' Song II The Graves 1971, etc. When you heard the words "drug trade" and "Colombia", we typically associate them with movies like "Escobar: Paradise Lost". "Birds of Passage" is a completely different type drug drama, mostly because this deal with an isolated clan, where family and tradition means everything (literally), and due to the small and remoteness of this clan, everything becomes personal very quickly. The cast, unknowns but for Natalia Reyes (who plays Zaida), is generally outstanding. Last but not least, be sure to check out the scenery, which is almost a character in and of itself.

    "Bird of Passage" premiered at last year's Cannes film festival to great acclaim, and it finally appeared this weekend at my local art-house movie theater, I couldn't wait to see it. The Sunday matinee screening where I saw this at was attended poorly (6 people including myself). If you are interested in seeing a Colombia drug drama from a very different perspective that what you probably envision, I'd readily suggest you check this out, be it in the theater (if you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
    7owen-watts

    The Cycle of Self-Destruction

    Guerra & Gallego's Wayuu crime epic is dense and beautiful, but a necessary part of its long maudlin descent is that it becomes a serious drag especially towards the end. It's not as transformatively psychedelic as Guerra's Embrace which I adore but it has some seriously brilliant sequences and the sprawling (mainly Wayuu) ensemble cast gives it a beautiful foundational weight. I felt like I learned a lot about this period and place as well as the dark ripples which a sudden influx of money can have on people's choices, on power and greed. It's harrowing because although it is set somewhere very specific, it feels like it could have happened anywhere.
    8ferguson-6

    money, lives, culture

    Greetings again from the darkness. It's not unusual for movies to "trick" us into embracing a drug dealer, and even kind of rooting for them - despite the near universal condemnation of such folks when we are outside of a dark theatre. Co-directors Cristina Gallego and Ciro Guerra were the producer and director behind the Oscar nominated EMBRACE OF THE SERPANT (2015) about an Amazon tribe striving to hold tight to their way of life despite outside interference. This time out, they focus on the rural Guajira territory of Columbia, with its desert conditions and villagers committed to their own traditions.

    The film is based on a true story and covers the time period of 1960-1980, and is separated by chapter titles that include the year and a hint of what's to follow. We first see Zaida (Natalia Reyes) as a girl in confinement as she prepares to be introduced as a woman to the villagers. This is one of the more elaborate rituals of the village, and it leads to Rapayet (Jose Acosta) asking for Zaida's hand in marriage. Her mother Ursula, a respected village elder, sets the dowry at what she believes in an unattainable level for Rapayet: 30 goats, 20 cows, and 5 necklaces. Ursula has unwittingly set off a chain of events that eventually brings the family money, power, and tragedy. How can a few goats and cows cause this? Well, when one is poor and needs to quickly assemble a large dowry, what better way than to enter the drug trade? And that's exactly what Rapayet does.

    Rapayet's friend and partner in the coffee trading business, Moises (Jhon Narvaez), joins him in the transition of careers, and while Rapayet is content to build his empire quietly and under the radar, Moises runs amok with the power and money. Ursula is respected for her abilities as a dream reader, and she's constantly dousing Rapayet's business with the cold water of her visions ... worried mostly about the safety of her daughter Zaida. By 1971, Rapayet's business of peddling marijuana to gringos is booming, and by 1979 (in a chapter entitled "Prosperity") we see the results: a mansion-fortress in the desert protected by guards with automatic weaponry (a sure sign that bad news is on the way).

    What began as a look at peaceful remote villagers sticking to the traditional path of their ancestors, transforms into a drug war featuring cartel mobsters. Cinematographer David Gallego contrasts the beauty and simplicity of traditions with the danger and violence of new money and new world order. Leonardo Heiblum's score is a terrific complement as well. The infancy of the Columbian drug trade presented here conveniently places blame on the free-spirited youngsters of the Peace Corps; while the story plays out like a Greek tragedy, replete with mixed messages on revenge, capitalism, tradition, greed, and family ties. It's a rags-to-riches story that pulls no punches when it comes to the price paid for taking an illicit shortcut. It's a path that can destroy lives and culture.
    FrenchEddieFelson

    Honor, tradition, family and ... marijuana

    This marvelous movie takes place in Colombia, within the Peninsula of the Guajirain, a sparsely populated and arid area, and mostly played with Wayuu autochthons. This timeless univers is characterized by a rather pronounced communitarianism, each village highlighting its differences with the surrounding ones, while the origin of these differences remains, as often, unexplained and obscure. Nevertheless, they share ancestral traditions, folklore and values such as honor and family bonds. Thus, during the first 30 minutes, we do not really know when the film takes place, until the informative and surprising appearance of cars. Thus, we may guess that we are in the 60s / 70s. A marriage proposal between a man and a woman from two neighboring tribes will be, by a strange combination of circumstances related to an exorbitant dowry, the opportunity to integrate the marijuana trafficking, which is a very lucrative universe while slowly distorting personalities. Like in a Greek tragedy, these families will ineluctably suffer a descent into hell, via the classical 'eye for eye, tooth for tooth' philosophy.

    The film is visually sober and simple, but of an exacerbated aestheticism, with an unusual care about details, including birds. Moreover, the actors are excellent, especially the two main ones: José Acosta (Rapayet) and Carmiña Martínez (Úrsula).
    JohnDeSando

    Cartels, lovely and deadly.

    Birds of Paradise takes a familiar subject, the Colombian drug scene in the '60's and '70's, and makes it into a watchable Godfather saga. Family is the center of the action leading to, you guessed it, warring drug kingdoms. The cinematography is lush, the actors authentic, and the themes eternal.

    The stuff that makes the world happy, weed, comes down from the mountains to the small airplanes, which fly north to the US, a pleased customer bringing prosperity to otherwise impoverished Colombians. Marriage promises families forever linked until capitalism, not communism, rends even the strongest familial ties.

    The five "cantos" embrace happiness and misery in equal measure: wild grass, the graves, prosperity, the war, and limbo. The coming out party of gorgeous Zaida (Natalia Reyes) presages a bright future for her Wayuu tribe with a blazing-red silk dress and stunning face paint. However, the imposing mother Ursula (Carmina Martinez) demands an expensive dowry that suitor Rapayet (Jose Acosta) might have difficulty offering. This matriarch gives the lie to any theory that Latino culture is purely patriarchal.

    Ambition leads to drug running, family feuding, and temporary wealth. The riches are embodied in the colorful fabrics that are flamboyant and garish at the same time. The dark downfalls could be written about anywhere.

    Birds of Passage is an engaging and beautiful gloss on the effects of tribalism and the corruptions of wealth and power, exacerbated by the obsession with the belief in family to die for at all costs. It is a glowing and menacing reprise of the Colombian Corleone days set amongst the indigenous Wayuu, for whom only a few moments are in paradise.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The directors, Cristina Gallego and Ciro Guerra, were a married couple, but divorced during production of the film.
    • Erros de gravação
      Todas as entradas contêm spoilers
    • Citações

      Victoria's Grandmother: Dreams prove the existence of the soul.

    • Cenas durante ou pós-créditos
      Acknowledgements include: "A Santa Marta, la Virgen de la Candelaria y de la Guadalupe. Al amor que todo lo puede."
    • Trilhas sonoras
      El Pollo Vallenato
      Composed by Luis Enrique Martínez

      Performed by Adaulfo Brito, Britnis Molino, Wilmer Deluque

    Principais escolhas

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    Perguntas frequentes18

    • How long is Birds of Passage?Fornecido pela Alexa
    • Were animals harmed during the filming?

    Detalhes

    Editar
    • Data de lançamento
      • 22 de agosto de 2019 (Brasil)
    • Países de origem
      • Colômbia
      • Dinamarca
      • México
      • Alemanha
      • Suíça
      • França
    • Centrais de atendimento oficiais
      • Bord Cadre Films (France)
      • Ciudad Lunar
    • Idiomas
      • Wayuu
      • Espanhol
      • Inglês
    • Também conhecido como
      • Birds of Passage
    • Locações de filme
      • La Guajira, Colômbia
    • Empresas de produção
      • Ciudad Lunar Producciones
      • Blond Indian Films
      • Pimienta Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 507.259
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 23.082
      • 17 de fev. de 2019
    • Faturamento bruto mundial
      • US$ 2.517.405
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 5 min(125 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Atmos
      • Dolby Digital
      • SDDS
    • Proporção
      • 2.35 : 1
      • 2.39:1

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