Oklahoma City

I don't remember Oklahoma City, or Waco, or Ruby Ridge. These events, if they were in my young subconscious mind at all, were crowded out by 9/11, which happened when I was only ten years old. For a generation that has been inundated with images of terrorism, violence, and war, it's difficult to grasp just how explosive and unjust this event was, and how it shocked the nation to learn that born and bred Americans could be just as responsible for the destruction of the country's goodwill than foreign invaders.

This film was directed by Emmy winning PBS documentarian Barak Goodman (Scottsboro: An American Tragedy). He begins the film's narrative at Oklahoma City, but then flashes back to the inception of the Aryan Nation in the mid-to-late eighties, and the ensuing terrorist institutions that created a platform for an army vet named Timothy McVeigh. Tracing this critical history of white held terrorism within the United States, we see the quick succession of violent white men who have taken arms against their government, and the almost unending paranoia that it created. People like David Koresh and Randy Weaver were the inspiration for an angry, xenophobic young man without many options and a plethora of military knowledge at his disposal.

McVeigh chose the building because he wanted retribution for those who stood against the government and died because of it. In our current political climate terrorism is almost a give-in, an accepted cross to bear in our everyday lives. McVeigh was the first major figure in a long line of American born white men who have taken arms against their own citizenry (Eric Robert Rudolph, Dylann Roof, Wade Michael Page, and thirty-six others since Oklahoma City). This documentary not only sheds light on the horrific act of three disillusioned youths, but the greater trend of discontented, hate- filled teens who later become violent terrorists. These events are more common than ever, and it's not a problem that goes away with prayers and acceptance. It stops because we don't let it happen again. We protect our fellow man, our children, and those who don't have a voice. This film is illuminating in all the right ways, and emotionally devastating in a million others.

25 mins in and still no mention of the main perpetrator. Instead of summarising what angered and motivated Timothy McVeigh to commit the crimes the producers want to give you a detailed backstory. Sheesh! It's history now, just spit it out already😡

The bombing of the Alfred P. Murrah Federal Building in Oklahoma City in April 1995 is the worst act of domestic terrorism in American history; this documentary explores how a series of deadly encounters between American citizens and federal law enforcement - including the standoffs at Ruby Ridge and Waco - led to it.

There is the matter of what this film is and what it isn't. If you want a broad view of Ruby Ridge, Waco and Oklahoma City in under two hours, this is the perfect primer or refresher. However, if you want to learn more, and were around in the 1990s, there is very little here you did not already read in the news at the time.

I suppose if nothing else, this would be great for catching the younger generation up on what happened just twenty years ago, when "terrorism" and 9/11 were not yet synonymous.

"Oklahoma City" (2017 release; 115 min,) is a documentary about Timothy McVeigh's bombing of the federal building in Oklahoma City, and the wider background as to what roe him to do this. As the movie opens, it is "April 19, 1995, 9:02 am" and we her voices at the Water Resource Board Meeting, when an enormous explosion takes place. We get various historical footage as to the damage caused by the bombing, as well as first account interviews of first aid helpers, survivors, and family members of the perished, We then go back in time to the early 1980s, in northern Idaho, where white supremacists are gathering steam. As this point we're 10 min, into the movie, but to tell you more of the story would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is, to say the least, a sobering documentary, Built in three major chapters, "The Spark" (referring to Ruby Ridge), "The Flame" (referring to Waco) and "The Inferno" (referring to Oklahoma City), the documentary makers examine how right wing white supremacists were able to build a small but fierce resistance cell that becomes convinced that the federal government is "the enemy". The link between Ruby Ridge/Oklahoma City on the one hand, and Waco on the other hand, is less obvious (the Waco incident does not involve white supremacists), but nevertheless essential for the McVeigh narrative, as the documentary makes clear. McVeigh's personal background, fairly well known at this point, is examined as well. In the end, the lasting images of this documentary remain those of the Oklahoma City bombing itself, to this date still the largest domestic terrorist attack in this country's history, and with it the resolve of the survivors and the family of the perished. "Love is stronger than a terrorist attack", comments a survivor who has forgiven McVeigh. Wow.

This documentary played in a few theaters, but opened wide when it was shown on PBS' "The American Experience" last night. As it most often the case with programs on "The American Experience", the documentary was well researched, restrained and very sobering. A must-see for anyone interested in the history of this country.

All this movie tries to do is humanize a terrorist.

The documentary is well made and researched. It is effective in what is trying to do. The problems is that this documentary tries to make people understand Timothy McVeigh's point of view. We are exposed to different events that eventually led to the bombing of the federal building in Oklahoma City and that is what's wrong with this film. It is not acceptable to humanize someone that hurt so many people.

I understand that everyone has reasons to act the way they do and it is very interesting to know them, specially in relation to this event that marked the USA, but doing this is as preposterous as making a documentary of 9/11 and including a mini bio of Osama Bin Laden and events that pushed him to plan it. This documentary would never have been done if a person of color was the perpetrator. The director almost tries to excuse the actions of the terrorist because of their background.