Nightwatch: Demons Are Forever

A 30 year later sequel is a strange thing, but probably what's even more strange is that it took 30 years at all considering how successful the original was. I didn't even have to check if 'Nightwatch: Demons Are Forever' was made by the same writer/director as the original. I could tell by the chaotic structuring that both films possess. If you enjoyed the original then I'm sure you can at least find some enjoyment in this film.

Again, just like the first, for the first 40-50 minutes of the film I really had no idea where it was headed or what it was even about. Then out of nowhere, just like the first, it straightens the wheel and puts itself on course for a pretty entertaining and well done final hour or so.

Most of the original cast are back, which is a great effort all this time later. Considering the success Nikolaj Coster-Waldau has had in the meantime I'm a little surprised they were able to entice him, particularly considering they made his character a shell of his former self. There is one scene where he interrupts his daughter at the school that really should've been left on the cutting room floor.

In a lot of ways this is going to come across as a strange sequel. But considering how much later it is and that they were able to work the entire original cast into and still make a somewhat creepy and coherent story out of it, I think it is an impressive effort. 7/10.

Ole Bornedal's "Nattevagten - Dæmoner Går i Arv" ("Nightwatch: Demons Are Forever") is a horror sequel that delivers a satisfying blend of tension, and eerie sound design. While it doesn't reach the heights of its iconic predecessor, this Danish film proves that lightning can strike twice, even if it doesn't rewrite the horror rulebook.

The original "Nightwatch" shook the local industry, proving that Danish filmmakers could craft compelling horror. Two decades later, Bornedal revisits his classic, exploring generational trauma and the weight of the past. The result is a competent, if familiar, sequel that delivers on entertainment value, even if it doesn't break free from the shadow of its iconic predecessor.

The story centers around Emma (Fanny Leander Bornedal), a young medical student drawn into a web of horror as she attempts to clear her family name. It's a tale of mistaken identity and confronting the sins of the past, with a strong performance by Bornedal, who portrays a character trying to escape their legacy.

While the film follows a similar formula to its predecessor, with familiar story beats and character types, it excels in building tension. The sound design is particularly effective, with the unnerving sound of a utility knife adding to the sense of impending danger. The film also doesn't skimp on gore, delivering plenty of bloody moments to satisfy horror enthusiasts.

However, "Nattevagten - Dæmoner Går i Arv" falls short of fully exploring its potential for intergenerational dialogue and commentary. It feels like a missed opportunity, as the film stops just short of delving into deeper themes, instead opting for a safer, more familiar path. This is a common pitfall of legacy sequels, and while it doesn't detract from the enjoyment of the film, it does leave you wanting more.

In conclusion, "Nattevagten - Dæmoner Går i Arv" is a solid addition to the horror genre. It effectively balances tension and gore, delivering an entertaining and satisfying experience. While it may not be the most innovative entry, it is a worthy successor to the original "Nightwatch," reminding us of its impact and proving that some formulas are worth revisiting.

First of all I have to say that I never saw the original movie, so if you are here to see if this would compare to that movie, then this review might not be the one for you.

But since I write a review to every new horror movie I see, I won't make an exception for this one. I read a plot synopsis of the original one so I had some idea what the past of this movie would be. I found my way around the plot pretty quickly and it didn't take long to see how the characters worked and what type of people they were.

In the intro sequence there's a scene where a young man bashes his head against a unidirectional perspective glass in an interrogation room and the effects looked a little wonky which made me skeptical at first. However since the movie barely uses any CGI, that was the only time that I noticed flaws with the effects. The movie is written by the same writer and there are some characters coming back from the 1994 original which will definitely please some fans.

However the movie is rather slow and with almost two hours of runtime I think it really dragged. This could have been a 90-minute movie and it would be equally as enjoyable if not more. Also the movie introduces a really generic twist which felt unoriginal and lazy. I think if you are a big fan of the original movie you might get something from this sequel, however if you have never seen it like me, this movie doesn't provide much entertainment and therefore doesn't manage to stand on it's own. [5,1/10]

It is extremely smart to make a follow up to a danish cult classic almost 30 years later. You manage you capture a new audience, while reintroducing and appealing to the ones who watched it on release back in 1994.

Now this new installment feels and looks like a modernization of the first one and delves into the story years later. It manages to keep the creepyness from the first one, despite lacking the humor and the "out-there-ness" the first movie brought in its delivery and script.

The performances are great all around, but it doesn't do anything new in terms of the genre. To be honest, I personally didn't like the ending, as I felt it lacked a sense place as a lot of the problems the movie explored through its runtime, is resolved with a cliche ending.

It's a good enough movie, even if it doesn't justify its existence because of the sense of conclusion we got in the original.

It has been almost 30 years since the events of the original. Martin is kind of a wreck; he doesn't work, doesn't receive welfare and takes too many pills. His daughter Emma is trying to help, but he's very resistant to it. Neither of them have properly processed the suicide of Kalinka. So one day she does something she feels is definitely going to make it better. The road to Hell is paved with good intentions.

A major theme here is the way that trauma has a ripple effect. And how something intended to improve things can actually worsen them. The terror is in part derived from this, thus making it more effective than if it truly was something as banal (at this point in genre fiction) as merely a serial killer. The mystery is compelling, and though I applied myself, I did not deduce the identity of the murderer. This has amazing cinematography and editing, which truly do hold you in a vice grip in the scariest scenes. Movies like this can get a significant boost out of credible characterization. Maria feels like a real person; she is not confined by stereotypical femininity. The acting and the chemistry is all convincing.

This features brief sexuality, a little strong bloody violence and gore, and some swearing. I recommend this to fans of Horror. 7/10.