AVALIAÇÃO DA IMDb
6,4/10
17 mil
SUA AVALIAÇÃO
Um adolescente do Brooklyn passa seus dias fazendo experiências com drogas e procurando homens para se encontrar.Um adolescente do Brooklyn passa seus dias fazendo experiências com drogas e procurando homens para se encontrar.Um adolescente do Brooklyn passa seus dias fazendo experiências com drogas e procurando homens para se encontrar.
- Prêmios
- 11 vitórias e 19 indicações no total
Avaliações em destaque
The film was as aimless as the lives of the spivs whose lives it followed. Their characters and lives didn't develop and nor did the film. It's quite appropriate, in fact.
As a story of urban youth, some of them second generation Russian immigrants with all the disadvantages that this might imply, the narrative was compelling. They have no rhyme or reason in their lives, no goals apart from getting laid or high.
In this group, Frankie walks a tightrope. He's less amoral than his peers, secretly a gay bottom, a bit weak and easily led. He runs with the crowd and as an attractive lad has an easy time pulling girls to act as a cover for his real desires.
There are some hints that one of his mates might be subject to the same proclivities - there is one shot of him seemingly ogling guys in shorts on the beach and he refuses to participate in the meeting at the beach at the end. But it would be too much of a risk for either to hook up or express any sort of affinity with each other. What if either had got it wrong?
We don't see an out for any of the group. The film ends as it begins with the fireworks at Coney Island. Nothing has been resolved, there are no solutions. The guys will have different futures if only because of their sexualities and personalities but it's not going to happen any time soon. It's left to us to imagine what will occur.
As a story of urban youth, some of them second generation Russian immigrants with all the disadvantages that this might imply, the narrative was compelling. They have no rhyme or reason in their lives, no goals apart from getting laid or high.
In this group, Frankie walks a tightrope. He's less amoral than his peers, secretly a gay bottom, a bit weak and easily led. He runs with the crowd and as an attractive lad has an easy time pulling girls to act as a cover for his real desires.
There are some hints that one of his mates might be subject to the same proclivities - there is one shot of him seemingly ogling guys in shorts on the beach and he refuses to participate in the meeting at the beach at the end. But it would be too much of a risk for either to hook up or express any sort of affinity with each other. What if either had got it wrong?
We don't see an out for any of the group. The film ends as it begins with the fireworks at Coney Island. Nothing has been resolved, there are no solutions. The guys will have different futures if only because of their sexualities and personalities but it's not going to happen any time soon. It's left to us to imagine what will occur.
I went to IMDb to see what other people had said about this film, and the very first review I saw had the title of "Boring."
"Beach Rats" is quiet and thoughtful, and it demands a certain amount of patience, but it breaks my heart that someone would dismiss it as boring. It follows a lost youth navigating the no man's land between teenager and adult as he tries to figure out how to be the person he wants to be -- whoever that is -- in an environment that tells him who he should be. He hangs out with a bunch of losers who speak in a kind of dumb bro language and couldn't string together an articulate thought between the three of them while wandering aimlessly around Coney Island and its environs looking to score easy drugs. Meanwhile, he carries on a secret life of gay encounters with older men while at the same time trying to force himself to enjoy a relationship with a young woman who's too mature for him.
Is he gay? Probably. Does he specifically seek out older men as father figures because his own dad just recently died of lingering cancer? Maybe. But the point is that he doesn't have the tools required to process any of the things he's feeling because he lives in a stunted place surrounded by stunted people, and it's easier to escape into feeling good the bad way than to put work into feeling better the hard way.
More than anything "Beach Rats" is about how hard it is for men to explore their own feelings in a culture that has rigidly defined what it means to be masculine.
Grade: A
"Beach Rats" is quiet and thoughtful, and it demands a certain amount of patience, but it breaks my heart that someone would dismiss it as boring. It follows a lost youth navigating the no man's land between teenager and adult as he tries to figure out how to be the person he wants to be -- whoever that is -- in an environment that tells him who he should be. He hangs out with a bunch of losers who speak in a kind of dumb bro language and couldn't string together an articulate thought between the three of them while wandering aimlessly around Coney Island and its environs looking to score easy drugs. Meanwhile, he carries on a secret life of gay encounters with older men while at the same time trying to force himself to enjoy a relationship with a young woman who's too mature for him.
Is he gay? Probably. Does he specifically seek out older men as father figures because his own dad just recently died of lingering cancer? Maybe. But the point is that he doesn't have the tools required to process any of the things he's feeling because he lives in a stunted place surrounded by stunted people, and it's easier to escape into feeling good the bad way than to put work into feeling better the hard way.
More than anything "Beach Rats" is about how hard it is for men to explore their own feelings in a culture that has rigidly defined what it means to be masculine.
Grade: A
Harris Dickinson gives an amazing performance as the sexually confused aimless teenager who also faces family tragedy and drug problems. The whole film works well telling the story from his perspective. But the film lacks the ambition to expand the themes touched by it. It should've been daring in exposing the problems faced by the protagonist and the results of his actions. While what's been shown catches the state of mind of the protagonist perfectly, it feels like the film ends without telling everything it could and should have.
A picture of a sadness life of a boy that has gay tendencies while is surrounded by a toxic masculinity context. It just made realize how many guys must had experienced horrible relations with other mans because they don't accept themselves. The movie don't pretend to have a happy ending and it was a good way to represent the internal conflict of self acceptance that for a lot of mens ends never happening. May be a good example of what not to do for some boys out there.
A film about homosexuality made for heterosexuals, 'Beach Rats' neatly fits the tired and restrictive 'LGBT' label by conforming to many of its trademarks, such as self-loathing and confused gay men that simply wish to belong, gays being betrayed by other gays, gays getting beat up, macho blokes, predictable plots and clichéd characters, nudity, homoerotic soft-porn visuals and drug taking.
The underlining psycho-sexual Freudian craving for a father figure (the six pack underwear model guy's dad dies of cancer) is clunky and too obvious, and the cruising and outdoor sex will only shock heterosexual people who are still living in 1995, everyone else will be bored.
The story's conclusion is both preposterous (a closeted gay male tells his aggressive, homophobic friends about a gay cruising site he uses that they can score weed on) and predictable (the effeminate, helpless gay male they trick into meeting them is beaten by the group).
Gay/queer people are some of the bravest you will ever meet, but from viewing a film like 'Beach Rats', you'd never be aware of this. The idea with these intellectually lazy films is to present the world as a predatory, scary place for gay people; sometimes that is very true, and sometimes it is not. I've never been attacked for being gay, for example, yet every 'LGBT' film features a gay bashing. Is this the only way to tackle homophobia -- to show fictional gay bashings? To show repressed, miserable young people hurting other repressed, miserable young people? Does it change the world? Aren't we tired of seeing gay men get beaten up yet?
In the 1970s you had a wide range of incredibly varied queer film makers all over the world making thrilling films, from Fassbinder's nihilistic, confrontational 'f--k you's, to John Waters' palpable joy in seeking to offend everyone on the planet, to Pasolini's fierce socialist attacks on the hypocrites of the world, to Kenneth Anger's esoteric and homoerotic Thelema-inspired creations -- these are films that are still vibrant and powerful to this very day, forty years later, and that is because they were works of complete originality and power, there is no self-loathing to be found in any of it.
No one will be talking about this dated, gay-bashing soft porn in even five years' time.
The underlining psycho-sexual Freudian craving for a father figure (the six pack underwear model guy's dad dies of cancer) is clunky and too obvious, and the cruising and outdoor sex will only shock heterosexual people who are still living in 1995, everyone else will be bored.
The story's conclusion is both preposterous (a closeted gay male tells his aggressive, homophobic friends about a gay cruising site he uses that they can score weed on) and predictable (the effeminate, helpless gay male they trick into meeting them is beaten by the group).
Gay/queer people are some of the bravest you will ever meet, but from viewing a film like 'Beach Rats', you'd never be aware of this. The idea with these intellectually lazy films is to present the world as a predatory, scary place for gay people; sometimes that is very true, and sometimes it is not. I've never been attacked for being gay, for example, yet every 'LGBT' film features a gay bashing. Is this the only way to tackle homophobia -- to show fictional gay bashings? To show repressed, miserable young people hurting other repressed, miserable young people? Does it change the world? Aren't we tired of seeing gay men get beaten up yet?
In the 1970s you had a wide range of incredibly varied queer film makers all over the world making thrilling films, from Fassbinder's nihilistic, confrontational 'f--k you's, to John Waters' palpable joy in seeking to offend everyone on the planet, to Pasolini's fierce socialist attacks on the hypocrites of the world, to Kenneth Anger's esoteric and homoerotic Thelema-inspired creations -- these are films that are still vibrant and powerful to this very day, forty years later, and that is because they were works of complete originality and power, there is no self-loathing to be found in any of it.
No one will be talking about this dated, gay-bashing soft porn in even five years' time.
Você sabia?
- CuriosidadesSurprisingly, Harris Dickinson the actor who plays Frankie in the film was actually too fit to play the role before filming began. "I got there and, without sounding arrogant, director Eliza Hittman told me that I was a bit too in shape," he recalled. "She told me to kind of eat what I wanted for a bit, because it wouldn't be right. Frankie is amongst a community of people where going to the beach and having your top off is such a big part of summer, so there's pressure to work out, but also they're not quite hitting the mark in terms of being in top-notch shape. They'll do, like, chest and arms."
- Erros de gravaçãoWhen Frankie is asked if he's a cop by the guy he is meeting, the car pulls up with what appears to be New York license plates. After Frankie gets into the car and they drive away, the car now has Virginia license plates.
- Trilhas sonorasBeach Rats Theme
Written and Performed by Nick León (as Nick León)
Containing an excerpt from "Rain Dance (Phase One Intro)", written by Akeem Joseph and Marlon Fung
Principais escolhas
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- How long is Beach Rats?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 473.771
- Fim de semana de estreia nos EUA e Canadá
- US$ 46.451
- 27 de ago. de 2017
- Faturamento bruto mundial
- US$ 486.623
- Tempo de duração1 hora 38 minutos
- Cor
- Proporção
- 1.85 : 1
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