Thelma

First off. Some people are calling this a horror movie. It is not. This is a mysterious drama-thriller with supernatural elements, and just the slightest hint of horror. Now, I expected this so it was OK, but be aware. Expectations is a movie worst enemy!

OK! So Thelma is beautifully shot. Thought has gone into each scene, and each camera angle. The movie overall is very calm, kinda quiet. Eili Harboe is excellent as the titular character. The other characters are good too, but she stands out. She has a very natural way of acting. Also she is beautiful, and so is Kaya Wilkins, which plays her new friend. Gorgeous people.

Like I said, Thelma is a calm, low key movie for the most part. I did think it dragged just a tad in the middle part, but both the beginning and ending is pretty good. It has certain romantic tendencies, but it was done in a not annoying way. Good.

The are some scenes with CGI here, and they are very well done. You almost won't notice they are CG, except from the fact that you know you are watching something impossible. That's good. Thelma is not heavy on big effect stuff, but the effects that are, are excellent.

Joachim Trier is Norwegian movie critics golden child. They love him over here. Personally I'm no big fan, but then again, Reprise is the only movie of his I've seen, so I can't really say. But Thelma is the kind of supernatural movie movie critics are actually allowed to like. Because it's kinda artsy, ya'll! ;) Anyway, I liked it, didn't love it, but maybe I will later? I doubt it, but who knows! Know what you are in for, and you will probably like it too!

Very good acting and some compelling character development are this film's greatest strengths. The deliberate, almost meditative pacing is affecting, as is the score. There are many moments of quietude, and this is part of what makes it such an interesting twist on Carrie. They really are of two completely different kinds of stories despite Thelma being a sort of Nordic retelling of Carrie.

The film's greatest flaw is the script's incorporation of that tired old cliche of fundamentalist religious fanaticism, which is such an old and boring trope. every single movie I've ever seen with this component and every story I've ever read that relies on it is weaker as a result. There are so many more subtle ways to introduce character and thematic complexity if part of what you're trying to do is include some sort of religious or spiritual dimension. Relying on the old and not-so-venerable fundamentalist Christian cliche means that the script misses out on some really interesting opportunities for greater subtlety and depth period

Nonetheless, this is a very good low-key paranormal drama.

Thelma is a hard film to categorise. It contains everything from drama, mystery, supernatural elements, a bit of horror and is essentially a story about love, self-discovery and the fear it may be attached to it. It is a very slow film but the pace is even enough so it never gets dull or drags. The opening sequence is perfect and sets the tone of the film right from the very first seconds. All the performances are simply top-notch and photography stunning. There is also a bit of symbolism present so you will get your share of food for thought. The symbolism nicely compliments the film, it is not the focus of it and thus does not make Thelma a full on art-house film where you can't decipher or understand what is going on. It is very well written although it is very hard not to think of or compare it to Carrie since there are similarities.

Everyone who love dark films and stories with haunting atmosphere, good performances and beautiful photography should not miss this one. Recommended.

"Thelma" (2017 release from Norway; 116 min.) brings the story of university student Thelma. As the movie opens, we see young Thelma and her dad walking in the snowy woods, and when they encounter a deer, dad aims his riffle first at the deer, then.... at Thelma. Whoa! We then go to today, as Thelma, just entering university in Oslo, has a difficult time finding her way. Then one day, as she is in the library/study hall, Thelma suffers a seizure. Following that incident, Anja, another student, reaches out to Thelma to see if she's okay. At this point we are 10 min. into the movie but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the latest from Norwegian writer-director director Joachim Trier, who previously gave us the excellent "Louder Than Bombs" (2015) and before that the even better "Oslo, August 31st" (2011). Here he goes a very different direction. Trier brings us Thelma, an 18 yr. old who grew up in a very conservative/religious/rural setting but now finds freedom in the big city and, while feeling guilty about it, is nevertheless quite eager to explore this newly found freedom. The movie is paced quite slowly, and I mean that as a compliment, as Trier takes his time to explore and provide full characters. After the first seizure, Thelma gets scared and confesses "I know there's something wrong with me", but what exactly? And what causes thee seizures? All is revealed in the second hour of the movie... I shan't say more! Eili Harboe is outstanding in the title role, and I can only imagine that she will soon be making her debut in US movies. In fact, I could easily see how "Thelma" is one of those movies that Hollywood wants to remake--Hollywood style of course. Let's hope I am dead wrong on this one. "Thelma" is 180 degrees away from Hollywood mainstream, and it should stay that way,

"Thelma" opened without any fanfare or advertising at my local art-house theater here in Cincinnati this weekend, and seeing that this was directed by Joachim Trier was good enough for me to check it out. So glad I did. The Friday early evening screening where I saw this at was attended so-so at best (6 people including myself), and that leads me to think this won't play long in the theater... If you are in the mood for a top-notch foreign psychological drama with hints of the supernatural, I readily recommend that you check out "Thelma", be it in the theater (while you still can), on VOD, or eventually on DVD/Blu-ray. "Thelma" is a WINNER.

I feel like in the future, I might appreciate this movie even more. You really have to respect the ethics of it. Odder, unusual movies are commonly only screened at festivals, so it makes me very happy that this is one that slipped through the cracks and made it to the regular theaters. This is one of the most unique experiences I've had all year.

It revolves around Thelma, who grew up in a religious household and now is an adult living on her own. She's pretty shy and doesn't know how to talk to anyone at school. One day when she sits besides a girl (who will become very important to the story), she starts shaking and crows crash into the windows. She's having an epileptic seizure. But why?

Once she starts to have feelings for Anja (with Anja showing feelings back) as well as drinking and smoking (which her parents openly have discouraged), her powers start to spiral out of control even more, having horrifying nightmares and weird visions.

This is a very nice and slowly paced (in a good way) movie, but "nice" does not always equal comfortable. It will make you happy with emotions bubbling up in you, it will scare you one other moment and it will make you very sad. As the movie goes on it gets darker and darker, but instead of delving into full-on horror territory it makes you think a lot, and deals with Thelma getting increasingly emotionally conflicted. Why does she have these powers if they don't do any good for her? Is she punished by her sins or is she punished because she has lived out her life restrictfully? There's an interesting conversation at the beginning, where Thelma makes fun of creationists for believing the Earth is only 6000 years old, and her parents tell her she shouldn't make fun of what others believe and that she doesn't know much more herself about what created the world and what controls it. Thelma feels belittled, like she's been relieved of all sorts of independent expression. Despite this, she apologizes to her father afterwards since she's too afraid to break their rules, that she'll lose her love if she deviates too much from what she's been brought up to think.

The romance aspect is handled very nicely. It doesn't feel the slightest bit sappy, Elli Harboe and Kaya Wilkins play their characters gracefully, and their scenes together are never bloated by Hollywood esque music, which would remove some of the subtlety.

Joachim Trier also makes this movie look GORGEOUS visually, you often feel like you're inside of some strange lucid tangible dream world, and whenever scary things occur it's absolutely beautiful to look at.

It's not suitable as simple escapist entertainment, but if you want something which will make you think about the characters afterwards, not just how well-acted they were, but them as people, then I promise you won't regret it.