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IMDbPro

Whose Streets?

  • 2017
  • R
  • 1 h 42 min
AVALIAÇÃO DA IMDb
6,0/10
1,4 mil
SUA AVALIAÇÃO
Whose Streets? (2017)
When unarmed teenager Michael Brown is killed by police and left lying in the street for hours, it marks a breaking point for the residents of St. Louis, Missouri. Grief, long-standing racial tensions and renewed anger bring residents together to hold vigil and protest this latest tragedy. Empowered parents, artists and teachers from around the country come together as freedom fighters. As the National Guard descends on Ferguson with military grade weaponry, these young community members become the torchbearers of a new resistance
Reproduzir trailer1:37
2 vídeos
8 fotos
Documentary

Adicionar um enredo no seu idiomaAn unflinching look at how the police killing of 18-year-old Mike Brown inspired a community to fight back and sparked a global movement.An unflinching look at how the police killing of 18-year-old Mike Brown inspired a community to fight back and sparked a global movement.An unflinching look at how the police killing of 18-year-old Mike Brown inspired a community to fight back and sparked a global movement.

  • Direção
    • Sabaah Folayan
    • Damon Davis
  • Roteirista
    • Sabaah Folayan
  • Artistas
    • Lezley McSpadden
    • Michael Brown Sr.
    • David Whitt
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    1,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Sabaah Folayan
      • Damon Davis
    • Roteirista
      • Sabaah Folayan
    • Artistas
      • Lezley McSpadden
      • Michael Brown Sr.
      • David Whitt
    • 15Avaliações de usuários
    • 30Avaliações da crítica
    • 79Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 18 indicações no total

    Vídeos2

    Official Trailer
    Trailer 1:37
    Official Trailer
    Whose Streets? Official Trailer
    Trailer 2:01
    Whose Streets? Official Trailer
    Whose Streets? Official Trailer
    Trailer 2:01
    Whose Streets? Official Trailer

    Fotos7

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    Elenco principal29

    Editar
    Lezley McSpadden
    • Self - Mother of Mike Brown Jr.
    Michael Brown Sr.
    • Self - Father of Mike Brown Jr.
    David Whitt
    • Self
    Montague Simmons
    • Self
    Jamala
    • Self
    Ashley Yates
    • Self
    Anthony Shadid
    • Self
    • (as Brother Shadid)
    Kayla Reed
    • Self
    T-Dubb-O
    • Self
    Catherine Daniels
    • Self
    • (as Mama Cat)
    Tef Poe
    • Self
    Brittany Ferrell
    • Self
    Kenna Ferrell
    • Self
    Thomas Jackson
    • Self - Ferguson Police Chief
    • (cenas de arquivo)
    Bassem Masri
    • Self
    Tory Russell
    • Self
    Dhoruba
    • Self
    Jay Nixon
    Jay Nixon
    • Self - Governor of Missouri
    • (cenas de arquivo)
    • Direção
      • Sabaah Folayan
      • Damon Davis
    • Roteirista
      • Sabaah Folayan
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários15

    6,01.4K
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    Avaliações em destaque

    10BeetJuice

    Solid film.

    Really shows the perspective of some local activists living in Ferguson of what the Mike Brown protests were all about. There is not huge detail into the Mike Brown shooting. It's more about raw footage of street protests, police reactions, some town halls, and so on. It really shows how the protesters were not armed and were faced with a much more weaponized police response. The police clearly are not a part of the community and one wonders why the officers appear so alien from the people they are policing. The police are portrayed as a failed institution. There are some brief news clips interspersed in. Most of it is just amateur video on the streets. There is a glimpse into the personal life of some of the activists.

    At one point, one of the activists said that you can burn down a convenience store yet it can be rebuilt, however all the magicians in the world can't bring back a dead person. Therefore, the real question of violence should be: was anyone hurt? This encapsulates the overall theme of the documentary which is that people come before everything. Clearly the Mike Brown killing became a rallying point but he was also a symbol for much deeper grievances, which is the community didn't feel the police force treated them as people. You won't hear much from the other side in this documentary but it doesn't pretend to be that.
    ersbel

    A sad view of life

    The footage is so valuable. There is no story there. Still, the footage is powerful. I have no idea if the images were carefully edited to show the people in the streets all of African descent and the police all of European descent.

    The sad part comes later. Poor people exploited.

    Exploited by the thieves and robbers who make use of the revolt to destroy property. Not only they disgrace the manifestation, but they will make the lives of the people living there even worse without shops and restaurants nearby.

    Exploited by the police. The police who does not care or interfere with the problems of the people living there only to ask for more money, more wages, more equipment and bigger pensions.

    Exploited by the speakers. Young men and women taking about "our kids". Even if the "kid" was quite an adult. Progressive speakers who care about their possible speaking engagements and TV shows. Speakers who put salt on the wounds in the names of "being united". History shows these people usually move beyond the racial lines, in low crime towns and keep talking about the suffering while sending their kids to private schools.

    Exploited by the film makers who get to travel and walk the documentary.

    And the people are left there. With less police. Less places to shop. Less employments opportunities nearby.
    8gabethurau

    White guy from Saint Louis. Sad that I watched the riots from my computer.

    With the recent #blackout tuesday taking social media by storm, I too feel the need to reflect and revisit crucial moments of unrest in recent history.

    I grew up in suburban Missouri. I had a few good friends who were half-black, but I largely lived in an insulated, middle class environment where racial tensions were out of sight and mind.

    My appreciation for hip hop, Jazz, James Baldwin, Dave Chapelle, and Ta-Nehisi Coates has brought me baby steps closer to appreciating black culture over the years. But there is still a lot of fetishization on my part.

    Overall, my laziness has kept race on the outskirts of understanding. And perhaps it should always be at the outskirts of understanding - me being a white man who will never truly understand the struggle of the African American in a America that doesn't give our black neighbors the time of day.

    I have learned to treat racial understanding like Zen. The impossibility of understanding means the process is both the journey and the endpoint. The moment I begin to think that I "understand" is the moment I get lazy again.

    Rewatching this movie, and being reminded of what happened right down the street from me in Ferguson, has given me a momentary respite from laziness. And I hope watching Whose Streets will give you the same chance for reflection.
    8AndrewNByrne

    Are you kidding me? A rating of 4.7??

    The people who gave this movie a bad review for the reasons they provided need to read a history book. I am not even American and I know that this kind of stuff is not pushing an agenda of any kind. It's continuing a centuries long struggle that unfortunately seems to have no end.

    This documentary was emotional and powerful and told the story from a point of view many of us cannot possibly understand because we have not lived it. The only problem I have with this movie is that it doesn't contain more information from the people involved. I wanted even more interviews and more footage.
    3mrneilfrancis

    Bad performance by the Director.

    I have to say that the director has to take the blame for using this opportunity to put together a poor documentary. There was no backstory on Michael Brown, well not a Knouff! Also a lot of video camcorder phone footage was used that was pointless. There was no investigative investigative journalism and the story wasn't linked together properly. For those who don't know anything about Michael Brown this story would be confusing it seems it was just made for the people of Ferguson who were aware of the story anyway. Really poor effort and missed opportunity by Sabaah The Director. Shame because it should have been a powerful story.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Michael Brown, the decedent whose death sparked 4 days of violent riots, never put his hands up in surrender and in fact, charged and grabbed the gun of the police officer that shot him.
    • Citações

      David Whitt: It was obvious military tactic. Come in, cut off their communication, round them up, you know what I'm saying? Then, once we had them under control, have them lose people, have a combat photographer come in and say like 'Hey, look, they going crazy' Yeah, they going crazy because we just cut off their communication and shot a couple of them. And then, later on, everything calm and all that and then everybody home, like 'Oh hey, they rounded up the insurgents' We in their country. How are they insurgents? You know what I'm saying? That's what's going on in Ferguson, man.

    • Conexões
      Featured in Subject (2022)
    • Trilhas sonoras
      Freedom Song
      Written by Natanjah Driscoll and Damon Davis

      Performed by Natanjah Driscoll

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 11 de agosto de 2017 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official Instagram
    • Idioma
      • Inglês
    • Também conhecido como
      • Чьи улицы?
    • Locações de filme
      • Ferguson, Missouri, EUA(primary footage)
    • Empresa de produção
      • Magnolia Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 182.799
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 43.804
      • 13 de ago. de 2017
    • Faturamento bruto mundial
      • US$ 182.799
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 42 minutos
    • Cor
      • Color

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