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IMDbPro

HyperNormalisation

  • 2016
  • 2 h 46 min
AVALIAÇÃO DA IMDb
8,2/10
7,9 mil
SUA AVALIAÇÃO
HyperNormalisation (2016)
Adam Curtis explains how, at a time of confusing and inexplicable world events, politicians and the people they represent have retreated in to a damaging over-simplified version of what is happening.
Reproduzir trailer2:56
1 vídeo
12 fotos
Documentary

Adam Curtis explica como, em uma época de eventos mundiais confusos e inexplicáveis, os políticos e as pessoas que eles representam recuaram para uma versão simplificada e prejudicial do que... Ler tudoAdam Curtis explica como, em uma época de eventos mundiais confusos e inexplicáveis, os políticos e as pessoas que eles representam recuaram para uma versão simplificada e prejudicial do que está acontecendo.Adam Curtis explica como, em uma época de eventos mundiais confusos e inexplicáveis, os políticos e as pessoas que eles representam recuaram para uma versão simplificada e prejudicial do que está acontecendo.

  • Direção
    • Adam Curtis
  • Roteirista
    • Adam Curtis
  • Artistas
    • Adam Curtis
    • Donald Trump
    • Vladimir Putin
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,2/10
    7,9 mil
    SUA AVALIAÇÃO
    • Direção
      • Adam Curtis
    • Roteirista
      • Adam Curtis
    • Artistas
      • Adam Curtis
      • Donald Trump
      • Vladimir Putin
    • 39Avaliações de usuários
    • 7Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado para 1 prêmio BAFTA
      • 2 indicações no total

    Vídeos1

    Trailer
    Trailer 2:56
    Trailer

    Fotos12

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    + 8
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    Elenco principal53

    Editar
    Adam Curtis
    Adam Curtis
    • Narrator
    • (narração)
    Donald Trump
    Donald Trump
    • Self - Businessman
    • (cenas de arquivo)
    Vladimir Putin
    Vladimir Putin
    • Self - Russia Leader
    • (cenas de arquivo)
    Victor Gotbaum
    • Self - NYC Workers League
    • (cenas de arquivo)
    Patti Smith
    Patti Smith
    • Self - Singer
    • (cenas de arquivo)
    Henry Kissinger
    Henry Kissinger
    • Self - US Secretary of State
    • (cenas de arquivo)
    Hafez al-Assad
    Hafez al-Assad
    • Self - President of Syria
    • (cenas de arquivo)
    Thomas Schelling
    Thomas Schelling
    • Self - Economist
    • (cenas de arquivo)
    Soraya El-Hayan
    • Self - Syria Social Affairs Minister
    • (cenas de arquivo)
    Leslie Gelb
    • Self - US Department of Defense
    • (cenas de arquivo)
    Ronald Reagan
    Ronald Reagan
    • Self - President of the United States
    • (cenas de arquivo)
    Nancy Reagan
    Nancy Reagan
    • Self - Ronald Reagan's Wife
    • (cenas de arquivo)
    Ayatollah Khomeini
    Ayatollah Khomeini
    • Self - Ayatollah of Iran
    • (cenas de arquivo)
    • (as Ruhollah Khomeyni)
    George Pucciarelli
    • Self - US Navy Commander, Chaplain
    • (cenas de arquivo)
    Timothy Leary
    Timothy Leary
    • Self - Psychologist
    • (cenas de arquivo)
    John Perry Barlow
    John Perry Barlow
    • Self - Electronic Frontier Foundation
    • (cenas de arquivo)
    Phiber Optik
    • Self - Computer Hacker
    • (cenas de arquivo)
    Muammar Gaddafi
    Muammar Gaddafi
    • Self - Ruler of Lybia
    • (cenas de arquivo)
    • (as Muammar Gadaffi)
    • Direção
      • Adam Curtis
    • Roteirista
      • Adam Curtis
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários39

    8,27.8K
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    Avaliações em destaque

    bob the moo

    Flawed but fascinating in its polemic presentation

    At the core of this film is a message which I think we can all appreciate; that the world is complex and filled with diversity but at the same time we are encouraged by our media, hobbies, and politicians, to believe it is much more black/white, and not to expose ourselves to views that contrast with our own. This is not new unfortunately – the politics of the right/wrong is everywhere, and the echo chambers of Twitter, CNN, Fox, and many other "people who liked this also liked these" type tools – it is pretty clear where we are. How we got here is more interesting, and there are worse ways to explore it than to allow Adam Curtis to have a run at explaining it.

    The way he does it here is as compelling and confusing and frustrating and flawed as one would imagine; it really succeeds in making some of his other work look like the tightest factual presentation ever. In almost three hours we explore the story by touching on Gaddafi, Ayatollah Khomeini, the internet, politics, Donald Trump, 1970's Russian sci-fi; the Arab spring; perception management, drugs, Brexit, UFO conspiracies, Twitter, and so on. Often the links are tenuous, but Curtis structures it really cleverly – we are given chunks of facts in a presentation that makes sense, and as a result we accept the links even as they jump countries and decades.

    The downside is that many will be turned off because this is polemic incorrectly presented as a documentary. It is not the latter but as the former it works very well. Although it runs to almost 3 hours, I did not find it boring, but rather found it quite compelling in its message and the manner in which it is presented. The strength of the film to me was not that it convinces in every word, or that I agreed with it wholly but rather that it gave me plenty to think about. It helps that I am old enough to remember many of these events – to have seen the shifting political allegiances, to experience the moments, and to feel like they were not organic in all cases.

    HyperNormalization is a niche film – it did not even make it not a BBC channel but rather was put on the streaming service directly. It is not as smart as it wants to, but it is engaging and interesting whether you agree with all of its assertions or not.
    UNOhwen

    I've been saying this for a long time now...

    Chillingly accurate.

    My Curtis is probably the most accurate - devastating documentarist I've ever seen.

    I think Mr Curtis' ouvre is a visual record on part with the witness of Malcolm Gladwell, and though they're interests differ,, these 2 are supporters of the tent poles which hold us up - personally and as a race.

    Watching, I find it difficult to not watch, but, for every brake in his narrative, I'm almost fearful to continue watching.

    I've always said there's nothing more chilling than realty.

    If you're sometime who wants to begin to understand, 'wtf is going on with this works and how had it happened?' here it is.

    I don't want to say to much, aside from this is truly the real 'Shock of the New (to borrow, from my favourite art historian essayist, and general bad boy, Robert Hughes).
    8philw-12

    A summary of where we are and how we got here.

    I don't often write reviews on IMDb. In fact, this is only the second one I can remember doing. So why am I writing one now? Because this documentary is brilliant? No. It's very good, but brilliant would be a stretch.

    I am writing it, because this documentary is important.

    This film is long, at 2 hours 45 mins. For a documentary, you would think you'd fall asleep long before the end. Trust me, you won't. It is never boring, and at times, it's frankly mesmerising.

    In a nutshell the film tells how we have arrived in the post-truth political world, from it's origins in the 1975. It explains the complex interplay between politics, the rise of the internet, the media and social media. Using archive footage and the power of hindsight, it show's how our governments are now just controllers and managers of risk, rather than visionaries, and why you can no longer believe much of anything they tell you.

    Sounds like a conspiracy theory right? It isn't. I pride myself on being a rational thinker. I studied science at uni. I'm not religious and I take pleasure in debunking the ridiculous conspiracy theories you see on the internet. This is different. Not because he backs everything up with sources and evidence, but because if you are old enough, you will remember the events, and you will know it makes sense.

    I gave this 8/10. Would have been 7, but I think the importance of the subject matter warrants a bonus point. It could have scored a ten, but as I said, I'm a trained scientist, and I value evidence. The film is let down by the absence of enough hard proof. It left me with the feeling that it's absolutely spot on, and that I already knew what it is telling me, but just hadn't admitted it to myself. However, I feel that it will leave many, especially those of the more conservative persuasion, saying "where's the evidence?"

    Some more hard facts; documents, interviews with insiders, anything, would have helped to convincingly drive the point home. That said, if you're looking for something that will make you think, you'll certainly get that.
    8zalouteacher

    Again: From Falsity everything follows

    Adam again used his deconstructivist style in order to reach the un-result leaving the viewer mesmerized and perplexed by what s/he should hold as truth in this world. The soundtrack of the documentary is similar to his previous documentary "Bitter Lake" with the acid music and also the colors in the movie are really sharp with raw footage that are unedited maybe to reflect the real world he's trying to unravel to the laymen. Again, he blames the finance men for the troubles that are happening around the world and also the politicians who gave up their powers to them by letting them have more than it is supposed to be. However, he has some inaccuracies in terms of some cases especially to what is happening in the Arab world. In other words, he may have even fallen in the perception management that he described in his documentary. In general, his documentary is mind opening to question the reality that is surrounding us.
    thomasjay-2201

    Eye Opening

    A fascinating dive into the current world of politics and the vast significant changes worldwide over the past 30-40 years which have seen a change in systems and beliefs. This documentary provides the facts behind political conflict and gives reason for particular events which have triggered truly shocking outcomes. The run time might be off putting but this is an important watch

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    Você sabia?

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    • Curiosidades
      The term "hypernormalisation" is taken from Alexei Yurchak's 2006 book Everything was Forever, Until it was No More: The Last Soviet Generation, about the paradoxes of life in the Soviet Union during the 20 years before it collapsed.
    • Citações

      Narrator: This was a new world that the old systems of power found it very difficult to deal with. In the wake of the 9/11 attacks, the security agencies secretly collected data from millions of people online. One program was called optic nerve. It took stills from the webcam conversations of millions of people across the world, trying to spot terrorist planning another attack. The program did not discover a single terrorist, but it did discover something else.

    • Conexões
      Featured in Russell Brand the Trews: HyperNormalisation: Trews Special Edition (2016)
    • Trilhas sonoras
      The Vanishing American family
      Written by Scuba Z

      Interpreted by Scuba Z

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    • How long is HyperNormalisation?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 16 de outubro de 2016 (Reino Unido)
    • País de origem
      • Reino Unido
    • Centrais de atendimento oficiais
      • bbc
      • Official Blog
    • Idiomas
      • Inglês
      • Russo
    • Também conhecido como
      • Гипернормализация
    • Locações de filme
      • Nova Iorque, Nova Iorque, EUA(Establishing shots, aerial views, Underground scenes, Citicorp headquarters building and inside offices, WTC North and South Towers in night aerial view, Trans World Bank headquarters building in day aerial view, Manhattan and the Statue of Liberty in aerial view.)
    • Empresa de produção
      • British Broadcasting Corporation (BBC)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 46 minutos
    • Cor
      • Color

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