Professor Marston e as Mulheres-Maravilhas

OK I'm not going to say a whole lot but I'm short: I really like this one.

Even if, by design, it looks like an unexceptional biopic by each fricken frame, the characters and dialogue more than make up for it. The story is centered around William Moulton Marston who - and I'm not kidding here - is 1. The inventor of the lie detector, 2. a radical progressive feminist that thinks women are the superior race with proof in the form of his psychological research 3. One of which include bondage (seriously) 4. Manages to have 2 wives who loved and lived together and 5. Used all his fixations and progressive ideals to invent Wonder Woman.

I mean hell! You could tell me if this guy could turn water into wine and I would believe you. The film knows how bonkers this guy is, but presents him matter-of-factly rather than with scorn or praise. Much like my closest film comparison THE PEOPLE VS LARRY FLINT, it's the type of eccentric, perverse mindset that doesn't allow you to like the man but understand and appreciate how he changed the world with his ideals.

However, the film is mostly concerned with the three-way (sorry) love story at the center. The wife gets all the most complexity as she struggles with her bisexuality, her suppressed opportunities based on her gender, and the everyday family lifestyle that rejects her. It gets deep as well as heartbreaking.

Olive turns out to be the partner of the two, and easily gets more of an arc. At first very shy and uncertain of her status in life, the film progresses her to the free-spirited bisexuality that the movie treats as a hopeful triumph. The best moment is when she dawns the Wonder Woman costume in order to perform S&M ( Just bare with me, guys) and it's presented as a sign of self-discovery rather than gratuitous sleaze. I'm not sure if people like her would connect to this, but I would say it's a lot more hopeful and cathartic than anything BATTLE OF THE SEXES could ever wish to offer.

Angela Robinson directs this with the type of directing chops you expect from a run-of-the-mill miniseries rather than a movie. But much like Patty Jenkins work with WONDER WOMAN, her limited chops is unmatched by the utter love and conviction to the subject matter. It's the type of film where the imperfections make the film more real and self-confident.

Professor Marston & The Wonder Women is a damn good time and the rare biopic you rarely see anymore. Classy, funny, sexy, delightful, brilliantly acted, and overall passionate, you have to see this!

First, I must confess that I am little acquainted with the Wonder Woman comic books. I loved the Wonder Woman series with Lynda Carter and I absolutely loved and am obsessed with the movie starring Gal Gadot. I watched this movie at once because I was curious about the background of the comic book author and because it stars two actors I really admire, Luke Evans and Rebecca Hall. I was pleasantly surprised at how much I enjoyed this movie. The pacing was right, I felt, for the story. I loved how the story was about him but the main focus was always, rightly so, on the two amazing and powerful women who shaped Wonder Woman as much as they influence and shaped the man who created the character from what he saw as the best of both women. The nudity/love scenes in this movie were not graphic and were done, again, my opinion, tastefully and with reverence to the story. I highly recommend this movie to everyone. I loved Wonder Woman before, I now understand why.

When Wonder Woman made her live action big screen debut on opening weekend, a teaser for a movie based on the life of the creator and his relationship with his wife and her friends made the rounds causing lots of buzz. The thing is, the movie was better than the teaser. It's very accurate based on the time period and the casting is great. Unlike the wonder woman movie, this one is not for kids. It's rated R for sex and nudity and it shows. Luke Evans plays the lead role as Prof. Marston, who created the lie detector test and is on his way to create a game changing female super hero who would become the most famous of them all: Wonder Woman. I'm surprised that this movie didn't get any Oscar love (same for Wonder Woman 2017). Give this one a rental and see for yourself how wonderful this movie is.

Grateful to have caught an early screening of this movie in NYC, in which the cast made a brief appearance at the movie theater. The first thing I want to say is that this is a movie I will watch more than once.

Professor Marston and the Wonder Women is a film about ideas. It explores polyamory ("the philosophy or state of being in love or romantically involved with more than one person at the same time") and touches on explorations of dominance/submission and role-play, along the lines of BDSM.

Having read Jill Lepore's excellent book, The Secret History of Wonder Woman, I knew a great deal about this story before going into the theater. As Lepore writes, "Wonder Woman's debt is to the fictional feminist utopia and the struggle for women's rights. Her origins lie in William Moulton Marston's past, and in the lives of the women he loved; they created Wonder Woman, too." It's this dynamic that sets the stage for this story, and the preview trailer for this film made it look erotic too. But those expecting to see a film along the lines of Henry & June may be disappointed.

I enjoyed this movie, but wished the romantic elements were explored more fully, particularly between the two women. The editing seemed at times overly efficient, too much in a hurry, far more concerned with propelling the narrative forward than in creating a relaxed, intimate atmosphere where the characters could indulge in the situation and be in the moment. I wish there were more "real time" scenes of foreplay, actually. Not sex, foreplay - as in flirting. Because I couldn't see the bond these people shared, and this was a movie about how these people connected.

My favorite character, by far, was Olive Byrne as played by Bella Heathcote, who is vulnerable and beautiful in the film. A real Gwendoline, to use fetish parlance. Least favorite would be Marston's wife as played by Rebecca Hall, who's an accomplished actress but seemed too uptight - and, worse, too contemporary - in this role. It always amazes me that costume and set design for period pieces like this are thoroughly researched and accurately reproduced, while almost no research goes into reproducing language use and speech patterns of the day (1925 - 1947). Did people actually use the f-word as much as Rebecca Hall uses it in this film? I think not. It made her character more grating than she needed to be. This is a fault of the script, and the f-word was used as a crutch far too often.

Marston was played adequately by the rugged-looking Luke Evans, who bears no resemblance to the overweight, dreamy-eyed real-life William Moulton Marston, but this was a concession to female audience members I suppose.

In real life, it's unknown how Marston developed an interest in BDSM. In the film, it's through Marston's encounter with the mythical pioneer of fetish history, Charles Guyette (the "G-string King"), a real historical figure. What I know of Guyette I learned through reading Charles Guyette: Godfather of American Fetish Art by Richard Perez Seves. As suavely played by JJ Field, he serves as mentor to Marston. Again, this is a bit of shorthand. Guyette is not mentioned in Lepore's history, but the audience is quickly introduced to this fetish underworld, which serves as a strong influence in the creation of Wonder Woman. No mention of Guyette being French in the Seves's book; in fact, he was born and raised in Massachusetts, according to Seves, but the people making this film may not have known this at the time as this brief book is more recent.

Overall, I'll wrap up this review by saying that despite these flaws, this is a film worth viewing. Maybe my own high expectations for it were impossible to meet. I enjoyed many scenes, with my favorite relying on the lie detector machine used in the first half of the movie; I truly loved those scenes. Again, I loved Bella Heathcote as Olive Byrne in this. So, in spite of all my nitpicking, I still give this movie a strong 7 out of 10. The ideas explored in this film make it worth watching. Maybe there's a director's cut of this film out there with additional scenes between the actors. One can only hope. But I would still see this movie again, as is, and certainly plan to.

Yesterday I saw the movie Proff. Marston and Wonder Women. I am from India and I never read any comics of Wonder Women, but I saw recently released film Wonder Women directed by Patty Jenkins, character played by Gal Gadot then I became aware of Wonder Women.

After few months, I saw this Proff. Marston and Wonder Women, thinking that a new film of Gal Gadot. But to may dismay, this film came out something else, a biography of Proff. Marston who created the comics of Wonder Women.

But after watching this film, I am really thankful to the director Angela Robinson for bringing out the story of Proff. Marston with such a deep understanding of his personal life and roles played by his wife Elizabeth and partner Olive in the creation of Wonder Women.

The film made a profound impact on me, I tried to find out why is it so, then I realized that the director made the use of DISC Theory that Proff. Marston used in all his life and applied it to his comics character of Wonder Women. Really hats off to the director for this.

I am really amazed by the meticulously crafted screenplay that not only captured the deep psyche of all the characters but also of the audience who do not want to miss a single scene or dialogue. Such a profound work! The script is so alive and written with emotion that we can feel the real characters playing the role.

The actors of the film are really praise worthy, whether it is Luke Evans, Rebecca Hall or Bella and others. They actually lived the script on the screen.

Nonetheless, the film's editor Jefferey Werner is the real hero of this film who brought the whole narrative to its life. He is an impeccable craftsman who has deep understanding of the film structure and montage theory. It requires some special skills to understand these complex characters and bringing their story to life without boring the audience.

I liked the camera work of cinematographer Bryce Fortner, there are no camera gimmicks but just simple and effective framing, no unnecessary emotive angles. The director and cinematographer gave all the freedom to the actors to portray deepest emotion that brings out a great dynamics to the screen. I really admire the scene where Bella wears the Amazonian dress; no special lighting but simple chiaroscuro that brings out all the mood and emotion.

The music by Tom Howe and background score is so effective that it keeps us rooted to our emotional journey. And one of the plus point of this film is its Make up, Costume and Art Direction. These areas are very well managed by the respective departments.

I am really moved by the story and life of Proff. Martson the creator of Wonder Woman. Once again my thanks to Angela Robinson for creating such a beautiful film. I wonder why this film is not nominated for Oscers?