AVALIAÇÃO DA IMDb
6,5/10
46 mil
SUA AVALIAÇÃO
Roman J. Israel é um advogado de defesa idealista e motivado, encontra-se numa série tumultuada de eventos que levam a uma crise e à necessidade de ação extrema.Roman J. Israel é um advogado de defesa idealista e motivado, encontra-se numa série tumultuada de eventos que levam a uma crise e à necessidade de ação extrema.Roman J. Israel é um advogado de defesa idealista e motivado, encontra-se numa série tumultuada de eventos que levam a uma crise e à necessidade de ação extrema.
- Indicado a 1 Oscar
- 2 vitórias e 11 indicações no total
Lynda Gravatt
- Vernita Wells
- (as Lynda Gravátt)
Avaliações em destaque
I initially wanted to condemn the film as reverse racist after the flag pin remark but I decided to give it a bit more time and ended up watching it to the end. Some say they were disappointed at a slow plodding film that misused the talented Denzel and slapped them with a crappy ending. We were not watching the same film.
Here Denzel portrays a man with every possible thing against him: he's a black man with a presumed Muslim last name, who has an almost autistic nature because of his savant abilities which has repressed his ability to be financially successful because he has no real interest in money and prefers to pursue truth instead. Once scene depicts him well when he appears to be rambling and then slaps us with the conclusion bringing it all together: there is no way to retain purity. Bam. We are hit with Roman's plight.
It is these savant abilities that drive him mad in his own mind while his simplistic brilliance is overlooked and mocked. As he struggles with his predicament after losing his purpose, he makes a fatal error. But in the end we see it was really the people who looked down on him who made the error by misjudging what Roman had to offer.
In the most subtle way, the film also asks us to review how we've treated people who seem strange to us and who we have mocked for thinking or sounding different then what we believe people should sound like.
A profound character study that studies not only him impact but those who impact him.
I tried to edit my initial review but didn't see any way to do that since it wasn't published yet.
It is these savant abilities that drive him mad in his own mind while his simplistic brilliance is overlooked and mocked. As he struggles with his predicament after losing his purpose, he makes a fatal error. But in the end we see it was really the people who looked down on him who made the error by misjudging what Roman had to offer.
In the most subtle way, the film also asks us to review how we've treated people who seem strange to us and who we have mocked for thinking or sounding different then what we believe people should sound like.
A profound character study that studies not only him impact but those who impact him.
I tried to edit my initial review but didn't see any way to do that since it wasn't published yet.
Denzel Washington stars as Roman J. Israel, Esq. a mildly savant criminal defense attorney whose life is turned upside down when his longtime law partner passes away. Suddenly the passionate civil rights attorney who thanks to his fiery demeanor should stay far away from an actual courtroom, is left looking for a job. He is forced to settle for working for George Pierce (Colin Farrell) a successful defense attorney, whom Roman views as a profiteer who doesn't care about his clients. The entire ordeal breaks Roman, who sells out his ideals and loses sight of who he was.
Denzel gives a good performance as the extremely passionate and slightly eccentric Roman J. Israel Esq., but Roman's penchant for long rambling speeches made for tedious viewing. Colin Farrell's Pierce develops into a much deeper character than he originally appears to be and is utilized well. However, while Roman's struggle to find his identity is the core of the film it never really is able to captivate. Ultimately the film settles in as an interesting character study that struggles to come together as anything more than that. While many would be content with that, it is a disappointing follow up for Dan Gilroy after his excellent debut with Nightcrawler.
Denzel gives a good performance as the extremely passionate and slightly eccentric Roman J. Israel Esq., but Roman's penchant for long rambling speeches made for tedious viewing. Colin Farrell's Pierce develops into a much deeper character than he originally appears to be and is utilized well. However, while Roman's struggle to find his identity is the core of the film it never really is able to captivate. Ultimately the film settles in as an interesting character study that struggles to come together as anything more than that. While many would be content with that, it is a disappointing follow up for Dan Gilroy after his excellent debut with Nightcrawler.
In "Roman J. Israel, Esq.," a drama written and directed by Dan Gilroy with Denzel Washington in the title role, the American legal system and the people who must somehow operate within its confines are exposed for what they are: an uneven mix of good and bad, with the tilt toward one or the other dependent as much or more so on the moral compass and grit of the individual as on circumstance, no matter how imposing or seemingly impossible they might be.
When someone asks criminal defense lawyer Roman what the "esq." on his business card is for, he replies _ proudly, with a wry grin: "A little above gentlemen and a little below knight." He might have added, a little below knight in white shining armor and a lot above an uncaring, fee-collecting robot.
Roman has spent his life fighting small injustices on behalf of the disenfranchised, a fight for which he has never been given credit while giving it everything he has, including sacrificing any kind of personal life to do it. He's been the real brains behind a small two-partner law firm he's formed with his former professor, and while tackling unglamorous cases he also has been assembling a brief that will change the class action portions of the justice system forever.
When his partner, in no small way the front man, has a heart attack and is incapacitated, Roman learns that the firm is in fact broke and has been much less altruistic than he was aware, something his former professor kept secret from him.
Roman subsequently applies for a job with slick young attorney George Pierce (Colin Farrell), whom his partner put in charge if something were to happen to him. it's an uneasy fit from the beginning, and Roman finds himself almost immediately morally and ethically challenged, not only in his interpersonal approach to clients and cases but in who he can defend and why.
When he tackles the case of a young African-American man arrested and charged with murder during a convenience store holdup, he begins to question everything he is and has done.
What Roman decides to do, and the consequences of his actions, are the core of a story that reflects scores of small real-life dramas playing out across the country well off the front pages, but significant in how they shape our beliefs and culture.
This may be Washington's finest work yet, a quiet if somewhat klutzy Everyman whose legal genius has both separated him from the norm while thrusting him into its very heart and soul.
This also may be Farrell's best film turn to date, an understated performance that stabs at the soft underbelly of our legal system.
The rest of the supporting cast _ including Carmen Ejogo, Amari Cheatom, DeRon Horton, Amanda Warren, Nazneen Contractor, Shelly Hennig, Joseph David-Jones and Andre T. Lee _ are uniformly excellent in their restrained intensity.
At once uplifting and disturbing, "Roman J. Israel, Esq." is outstanding on all counts.
When someone asks criminal defense lawyer Roman what the "esq." on his business card is for, he replies _ proudly, with a wry grin: "A little above gentlemen and a little below knight." He might have added, a little below knight in white shining armor and a lot above an uncaring, fee-collecting robot.
Roman has spent his life fighting small injustices on behalf of the disenfranchised, a fight for which he has never been given credit while giving it everything he has, including sacrificing any kind of personal life to do it. He's been the real brains behind a small two-partner law firm he's formed with his former professor, and while tackling unglamorous cases he also has been assembling a brief that will change the class action portions of the justice system forever.
When his partner, in no small way the front man, has a heart attack and is incapacitated, Roman learns that the firm is in fact broke and has been much less altruistic than he was aware, something his former professor kept secret from him.
Roman subsequently applies for a job with slick young attorney George Pierce (Colin Farrell), whom his partner put in charge if something were to happen to him. it's an uneasy fit from the beginning, and Roman finds himself almost immediately morally and ethically challenged, not only in his interpersonal approach to clients and cases but in who he can defend and why.
When he tackles the case of a young African-American man arrested and charged with murder during a convenience store holdup, he begins to question everything he is and has done.
What Roman decides to do, and the consequences of his actions, are the core of a story that reflects scores of small real-life dramas playing out across the country well off the front pages, but significant in how they shape our beliefs and culture.
This may be Washington's finest work yet, a quiet if somewhat klutzy Everyman whose legal genius has both separated him from the norm while thrusting him into its very heart and soul.
This also may be Farrell's best film turn to date, an understated performance that stabs at the soft underbelly of our legal system.
The rest of the supporting cast _ including Carmen Ejogo, Amari Cheatom, DeRon Horton, Amanda Warren, Nazneen Contractor, Shelly Hennig, Joseph David-Jones and Andre T. Lee _ are uniformly excellent in their restrained intensity.
At once uplifting and disturbing, "Roman J. Israel, Esq." is outstanding on all counts.
I found this to be some of the best work Denzel has done. I thought he hit the nail on the head in terms of helping his viewers feel empathy for the character. I have to be honest here. I strongly believe that if you are in your sixties and of African-American heritage this may really hit home on many levels. In general it is a film about holding on to our core values, then forgetting them to join the rest of societal madness only to realize that you were not alone in your view of the world. Restoring your original core only to pay the price of deserting it in the first place. Everyday we see people forfeit family,love and life for materialistic gains and other power trips. This is also about the change of values from one generation to another in today's world. This is a film with a message that has and will go over a lot of heads judging by some of the bad reviews I've read. Awesome sound track consisting of 60's and 70's soul and rock. Excellent character portrayals by all bar none.
The legendary Denzel Washington is associated with so many legendary roles that will forever live in the hearts of millions. And like many people, when I see he a movie of his about to release, I get excited I'm in store for another masterpiece. Enter Roman J. Israel Esq, a movie that from the trailers, held potential to be an interesting biography of a powerful legal, pro- action character that was certain to stir up trouble. Will it be powerfully emotional to fill your eyes to the brim with tears, or something else? Robbie K here to give you some insight into yet another movie this holiday season, let's get started.
LIKES:
The Message: Never say that a Denzel movie doesn't deliver a powerful punch in the emotional level. Roman J. Israel Esq, is another visual tribute to the topic of truth, honor, and the moral obligations of justice. The whole movie portrays the struggle of holding on to your beliefs vs. diving into the acceptable flow the public/society deems normal. We all have breaking points that push us into new areas and test our fortitude, the question is where does one cross the line and how far do they leap over it. Roman's tale shows the challenge quite well and more so what can happen when pushes the boundaries too far. It will get you thinking and perhaps question your own philosophies, assuming you can get past the other parts of this movie.
The Acting kind of: Denzel still has his acting skills down pat. He portrays the awkward character quite well, capturing the serious thoughts, the quirky mannerisms, and even the speech patterns necessary for portraying the mind within. Even more impressive though, is how well he acts out the struggles of the high stakes choices that bear heavy on his mind. At times, one can feel the weight of the decisions bearing down on them, the anxiety of making the wrong choice radiating out in the sequences. His supporting cast helps open up more dilemmas to tax him, but can't say they have the most involvement in the town.
The Music: The soundtrack is not the most toe tapping number, but one can appreciate the soul behind the songs selected for this movie. There selections were choice representations of the tone of the scene, sort of artistically symbolizing Rowan's mood and his answer to the current obstacles that plague him. It's a dynamic track list that constantly changes between genres, and fits so well into much of the movie, while perhaps bringing back some nostalgia for other fans.
DISLIKES:
The weaker character moments: Despite all the quarks Denzel got, his character isn't the most engaging or magical of the roles he has played. Past the morals he boasts, Roman just doesn't have a lot to him. He was a fairly flat character, with disinterest seeming to ooze from Denzel during much of the performance, almost like he had to really push himself to play the part. I had a hard time caring about him, the potential the trailers building failing to live up as Roman continued to just shrug more and more of the qualities I looked for. A redeeming moment at the end got the steam going, but by then it was too late and the movie was over. It also doesn't help that the supporting character actors don't seem too excited in their roles, and are just as mundane as some of Roman's personality. The characters just aren't engaged in the tale, and many aren't utilized to their full potential.
Boring: The emotional trials are strong, the food for thought even more of a rewarding experience, but did the movie have to be so dull? While I never expected this film to be an action packed, guns blazing tale, I certainly didn't expect the movie to lack so much suspense. The plot didn't have enough edge, there wasn't enough action or peaceful protest, and the absence of any real villain just led to a very lackluster tale. I had to fight sleep a couple of times in this movie, though it could be due to the long work day, but a Denzel Movie is usually more charged than what I was presented. Which brings me to my next dislike
Ambiguous: The movie's biggest problem for me was how aimless the plot was. The writers didn't seem to figure out which way they wanted to take the film, is a piece about being an activist, is it a biography, is it a crime/drama? I couldn't quite figure out the myself, but they settled on a little bit of everything, but didn't hit the high-quality components of the genres. The film could have used more crime/mystery to add the suspense, perhaps with a theme surrounding the hot political issues they try to cover, all showing the skills of the whomever Roman represented. I don't fell many will enjoy the approach they took, and the ambiguous story telling that was just stale and sad than anything else.
The VERDICT:
It held such potential, but Roman Israel Esq, just couldn't find its ground in the grand scheme of things. Denzel tried to do the heavy lifting, and accomplishes the messages of balancing morals, but outside of that lacks any big sustenance to him. In addition, the boring pace, weaker character interactions, and ambiguous plots, the movie just fails to provide the very justice it wanted to serve. Sad to see the legendary actor have a weaker film, but this reviewer encourages you to skip this movie and focus on the treasures that have already come out for your theater viewing pleasure, all while hoping Denzel will have another Oscar worthy film in the future.
My scores:
Crime/Drama: 6.0 Movie Overall: 5.0
LIKES:
The Message: Never say that a Denzel movie doesn't deliver a powerful punch in the emotional level. Roman J. Israel Esq, is another visual tribute to the topic of truth, honor, and the moral obligations of justice. The whole movie portrays the struggle of holding on to your beliefs vs. diving into the acceptable flow the public/society deems normal. We all have breaking points that push us into new areas and test our fortitude, the question is where does one cross the line and how far do they leap over it. Roman's tale shows the challenge quite well and more so what can happen when pushes the boundaries too far. It will get you thinking and perhaps question your own philosophies, assuming you can get past the other parts of this movie.
The Acting kind of: Denzel still has his acting skills down pat. He portrays the awkward character quite well, capturing the serious thoughts, the quirky mannerisms, and even the speech patterns necessary for portraying the mind within. Even more impressive though, is how well he acts out the struggles of the high stakes choices that bear heavy on his mind. At times, one can feel the weight of the decisions bearing down on them, the anxiety of making the wrong choice radiating out in the sequences. His supporting cast helps open up more dilemmas to tax him, but can't say they have the most involvement in the town.
The Music: The soundtrack is not the most toe tapping number, but one can appreciate the soul behind the songs selected for this movie. There selections were choice representations of the tone of the scene, sort of artistically symbolizing Rowan's mood and his answer to the current obstacles that plague him. It's a dynamic track list that constantly changes between genres, and fits so well into much of the movie, while perhaps bringing back some nostalgia for other fans.
DISLIKES:
The weaker character moments: Despite all the quarks Denzel got, his character isn't the most engaging or magical of the roles he has played. Past the morals he boasts, Roman just doesn't have a lot to him. He was a fairly flat character, with disinterest seeming to ooze from Denzel during much of the performance, almost like he had to really push himself to play the part. I had a hard time caring about him, the potential the trailers building failing to live up as Roman continued to just shrug more and more of the qualities I looked for. A redeeming moment at the end got the steam going, but by then it was too late and the movie was over. It also doesn't help that the supporting character actors don't seem too excited in their roles, and are just as mundane as some of Roman's personality. The characters just aren't engaged in the tale, and many aren't utilized to their full potential.
Boring: The emotional trials are strong, the food for thought even more of a rewarding experience, but did the movie have to be so dull? While I never expected this film to be an action packed, guns blazing tale, I certainly didn't expect the movie to lack so much suspense. The plot didn't have enough edge, there wasn't enough action or peaceful protest, and the absence of any real villain just led to a very lackluster tale. I had to fight sleep a couple of times in this movie, though it could be due to the long work day, but a Denzel Movie is usually more charged than what I was presented. Which brings me to my next dislike
Ambiguous: The movie's biggest problem for me was how aimless the plot was. The writers didn't seem to figure out which way they wanted to take the film, is a piece about being an activist, is it a biography, is it a crime/drama? I couldn't quite figure out the myself, but they settled on a little bit of everything, but didn't hit the high-quality components of the genres. The film could have used more crime/mystery to add the suspense, perhaps with a theme surrounding the hot political issues they try to cover, all showing the skills of the whomever Roman represented. I don't fell many will enjoy the approach they took, and the ambiguous story telling that was just stale and sad than anything else.
The VERDICT:
It held such potential, but Roman Israel Esq, just couldn't find its ground in the grand scheme of things. Denzel tried to do the heavy lifting, and accomplishes the messages of balancing morals, but outside of that lacks any big sustenance to him. In addition, the boring pace, weaker character interactions, and ambiguous plots, the movie just fails to provide the very justice it wanted to serve. Sad to see the legendary actor have a weaker film, but this reviewer encourages you to skip this movie and focus on the treasures that have already come out for your theater viewing pleasure, all while hoping Denzel will have another Oscar worthy film in the future.
My scores:
Crime/Drama: 6.0 Movie Overall: 5.0
Você sabia?
- CuriosidadesIn the film there's a visible gap between Denzel Washington's two front teeth. He had the gap fixed with dental caps sometime after high school, but decided to remove them for this role.
- Erros de gravaçãoThe entire film happens over three weeks' time, but when it's mentioned that William is in a coma, which occurs at the beginning of the movie, Roman states that he has been in a coma for several weeks already.
- Citações
Roman J. Israel, Esq.: Each of us is better than the worst thing we ever did.
- Versões alternativasAfter premiering at the Toronto International Film Festival, the film was re-cut by director Dan Gilroy and star Denzel Washington. The new version is 12 minutes shorter than the festival premiere. In addition to dropping some scenes, the film now features different music on the soundtrack (replacing a number of songs) and moves a scene depicting Roman and Israel going to a Lakers game at the Staples Center to an earlier point in the story.
- Trilhas sonorasKeep On Truckin'
Written by Leonard Caston, Anita Poree and Frank E. Wilson
Performed by Eddie Kendricks
Courtesy of Motown Records
Under license from Universal Music Enterprises
Principais escolhas
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- How long is Roman J. Israel, Esq.?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Roman J. Israel, Esq.: Un hombre con principios
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 22.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 11.962.778
- Fim de semana de estreia nos EUA e Canadá
- US$ 61.999
- 19 de nov. de 2017
- Faturamento bruto mundial
- US$ 13.025.860
- Tempo de duração2 horas 2 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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