Thondimuthalum Dhriksakshiyum
- 2017
- 2 h 15 min
AVALIAÇÃO DA IMDb
8,0/10
8,7 mil
SUA AVALIAÇÃO
Prasad e Sreeja se casam e mudam para um novo lugar para continuar suas vidas. Eventos infelizes começam a ocorrer depois que Prasad, um simples ladrão, rouba a corrente de ouro de Sreeja du... Ler tudoPrasad e Sreeja se casam e mudam para um novo lugar para continuar suas vidas. Eventos infelizes começam a ocorrer depois que Prasad, um simples ladrão, rouba a corrente de ouro de Sreeja durante uma viagem de ônibus.Prasad e Sreeja se casam e mudam para um novo lugar para continuar suas vidas. Eventos infelizes começam a ocorrer depois que Prasad, um simples ladrão, rouba a corrente de ouro de Sreeja durante uma viagem de ônibus.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 22 vitórias e 1 indicação no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This is an almost genius piece of film making. Dileesh Pothen's 'Maheshinte Prathikaram' brought Fahad Fazil back into the fold in a big way but it was a movie which grew on me, after being a little underwhelmed by it on first viewing. But here, he grips you from the start and never really lets go till the end credits roll.
Fahad Fazil continues his fine form, but I would consider him to be more of an admirable supporting foil here. The movie's main protagonists are the couple played by Suraj Venjaramoodu and newcomer Nimisha Sajayan. After a realistically humorous mix up on first meet, they have a furtive romance before tying the knot. While traveling in a bus, a thief (Fahad Fazil) is caught in the act of stealing her gold necklace. While she is adamant that she saw him gulping it down, he protests his innocence to the police.
In fact, I would say it is the scenes at the police station that elevates this film to another level completely. The brilliance of the narration is in the way it makes everything seem so utterly realistic, and yet peppy and satirically humorous in its enactment on screen. The police officers here are not black or white, but like most people occupy the gray area in between. While genuinely wanting to help resolve the conflict here, they also cannot help but try to twist things to suit their perspective at various points in the story. The resolution when it eventually comes is probably the best they could have done with this wacky beautiful film.
Performances are uniformly brilliant. Suraj Venjaramoodu has been finally stepping away from his trademark buffoonery act in recent times, but this has to be one of his finest roles. The utter realism he brings to screen of a common man stuck in a little bit of a muddle and trying his best to resolve it is exemplary. Nimisha Sajayan maybe a newcomer, but she seems perfect for this – again a realistic blend of spunk and sass, yet vulnerable to the events around her. Suraj's chemistry, both with her and with Fahad Fazil is another clincher – it couldn't be better. The police officers, led by Alencier Ley, are all obviously fine actors who have got roles to shine and grab the opportunity.
Movies like this don't come along often. When they do, they deserve every accolade and recognition they get. A must MUST watch.
Fahad Fazil continues his fine form, but I would consider him to be more of an admirable supporting foil here. The movie's main protagonists are the couple played by Suraj Venjaramoodu and newcomer Nimisha Sajayan. After a realistically humorous mix up on first meet, they have a furtive romance before tying the knot. While traveling in a bus, a thief (Fahad Fazil) is caught in the act of stealing her gold necklace. While she is adamant that she saw him gulping it down, he protests his innocence to the police.
In fact, I would say it is the scenes at the police station that elevates this film to another level completely. The brilliance of the narration is in the way it makes everything seem so utterly realistic, and yet peppy and satirically humorous in its enactment on screen. The police officers here are not black or white, but like most people occupy the gray area in between. While genuinely wanting to help resolve the conflict here, they also cannot help but try to twist things to suit their perspective at various points in the story. The resolution when it eventually comes is probably the best they could have done with this wacky beautiful film.
Performances are uniformly brilliant. Suraj Venjaramoodu has been finally stepping away from his trademark buffoonery act in recent times, but this has to be one of his finest roles. The utter realism he brings to screen of a common man stuck in a little bit of a muddle and trying his best to resolve it is exemplary. Nimisha Sajayan maybe a newcomer, but she seems perfect for this – again a realistic blend of spunk and sass, yet vulnerable to the events around her. Suraj's chemistry, both with her and with Fahad Fazil is another clincher – it couldn't be better. The police officers, led by Alencier Ley, are all obviously fine actors who have got roles to shine and grab the opportunity.
Movies like this don't come along often. When they do, they deserve every accolade and recognition they get. A must MUST watch.
Thondi Muthalum Driksakshiyum (2017) :
Brief Review -
Fahadh Faasil runs absolute RIOT in Dileesh Pothan's instant classic of human derivation. What a film and what a performance by Fahadh Faasil! This is easily one of the most innovative and exciting storyline came from Malayalam Cinema in the last decade. No hard-core drama, no emotional fetching but all it has got is pure realistic sense of human nature and our law system. Thondi Muthalum Driksakshiyum is about Prasad and Sreeja who enter wedlock and move to a new place to continue the rest of their lives. Unfortunate events begin to take place after Prasad, a small-time thief, robs Sreeja's gold chain during a bus journey. The police investigation follows only to make things uneasy for everyone included there. A small idea of chain thief could get such a big amount of cinematic content, i wouldn't have believed it if someone has told me but now i believe because I have experienced in the last 125 minutes i spent watching the film. Sajeev Pazhoor's excellent writing deserves all the praise for making every character look rich despite unwell scenarios. At one moment you feel angry at him but later you start loving his wrongdoings, how? That's the power of writing. That's the skills of a writer to grab you completely over the narrative with the help of detailed characterisations. Fahadh Faasil appears little late but what a mind-blowing performance he has given. Absolutely riot. Suraj Venjaramoodu and Nimisha also leave an impact with their adorable chemistry. Lopez sir shines like a star in the crowd, that luminous thing in the sky. Dileesh Pothan has made three films till date and i have seen all three of them, so i have no second thoughts on calling Thondi Muthalum Driksakshiyum as his Best Film So Far. That's it, that's all i guess. A deserving and real Classic, unlike some of those overrated fanboys material.
RATING - 8/10*
By - #samthebestest.
Fahadh Faasil runs absolute RIOT in Dileesh Pothan's instant classic of human derivation. What a film and what a performance by Fahadh Faasil! This is easily one of the most innovative and exciting storyline came from Malayalam Cinema in the last decade. No hard-core drama, no emotional fetching but all it has got is pure realistic sense of human nature and our law system. Thondi Muthalum Driksakshiyum is about Prasad and Sreeja who enter wedlock and move to a new place to continue the rest of their lives. Unfortunate events begin to take place after Prasad, a small-time thief, robs Sreeja's gold chain during a bus journey. The police investigation follows only to make things uneasy for everyone included there. A small idea of chain thief could get such a big amount of cinematic content, i wouldn't have believed it if someone has told me but now i believe because I have experienced in the last 125 minutes i spent watching the film. Sajeev Pazhoor's excellent writing deserves all the praise for making every character look rich despite unwell scenarios. At one moment you feel angry at him but later you start loving his wrongdoings, how? That's the power of writing. That's the skills of a writer to grab you completely over the narrative with the help of detailed characterisations. Fahadh Faasil appears little late but what a mind-blowing performance he has given. Absolutely riot. Suraj Venjaramoodu and Nimisha also leave an impact with their adorable chemistry. Lopez sir shines like a star in the crowd, that luminous thing in the sky. Dileesh Pothan has made three films till date and i have seen all three of them, so i have no second thoughts on calling Thondi Muthalum Driksakshiyum as his Best Film So Far. That's it, that's all i guess. A deserving and real Classic, unlike some of those overrated fanboys material.
RATING - 8/10*
By - #samthebestest.
Dileesh Pothan's second venture (after the critically acclaimed 'Maheshinte Prathikaaram') turns out to be yet another excellent character study. The film builds itself up slowly yet steadily, with an assortment of characters each with their unique set of traits and sense of humor. At 2h 15 min, not once does the film feel like a drag. The viewer is constantly kept on toes with each passing scene. Kudos to the excellent casting choices by the crew. 'Thondimothalum Driksakshiyum' boasts of excellent all- round performances from the entire ensemble which comprises of a few seasoned actors such as Fahadh, Suraaj and Alencier while a good number of supporting actors are all newbies, just as in 'Maheshinte Prathikaaram'.
It would seem disparaging if I don't intend to applaud the extremely grounded and realistic portrayals of some of the characters such as the culprit who is handed a punishment of bringing water to the station, the Sub Inspector, some of the Constables, the cop who always walks around in mufti (plain clothes), the Circle Inspector, the shopkeeper and so on. Each character leaves a solid impression on the viewer.
Fahadh's intro is cleverly executed (his expressive eyes convey a lot yet can hide even more!). His character is constructed in a manner that is supposed to leave the viewer slightly baffled. Pothan ensures that he does not spoon-feed the audience in elucidating the various character arcs, instead leaves the job of construing behavioral traits and motives to the viewer. Laugh-out loud moments ensue when Alencier and Fahadh take centrestage during the interrogation scenes. The revelations made are so interestingly packaged that they seem both hilarious and believable at the time.
Suraaj and newcomer Nimisha Sajayan who play Prasad and Sreeja share good on-screen chemistry as a run-away couple who get embroiled in a chain-snatching case where Fahadh's character (another Prasad) is the accused. What's additionally worth noticing is the brilliant social commentary it makes on the side, while the story keeps moving forward. Instances of mob frenzy, caste discrimination, land disputes and scams are also inculcated neatly in the screenplay (penned by Sajeev Pazhoor). Dialogues by National Award Winner Syam Pushkaran are able to strike a chord with the viewer instantly. The initial scenes of how a case is handled at the police station tend to remind the viewer of Nivin Pauly starrer 'Action Hero Biju'. But the similarity is only in the setting; the treatment is completely different.
Rajeev Ravi's cinematography adds a dash of pragmatism to the scenes. The sepia color tone blends with the mood of the flick almost perfectly. Music and BGM by Bijibal is minimal yet effective. It is also quite intriguing to observe that the viewer is able to associate better with the comportment of each central character (especially the victim, the witness, the cop-in-charge and the accused) by the time the credits start to roll. Even the supposed exhibit (a necklace) has a specific purpose. A minimal dose of artsy ambiguity only helps.
Alencier plays A.S.I Chandran to perfection while Suraaj puts on a mature show (unlike what's usually seen of him). Fahadh lends an eerie air to his character retaining a sense of delightful mystery throughout. 'Thondimothalum Driksakshiyum' is a must-watch. Keep shining Pothetta!
It would seem disparaging if I don't intend to applaud the extremely grounded and realistic portrayals of some of the characters such as the culprit who is handed a punishment of bringing water to the station, the Sub Inspector, some of the Constables, the cop who always walks around in mufti (plain clothes), the Circle Inspector, the shopkeeper and so on. Each character leaves a solid impression on the viewer.
Fahadh's intro is cleverly executed (his expressive eyes convey a lot yet can hide even more!). His character is constructed in a manner that is supposed to leave the viewer slightly baffled. Pothan ensures that he does not spoon-feed the audience in elucidating the various character arcs, instead leaves the job of construing behavioral traits and motives to the viewer. Laugh-out loud moments ensue when Alencier and Fahadh take centrestage during the interrogation scenes. The revelations made are so interestingly packaged that they seem both hilarious and believable at the time.
Suraaj and newcomer Nimisha Sajayan who play Prasad and Sreeja share good on-screen chemistry as a run-away couple who get embroiled in a chain-snatching case where Fahadh's character (another Prasad) is the accused. What's additionally worth noticing is the brilliant social commentary it makes on the side, while the story keeps moving forward. Instances of mob frenzy, caste discrimination, land disputes and scams are also inculcated neatly in the screenplay (penned by Sajeev Pazhoor). Dialogues by National Award Winner Syam Pushkaran are able to strike a chord with the viewer instantly. The initial scenes of how a case is handled at the police station tend to remind the viewer of Nivin Pauly starrer 'Action Hero Biju'. But the similarity is only in the setting; the treatment is completely different.
Rajeev Ravi's cinematography adds a dash of pragmatism to the scenes. The sepia color tone blends with the mood of the flick almost perfectly. Music and BGM by Bijibal is minimal yet effective. It is also quite intriguing to observe that the viewer is able to associate better with the comportment of each central character (especially the victim, the witness, the cop-in-charge and the accused) by the time the credits start to roll. Even the supposed exhibit (a necklace) has a specific purpose. A minimal dose of artsy ambiguity only helps.
Alencier plays A.S.I Chandran to perfection while Suraaj puts on a mature show (unlike what's usually seen of him). Fahadh lends an eerie air to his character retaining a sense of delightful mystery throughout. 'Thondimothalum Driksakshiyum' is a must-watch. Keep shining Pothetta!
10subojhan
This kind of movies are the way to Indian cinema instead of overhyped movies. Dileep Pothan once again deliver a pure film for the cinema lovers. Recommend for all audience.
A must watch movie for all Malayalam movie lovers. The reason behind these words are just the experience of the making of this movie. And performance wise the casts done their job very well. Pothettan's brilliance is the single word to explain this movie. My rating for this movie is 8 on 10.
Você sabia?
- CuriosidadesActor Soubin was the original choice to play the role of thief. He declined the role because he was busy with his first film as a director.
- ConexõesReferenced in Madhura Raja (2019)
- Trilhas sonorasAayilyam Kaavum
Written by Rafeeq Ahammed
Produced by Bijibal
Performed by Govind Vasantha and Sithara Krishnakumar
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- How long is Thondi Muthalum Driksakshiyum?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Thondi Muthalum Driksakshiyum
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 803.887
- Tempo de duração2 horas 15 minutos
- Cor
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By what name was Thondimuthalum Dhriksakshiyum (2017) officially released in Canada in French?
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