Gladbeck

If only police, politicians and press had known what they were doing back then - 1988 when this incident happened - as well as director Kilian Riedhoff in fact knows his job! Nothing like this would have happened! Smart and sharp edged his work is keeping the spectator in the sniper position, always observing the hostage-taker through a virtual telescope never looking away, constantly ready to fire. A brillant thriller/drama/document about a sad and disturbing true story.

This is a German TV 2-part movie, and really is far better in almost every department than even the many higher profile & higher budget fare you get in the crime & heist genre you get in the English speaking world.

We have a curious case of a prolonged bank robbery led by a dangerous and frightening lead, who is able to take advantage of the bureaucratic and hand-tied authorities to string out his crime to try in a vain attempt to escape.

This film is brutal in its honesty about the different elements involved: the criminals, the police and the abducted. It's brilliantly paced and filmed, and you can't help but feel sucked.

A great experience, and really wouldn't be surprised if this is copied or influenced to others abroad in their efforts in years to come.

A study in extreme incomepetence. It must have been extremely embarrasing for the German police at the time.

Too bad the film makers used hand held camera, some scenes are almost unwatchable.

This two-part drama tells the tale of the 'Gladbeck hostage crisis'; a shocking event which began on 16 August, 1988, with two gunmen attempting to rob a bank in the German town of Gladbeck. Those inside are taken hostage as the police surround the building. Wishing to avoid any violence the police allow them to leave with two hostages, they then pick up one of the gunmen's girlfriend. As they are in a car fitted with a tracker the police follow. As soon as the news of the event gets out the media descend on the story. The action then moves to Bremen where the kidnappers abandon their car and hijack a bus. As they wait for police negotiators they give interviews to the press who are free to film everything. The police response is very confused with different forces claiming overall command and the men on the ground being left waiting for orders.

This drama really is quite shocking; if it weren't based on real events it would be impossible to believe. The competence of the senior officers is clearly lacking, as an example they don't even have an ambulance on standby. If anything the media response is even more shocking; they surround the hijackers, interview them, obstruct the police and even board the bus to take photographs.

As a piece of entertainment this was very effective. It was filmed in a way that felt very real and the actors gave natural performances. Knowing it was based on real events, but not knowing details before watching, made it very tense at times as we can't work out the 'designated survivors' as one might in a fictional thriller. There are of course some fictional elements as the creators give us there idea of what happened behind the scenes; these scenes were necessary to give more depth to characters and explain some of the things that were happening. Overall I'd definitely recommend this drama.

These comments are based on watching in German with English subtitles.

'54 Hours' is a docu-drama reconstructing the story of a hostage crisis that took place in Germany in the 1980s. A gang of bank robbers took some people captive and hoped to use them to negotiate their freedom. The police had no desire to let them escape, but also no wish to harm the hostages, and also, it seems, no willingness to take responsibility for action, although it's unclear how bad a thing this was - one thing one learns from the story is that there were no easy answers. An amazing detail was that the kidnap was followed the whole way by the press, who actively became part of the story - long before the internet age, the crimes were played out in full public view. Some of the acting here is perfunctory, and there's a frankly silly depiction of one of the victims as an god-like icon of German beauty, but the story itself is innately interesting and complex - more so, in fact, than that of most fictional crime dramas.