Em Pedaços

I've been a Faith Akin fan since Giegen Die Wand (Head-On)and I love his rock 'n' roll style. I knew this film was going to be depressing but it also is like a thriller towards the end, which left my heart pumping so loudly. Diane Kruger is a phenomenal actress in this, she is so believable and extreme. There are some clichés/stereotypes in the story which pull it down. I think the effect post-film, was very strong and I couldn't escape fast enough, it was so tense and terrifying.

Diane Kruger is a very underrated actor. This little gem of a movie yet again showcases her enormous talent. The emotional range she is able to express with only the slightest nuanced eye movements is amazing.

This is an excellent little movie dealing with human tragedy at an extremely personal level. The raw presentation of the victim's emotions and actions is superb. No American melodrama or saccharine cosseting.

I feel it drops to an 8 only because the evil motivations of the perpetrators is not adequately explored. They are treated almost as faceless protagonists instead of the critical components they are

Still, a compelling watch!

I really wanted to see this but know that expectations for films can be a negative momentum that might destroy the enjoyment of the movie.

So, throughout the first act I was somewhat disappointed. Altough it is indeed a devastating scenario, it felt like the movie did not trust me to feel bad enough already - dark colours, endless rain and a camera that does not dare to move away from Diane Krugers face...It annoyed me that the creation of a uncanny atmosphere felt so forced.

Yet, as the movie progressed, I was more and more amazed. The 2nd act brought in new camera work, longer, steady shots that brought stability into the images as the characters tried to find theirs. The transistion of the court speaking the sentence and Katja getting her tattoo was one of the most memorable edits I have seen in a long time. Overall the courthouse scenes had a really defined feel and setting to them, which underlined the characters strong play.

The third act made me afraid, I was expecting it to turn out like a usual "tough woman goes maverick"-thriller. Not that I don't enjoy that, I have just seen it too much and it would seem undeserving for this story. But: This isn't a Hollywood production! The character was insecure, realistic, tangible, we could not see it coming how this drama would turn out but neither could the characters - and thats how life is. At times, we have no idea how to deal with tragedy, guilt, death, we're helpless in the face of institutional justice but also do not find ways to bring justice ourselves and when we are faced with our enemies, we might even doubt if we are the right ones to judge them. Hollywood gives these big questions simple answers, this movie does not.

After a bumpy start I grew to like this a lot.

Fatih Akin doesn't need to prove he knows how to direct or that he is a capable director. But if you need another example here it is. One might say he gets back to his roots or rather his first film somewhat with this. But with the spin that he concentrates on the female perspective. You could also argue that the male might come from that world he created with his first movie (which some may argue is his "Mean Streets" - except he didn't stay in that genre).

Diane Kruger is really exceptional in this and very close to real life. So you won't see any over the top and unbelievable stuff happening here. And it all leads to an ending that will either satisfy you or leave quite empty and maybe annoyed. It is tough to please everyone of course, but if you like slow burning drama with thriller elements in it, this is really good. Devastating and painful, but good ...

Here's another unheard of foreign film which, in all likliehood, will stay unheard of, at least in the U.S. It played in 2 theaters in NYC and today is the last day. It contains one of the best performances by an actress I have seen in quite a while - and I saw Frances McDormand in "3 Billboards". Diane Kruger plays a woman whose husband and son are killed in a terrorist bombing. After a period of mourning she is bent on revenge, and she was so good and so convincing in her grief you could almost feel her pain. The other noteworthy performance in the picture - and there are several that are noteworthy - was that of the Defense Attorney, played to perfection by Johannes Kirsch, who summons up all the hatred you can spare.

I guess you'll have to wait until it comes out on DVD, but you won't be disappointed. Foreign films and Indies are the wave of the future, since Hollywood has forfeited its place in the motion picture field. Screenplay and acting win the day - substance over form is the ticket in 2018.