O Mistério de Silver Lake

This movie has too much and not enough.

Too much length, too many plot threads, too many characters, too many wanna-be-argute references, too many unresolved nodes. Sadly, not enough meaning.

As other reviewers noted, it tries hard to be Mulholland Drive and Donnie Darko, but it falls short of expectations, especially in the uncompelling ending.

My son (who liked it) tried to convince me to see some deeper metaphorical level, i.e. One which would be delivering some harsh criticism of Hollywood's alleged many sins. Sorry, I don't buy it: if such was the intent, then arguably the implementation defeated the purpose, ending up guilty of these very same sins.

It's not all bad: the acting is OK, as well as the photography and the cinematography. Spotting the many references is fun at first, to quickly lose interest.

To me, the real problem is the erratic, self-indulgent direction, seemingly unable to convey a meaningful consistency to the movie, a compelling raison d'être that would and should have made this movie memorable rather than a disappointing sequence of fragments. Lots of dots, unconvincingly connected. All in all, a lost opportunity.

Sorry, even though I wanted to like this movie (or possibly _because_ of that) I just cannot recommend it.

I was kind of surprised by this movie experience. I just came back from sneak preview and the movie still lingers in my mind. I love Andrew Garfield, his performance was believable and I think he's one one of the best rising stars of Hollywood. I also loved his work in "Breathe", great movie, make sure you check it out.

The storyline is a bit weird, and it's pretty much centered around Andrews character, so the movie felt a bit small to me, but Andrew performance makes up for it big time. I also loved the nudity in this movie. I would describe this movie as playful, curious, funny and authentic. This is not the usual Hollywood crap, it's quite different, I had no idea where the story was going, which is a good thing because it kept me hooked and that doesn't happen to me very often anymore. I truly had a great time. It's not for everyone I think but if you like semi thriller/detective/humor/absurdity kind of movies, we'll get yourself a bucket of popcorn and have fun!

(English is not my native language)

Finally released in my neck of the woods, A24's Under the Silver Lake starts off 2019 with a bang; an ambitious, labyrinthine, and transporting treat for all human senses. Its colors exquisite, its music delightfully old-school, and its story wonderfully bizarre and original, I've a feeling I already have one of my entries on my 2019 list set.

It starts with the young and aimless L. A. resident Sam (Andrew Garfield), who sees a mysterious woman played by Riley Keough at the apartment complex swimming pool. Although he finds a friend and maybe a lover in the woman, he later finds that she's disappeared without trace alongside her flatmates. Wanting to get to the bottom of this sudden departure, Sam finds out more than he expected, including the woman's connection with the death of a local millionaire, a recent series of dog killings, a peculiar indie band called Jesus & The Brides of Dracula, a "Homeless King", and other things that seem to eerily correspond with the plot of a zine he's been reading.

The side characters are many but they all leave an impression. We meet the adorable but strange Balloon Girl (Grace van Patten, niece of Dick), an actress known as The Actress (Riki Lindhome), Sam's conspiracy nut friend (Patrick Fischler), another friend (Jimmi Simpson) with his head oft in the clouds, a hipster friend known simply as Man at Bar (Topher Grace), and many more. Some are given cameos before they become important to Sam's quest but they remain entertaining throughout.

The director is David Robert Mitchell of It Follows and the composer is Disasterpiece, who provided the Carpenter-inspired synths for that very same film (I recall not being too hot on his music in that film but I've changed my mind). Like It Follows, this movie has an old-fashioned feel, albeit in its own ways.

Characters in the film prefer to hear their music on vinyl, play their games on a Nintendo Entertainment System, and get their porn from Playboy. Someone categorized this film as "hipster noir" and I can sort of see why.

This is an especially great film if you're into mysteries, urban legends, and conspiracy theories. It touches on everything from creatures said to lurk around Los Angeles at night, to secret shelters, to messages hidden within our music, to the idea that all of said music - whether it is rebellious or conformist, regardless of generation - was all masterminded by one person to shape our culture. On top of that is the directing and camera work; the clever, often Wes Anderson-like compositions as well as the long takes that involve many actors, extras and locations at once.

Under the Silver Lake is mystifying, to be sure, and some may be disappointed at its lack of answers. However, it is an original (yet classical) and at times mind-blowing film, even to those who aren't exactly conspiracy theorists. Those who end up liking it, as per my estimation, will end up REALLY liking it.

Quite a different experience, which is hard to say about films in recent years. Takes a while to get going but worth the wait

Having heard very little about this film and but remembering its trailers, perhaps accidentally watched this film lesser on not so purpose.

Now this film has the feel of a neo noir type independent and lesser Hollywood atmosphere, and for those reasons it works. The atmosphere is very subtle and mysterious and there are a few things along the way which keeps are interest.

Unlike many films today, Under the silver lake is not so predictable which makes it a joy to watch. The runtime is quite length and at times may seem as if the film is about to end, then suddenly some other discovery occurs.

Enjoyable film simply for the adventure we see the character of Andrew Garfield goes through. Although the ending was somewhat of a letdown.