Cassius Green descobre a chave do exito profissional mas é levado por um mundo de avareza.Cassius Green descobre a chave do exito profissional mas é levado por um mundo de avareza.Cassius Green descobre a chave do exito profissional mas é levado por um mundo de avareza.
- Prêmios
- 20 vitórias e 56 indicações no total
LaKeith Stanfield
- Cassius Green
- (as Lakeith Stanfield)
David Cross
- Cassius's White Voice
- (narração)
Patton Oswalt
- Mr. _______'s White Voice
- (narração)
Lily James
- Detroit's White British Voice
- (narração)
Rosario Dawson
- Voice in Elevator
- (narração)
Jerry McDaniel Jr.
- Man Eating Dinner
- (as Jerry Mcdaniel Jr.)
Avaliações em destaque
Blend together the surreal absurdity of a Charlie Kaufman script with the broad satire of Robocop and you end up with Sorry to Bother You, a film about the dehumanizing exploitation of workers in corporate America. This is a delightfully bizarre first feature from writer/director Boots Riley, who highlights the problems with "stick(ing) to the script" at the workplace and accepting mindlessly violent entertainment from television and art. Some of the strange imagery and ideas in the film may turn away certain viewers, but this is one of the most unique viewing experiences at the theater this year and should not be missed by fans of weird satire.
The beginning is very like 'The Wolf of Wall Street', this film is also all about capitalism and greed. Our hero, Cassius is struggling to make end meet, he applies to be a telemarketer and quickly promoted to a 'Power Caller'
He discovers that senior management are exploiting its employees to generate more profit (you'll see how towards the end). The humour at the beginning turns into dark social commentary with lots of symbolism.
I'm always apprehensive when a poster says 'the best film of the year by far' Well ... it's not the 'best', but very good and definitely different.
He discovers that senior management are exploiting its employees to generate more profit (you'll see how towards the end). The humour at the beginning turns into dark social commentary with lots of symbolism.
I'm always apprehensive when a poster says 'the best film of the year by far' Well ... it's not the 'best', but very good and definitely different.
I won't give anything away, but just prepare to be shocked and a little messed up by this movie. It's an understatement to say that it's not the movie you think you're gonna see. With that being said, it's got plenty of humor and we really liked it...but it definitely messed us up a little. You're gonna want to phone a friend after the movie ends so you can re-adjust to the real world.
Marvellous, odd ball & a great way to spend a couple of hours. If you like wacky story telling or anything by the great Gilliam then this will work for you.
American cinema needs this kind of indie style movie, to offset the general bilge produced by US mainstream cinema.
Beautifully shot, with a barking story line - A fine way to pass an evening.
Wow, there are a lot of people who don't like this movie, and moreover, seem to mad that others like it. Some samples:
"I think people who are giving it high praise believe that's just what their supposed to do but the fact is it's just a dumpster fire of a movie."
" I RARELY write movie reviews but had to inform people of the facts on this one."
"The positive reviews are from movie snobs who think they are smarter than everyone else and recognize brilliance in pure garbage."
You get the point. It's almost like we're all supposed to like all the same things now. (In fairness, there were plenty of other reviewers who didn't like it, but said they're glad others enjoyed it.
I'm not a movie snob. I'm not a film executive and I have nothing to do with the film except I paid 6 bucks to see it last Tuesday. This is a very surreal satire. It won't be to everyone's liking, but it seems to me that we are getting more and more confused about the difference between fact and opinion. It's not a fact that this movie sucks, any more than it's a fact that this movie is great. These are classically opinions.
Me, I like movies that start sort of pseudo-normal and go into bizarre. This is right up my alley. It's a Repo Man for our generation. Genetic engineering, dead end call center jobs, megalomaniacal Bay Area billionaires trying to save the world, race relations and post-postmodern art commentary. It's all painted in a crazy, bigger-than-life science fiction brush. Yeah, it's weird as hell, and maybe ends a little weakly (Monty Python and the Holy Grail, anyone?) but has a method in its madness.
If you don't like absurdist humor, or if you don't like movies that are at least semi-overt political statements (especially if the political statement is opposed to yours. Anti-union, pro-business capitalists with short fuses be warned! You should give it a miss and just read the National Review's Ross Douthat's review. He saved you a lot of time worrying your beautiful mind about it.), and if you don't like a dollop of science fiction every now and then, yeah, you're going to probably hate it.
But your opinion is still not fact. I liked it. That's my OPINION. Get over it.
"I think people who are giving it high praise believe that's just what their supposed to do but the fact is it's just a dumpster fire of a movie."
" I RARELY write movie reviews but had to inform people of the facts on this one."
"The positive reviews are from movie snobs who think they are smarter than everyone else and recognize brilliance in pure garbage."
You get the point. It's almost like we're all supposed to like all the same things now. (In fairness, there were plenty of other reviewers who didn't like it, but said they're glad others enjoyed it.
I'm not a movie snob. I'm not a film executive and I have nothing to do with the film except I paid 6 bucks to see it last Tuesday. This is a very surreal satire. It won't be to everyone's liking, but it seems to me that we are getting more and more confused about the difference between fact and opinion. It's not a fact that this movie sucks, any more than it's a fact that this movie is great. These are classically opinions.
Me, I like movies that start sort of pseudo-normal and go into bizarre. This is right up my alley. It's a Repo Man for our generation. Genetic engineering, dead end call center jobs, megalomaniacal Bay Area billionaires trying to save the world, race relations and post-postmodern art commentary. It's all painted in a crazy, bigger-than-life science fiction brush. Yeah, it's weird as hell, and maybe ends a little weakly (Monty Python and the Holy Grail, anyone?) but has a method in its madness.
If you don't like absurdist humor, or if you don't like movies that are at least semi-overt political statements (especially if the political statement is opposed to yours. Anti-union, pro-business capitalists with short fuses be warned! You should give it a miss and just read the National Review's Ross Douthat's review. He saved you a lot of time worrying your beautiful mind about it.), and if you don't like a dollop of science fiction every now and then, yeah, you're going to probably hate it.
But your opinion is still not fact. I liked it. That's my OPINION. Get over it.
Você sabia?
- CuriosidadesAt one point, Detroit wears a pair of earrings with the phrases BURY THE RAG and DEEP IN YOUR FACE. These are lyrics from "The Lonesome Death of Hattie Carroll" by Bob Dylan, which is a protest song about a poor African-American woman murdered by a wealthy white man. ("Bury the rag deep in your face/ Now's the time for your tears".)
- Erros de gravaçãoWhen Detroit is caught while vandalizing an advertisement for WorryFree, the letters she spray paints on the wall change from "S" to "SL" and back to "S" between shots.
- Citações
Sergio: Hey, Cash. How much longer I gotta wait for my money?
Cassius Green: God made this land for all of us. Greedy people like you want to hog it to yourself, and your family.
Sergio: Me and my family?
Cassius Green: Yeah.
Sergio: Cassius, I'm your fuckin' uncle.
- Cenas durante ou pós-créditosThere's a mid-credits scene.
Principais escolhas
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- How long is Sorry to Bother You?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Sorry to Bother You
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 17.493.096
- Fim de semana de estreia nos EUA e Canadá
- US$ 727.266
- 8 de jul. de 2018
- Faturamento bruto mundial
- US$ 18.170.707
- Tempo de duração1 hora 52 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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