Tudo Começa no Brooklyn

Don't expect too much from this film ,but it is worth a look. I was not familiar with most of the cast with the exception of Harvey Keitel (who was onscreen for a heartbeat) but they all gave solid performances. I particularly liked the gritty look and feel of the film, there were times I felt I could smell the stale beer on the bar floor. The ending was terrible not much to say except -WHY? So if you are looking for film showcasing new faces and a bit of a twist on an old formula mob movie , give it a whirl - A solid B movie

Or Diary Of a Loser. The main character was obliously inspired by Al Pacino in SCARFACE or CARLITO'S WAY, but he unfortunately is not Pacino. The story itself is very simple and realistic; no hero here, only petty punks story as we already have seen a thousand times before, but I repeat, more simple, in a so unbelievable way that it even becomes flat and boring, predictable and forgettable. No gufights either nor exceptional scenes. i will rapidly forget this one, drowned among the dozens of other features speaking of the La or NYC underworld, with petty punks from the Black, Jewish, Russian or Irish community. Not bad at all though. Because not ambitious, only realistic. You can't have everything.

It's like watching Scarface but this movie really let me down..

Same Scarface lines, main character gets the blonde from his enemy.. get rich too fast off cocaine.. it's like they had Scarface playing while filming this and changed a few things around.. waste of time

This was 90 minutes of waist. Very bad movie i really have nothing more to say of this movie. So desappointed!

When I see any film that is written, diected and "stars" one individual it typically is a formula for a real disaster, a bomb, a dud. As the movie comences we see actor/writer/director Danny A. Abeckaser, who plays a hood named Mikki, being released from an Israeli prison after serving an 18 year term for murder when he was a youth of 17. His deceased mother has left Mikki a letter and a little bit of money to allow him to fly to Brooklyn New York to stay with his mother's brother, his Uncle Dudu (Eli Danker).

Immediately Mikki's fearless approach to earning a living and his will to survive put the film on a fast track to success which was a pleasant surprise. Yes, the film work and camera angles lack the crispness of a Martin Scorcese produced film which I am sure is due to the limited financial backing Danny A. Abeckaser had behind him. Maybe Danny boy thought he could pull off what Sylvester Stallone was able to pull off with his three (3) time Oscar winning 1973 film Rocky. Although First We Take Brooklyn / Brooklyn Guns did not achieve any box office success, I suggest it is a decent enough crime film worthy of any crime genre film lovers' viewing pleasure. The ending may surprise you too!

A worthy 6/10 rating