Too Close to Home

So this one started off good and focuses on rural Alabama instead of urban Atlanta. It's a nice mix of rednecks, country bumpkins, trash (White and Black) and others. All around a protagonist trying to escape her miserable poor, dysfunctional, abusive, socioeconomically challenged upbringing to reinvent herself in Washington DC.

Which works until it doesn't work.

In typical Tyler Perry fashion shenanigans ensue on the first episode. Everyone is problematic and you end up hating all of the characters equally. Which works for the first season, until he introduces a bunch of new characters on the second season.

If you can forgive how racist, sexist, classist and xenophobic this show is you may actually like it. But everyone competes for attention and you quickly forget all about the protagonist. It's a downhill ride from there.

I tuned into show simply because I'm a fan of Heather Locklear but I have to wonder about her agent. This show is, to put it mildly, horrible. I'm glad Heather only had a few scenes and was able to escape this dreck. I hope she picked up a fat paycheck. The writing is so bad it's laughable. People keep repeating the same lines over and over until you want to scream at them to shut up. The plot is nonsense, the acting is worse than a high school play and there is NO direction. Why do some people in Alabama have accents and some don't? Why do those accents cone and go at random? Why is it set in a trailer park? Is that really how Mr Perry imagines Alabama- one big trailer park full of whores and drug addicts? The wardrobe, makeup and hair people must have hated Locklear because they did their best to make her look like a 70 year old haggard alcoholic. It's embarrassing how inept this whole thing is and how cheap it all looks. The characters are paper thin and the main character, Anna, does nothing but say how sorry she is to everyone. Repeatedly. This is TV at its worst. Tyler Perry claims a producing, writing and directing credit. He fails spectacularly at all 3 positions. This show is garbage and you'd be a fool to waste your time watching it. Once Locklear's scenes were through, so was I. TLC must be desperate to program this crap. It's amateur, it's cheap and it's insulting to anyone with half a brain.

Wow. I am wondering how these actors got their gig w/ Perry. I mean, I cannot tell whose acting is worse...actually yes I can: that Fabio looking guy. it's like he doesn't know what to do with himself while reciting the same lines over and over and over again. He also reminds me of someone who has either worked in porn or would be more suitable to work in porn. And how is it possible that almost every main guy character is SUPER ripped? I mean, come on! Anna has no backbone and keeps saying "sorry" over and over and over again. Heather Locklear's makeup was AWFUL. She looked terrible! Whoever did her makeup ought to be fired. I don't know what happened, but I don't see this show lasting too long.

I really wanted to like this show. An Intern Gone Wrong premise, a comely cast with a Southern setting, the return of Heather Locklear...what's not to like? Well a lot, unfortunately.

Lets --- start ---with--- the--- excruciatingly---long ---pauses ---between ---words. Why oh why is that, do the writers get paid by the word? Then there is the cartoon-like, stereotypical characters. The overly solicitous waitress, the scrawny, screechy coke whore, the beefcake with the heart of gold, the twangy sheriff etc. The story line limps along at a snails pace with an episode's worth of "action" painstakingly dragged out for three episodes (writers paid by the idea?!?)

The only shallow reason why I give this a 2 instead of 1 is because of above mentioned beefcake Brody. His biceps are the breakout stars of the show. If you want to record these shows and then just fast forward to the Brody sections you won't be disappointed. If you want to watch the sections in between, don't say you weren't warned.

I like the story line, but this show suffers more from script and directing issues than from poor acting. No one on this show is so bad that his/her performance can't be helped with better writing and directing. I'd go as far to say that of the two, the writing is the greater handicap - especially when it comes to disagreements between characters. There doesn't seem to be any commitment to depth - just overplay the lines. To assume your audience at large is shallow enough to buy into dialogue that even a soap opera wouldn't touch is a loss for everyone. I don't just want eye candy - I want heart and soul, and that has to exist in the script and in the direction. Even the best actors can only do so much.