O Décimo Homem

Ariel is semi-estranged from his abrupt and somewhat eccentric father. His father (Usher) lives in the Jewish section of Buenos Aires, while Ariel - living a more secular life - makes his home in New York City. Ariel has a girlfriend he's serious about and he wants her to meet dad, so the plan is to fly down to Argentina and everybody can meet everybody. Which is not what happens. I loved the fact that nobody in this movie looks like a movie star and Buenos Aires isn't looking all that great, either. I'm not even sure how many people caught on film are actually actors. Real people, in a real place, and a little story about a guy who comes home again and starts to wonder why he left. In the end, a sweet-tempered and amusing story - but a few things need explaining that aren't explained very well. Just a few more minutes to explain Ariel's sudden change in mood.

The Argentinian film El Rey del Once (2016) was shown in the U.S. with the title The Tenth Man. (The U.S. title makes sense in the context of the movie, but the Spanish title is The King of Eleven.) The movie was written and directed by Daniel Burman.

The film stars Alan Sabbagh as Ariel, who was born in Buenos Aires, but is now a successful businessman in New York City.

Ariel is estranged from he father, Usher, because Usher is an orthodox Jew, and Ariel is not. Ariel travels to Buenos Aires to try to come to a rapprochement with Usher.

However, Usher never appears. He runs a charity organization--I think mostly for Jews--and he's always somewhere else when Ariel visits the charity.

The charity organization is more or less a success, but it is horribly disorganized. Usher apparently holds this chaotic situation together, but barely.

Instead of Usher, Ariel meets the beautiful, enigmatic Eva (Julieta Zylberberg). She's an orthodox Jew, so she's not allowed to touch him. However, she's also silent. She can speak, but she chooses not to.

The plot progresses with the growing relationship between Ariel and and Eva, and the growing absence of Usher. There are funny and tender moments, as Ariel meets old friends, and starts to make sense out of what's happening at the charity.

I enjoyed this movie, and I recommend it. It has a horrible IMDb rating of 5.7. It's much better than that. The low rating for this good movie reminds me that sometimes you need to listen to a friend who recommends a film. The IMDb rating is important, but it's not essential when choosing a movie.

Other reviews describe the gist of the movie, so I won't repeat it. Instead, I offer my take-away.

The reasons I was disappointed with this movie are ...

Not one person in this movie is likeable. Perhaps that was intentional, although I don't know what it accomplishes, because I could never discern the point of the film. The trajectory is unknowable and, as far as I am concerned, pointless.

Other than one woman who chooses to be quiet, deliberate and mute, everyone in the movie is rushed, demanding, and confused.

I couldn't feel any empathy towards anyone or their situation. All the characters were unlikeable, if not annoying. Everything is in chaos, dilapidated, disorganized, etc. I'm sure this was intentional too, but to what end, I cannot fathom.

I've been to Once (the neighborhood where this takes place) and it certainly is chaotic, crowded and full of live. I'm sure there are fascinating stories to be told that would grab my attention, but there was no interesting story here; just a prolonged wait for the moment when it all coalesced. But there was no such moment.

A man (Alan Sabbagh) spends time with a woman (Julieta Zylberberg) who works for her father's charitable foundation in Buenos Aires, Argentina. Ariel, son estranged from his father and famous in his neighborhood, opens a charitable foundation. Returning to Once, the Jewish neighborhood of his childhood, he encounters the tradition that gave rise to estrangement.

It is very pleasant to watch a film that takes place in Buenos Aires days after going to that city, to get to know it quickly, for a few hours, the theme is interesting, segmented family relationships, religion and tradition, however the somewhat slow pace makes it difficult the maintenance of interest, a dramatic comedy that is not very comic, but very realistic... We are waiting for grandiose events, which do not happen, and some incomprehensible situations, due to cultural diversity...

Ariel (Alan Sabbagh) lives in the US, but returns home to Buenos Aires to visit with his father, Usher. Running errands, and trying to please others, at first he finds it annoying and does the best he can. Ignoring details, he accomplishes tasks to his own liking, and finds the Jewish religious details annoying. To show how out of place he is back in his childhood city, he has his phone and suitcase stolen when he's not paying attention. As he goes along, people depend on him more and more to get things done, and he starts to enjoy getting things done in the proper manner. he calms the people down when there are no supplies to sell, and learns the intricate details of the Jewish ceremonies. mostly a serious drama, there are a couple funny moments. This is interesting to watch... currently showing on netflix, the U.S. title is the Tenth Man, but it's really called El Rey Del Once (which translates to The King of Eleven...kind of a left-over, extra guy) This title makes more sense when the local jewish group explains how necessary it is to have a group of ten men, when a community makes decisions.