O Apartamento

Asghar Farhadi is an amazing director. His 4 films are nominated for Oscar in a row. Amonth them, "A Separation" won the first Oscar and Golden globe to an Iranian movie. His direction style and making always impress me.

"The Salesman" is the story of a couple who move to a new apartment, unaware that it was occupied by a prostitute before them. A customer of the old tenant makes a visit to the apartment that makes the couples life upside down.

The husband is searching for the visitor for a revenge, but ends up in a sweet revenge story, or so called.

I was so impressed by the movie that I have no words to explain or describe it. Asghar Farhadi's free and candid type of visuals makes the movie more lively. Close ups make the drama more intense.

The movie is such an emotional drama that you don't want to miss.

A must watch. Highly recommended.

#KiduMovie

Masterfully shot in Teheran, the film follows the ill fortunes of a theatrical married couple who, while rehearsing Miller's play Death of a Salesman, find themselves having to abandon their crumbling apartment and to seek alternative accommodation. The film is openly an allegory about social, urban and marital decay. But way beyond it, it is about the costs of masculine pride. By far more than a very good 'Iranian film', this is a superb statement about the unbearable consequences of trying to live up to codes of honour that centre on the female body. In my opinion, actress Taraneh Alidoosti is the hero of the film, both in her performance and in the role she occupies in the script. In contrast to appearances, she is the mover of everything that takes place in this fantastic film. A cinematic poem and a masterpiece in unfolding the twists of human psychology.

I love Iranian movies and the Separation is one of my favorites. Somehow with the Salesman it did not work out. The script is original but the story develops so slowly and drowns out. You do not feel the real drama and the true massage behind it. The director probably wanted to repeat his success using the same means as in the Separation but it lacks originality, something thrilling and insightful acting.

I loved how this movie had some women characters that shows the exact situation of Iranian women. The old lady: "Oh...thank god you are alive.Thank you for saving him.He is my everything.I can't live without him."These are the words of an old lady in a 35 year-old marriage toward his husband which has been cheating on her for 3 years!How dumb is she!? It's the story of many women in Iran which because of their situation should obey their husbands and love them blindly. Raana: She has been raped but she doesn't have the courage to sue also she is so embarrassed that this may become a discredit to her. The prostitute: Imagine A mother with a young daughter what should she do for a living?Nothing in a society specified for Men but to sell her body to those Men! And finally the woman in the taxi: This woman knows the situation of all the women above. she is now a women who had lost her trust to all men.Either something happened to her or to her friends she now sees men all like together.She's so paranoid that she doesn't see that Emad is doing nothing.

-- spoilers alert --

There are many other scenes i loved about the film for example when one of the student asked "how does a man become a cow?"and Emad answered "gradually" and It was actually proved during the film when an old man doesn't find it shameful to touch someone's wife while a kid find it shameful to go to bathroom with his mother's friend!!So again a man gradually becomes a cow!! -- spoilers end --

I am struck at the complexity of this film, and the reflective nature of its narrative structure. Action or events as a device to look at our natures, choices, motives, drives and dreams. And let's not stop there. How about actors acting theater scenes, and throw in a play within a play to boot, for good measure.

I know I sound somewhat critical above, and under less skilled hands, such criticism would be warranted. But not here. THE SALESMAN is compelling from beginning to end. And using Arthur Miller's iconic play, THE DEATH OF A SALESMAN, works so well to comment on these character's dreams, failings, nobility and humanity.

A dream -- or rather dreams -- shattered by a single, accidental, innocent incident. At the end of the journey, of our own Odyssey, whether we arise as a hero or a victim depends on our choices, our attitudes, our sheer willfulness for goodness or our tendency for self-destruction. To me, this movie raised these issues, and more. I loved it. Compelling through and through, and from a most-gifted, cinematically articulate director.

Scoring the different elements of the film objectively, 1 to 4:

Script/Story: 4, loved it. And all this set against a backdrop of a crackling, fall building; a house of cards, if you will.

Cinematography/Visual Effects: 3.5. Well shot. Close shots heightened the tension.

Editing: 3.5. Well edited; kept the pacing of a natural thriller, but lacked the cheesiness of one.

Sound Effects: 3, competent sound mixing

Musical Score: 3; frankly do not recall any musical score underscoring the film. This is sad as I should have noticed. Was there one?

Performances: 4, extremely strong performances. Great ensemble work, and standout work by the two leads, and the old man, too. I was particularly touched by the scene between the two men when the lead told the old man to take off his shoes. This scene was so effectively shot. Slow pacing of the camera capturing every quiver of both performances. Wow.

Production Design: Sets, Locations, Costumes, etc.: 2.5; my complaint here deals with the shots from the theater itself where DEATH OF A SALESMAN was being performed. Needed something more here.

Would you recommend this movie to a friend? Absolutely; a fine work of cinema. And extremely provocative. Well written; well shot; well delivered. Most highly recommended. Strong Oscar contender for Best Foreign Language Film.