Dois anos após a vida após a morte estar cientificamente comprovada, um homem tenta ajudar uma jovem mulher a romper com seu passado sombrio.Dois anos após a vida após a morte estar cientificamente comprovada, um homem tenta ajudar uma jovem mulher a romper com seu passado sombrio.Dois anos após a vida após a morte estar cientificamente comprovada, um homem tenta ajudar uma jovem mulher a romper com seu passado sombrio.
- Direção
- Roteiristas
- Artistas
- Janice
- (as MJ Karmi)
- Hospital Janitor
- (as Willie Carpenter)
- Oliver
- (as Adam Morrison Khaykin)
- Green Jumpsuit Person
- (não creditado)
- Pat Phillips
- (não creditado)
- Man in Red 1
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The opening scene is very well done because it grabs your attention from the first second. But what comes after is what bothered most of the viewers who felt disappointed - the personal story line between Jason Siegel's and Rooney Mara's characters becoming the center of attention instead of the concept of an afterlife and how it works.
Personally, while watching the movie, I did feel a little bit deceived, because "the discovery" took a back seat, BUT after finishing the movie it all made sense. I think the film was very well structured and managed to get across it's idea and explanation of how afterlife works very well to the audience, without having to talk about it and explain it in every scene as if the viewers are little children. I do not agree with some statements that the concept of "the discovery" was not well done, finished or explained well. Last 10 min. do contain a lot of information and the viewer should pay attention.
The acting was very good, however overall I must agree that it is not the most exciting film. What I mean is that it won't be in your "most memorable or favorite"movie list. It's a good watch on lazy night though. Give it a go.
A fine cast led by the underrated Jason Segal (still doing his best to break out from his How I Met Your Mother persona and delivering a so-so turn when you look back at his role in End of the Tour) and backed up by Rooney Mara, Robert Redford and one of the finest supporting players going around Jason Plemon's isn't enough to save Charlie McDowell's Netflix original Sci-Fi/Drama The Discovery from a disappointing result and ending its runtime as one of the most frustratingly forgettable films in many a moon.
The core idea behind The Discovery, that Redford's scientist Thomas Harber has discovered evidence of a confirmed afterlife, leading to a world in which the suicide rates have ramped up to epidemic levels with Harber then working on a secret project that looks to record this afterlife for those alive to witness is a fantastic one and an idea that strikes up many a various conversation point but McDowell's film which ends up being more of an unbelievable romance between Segal's charisma free Will and Mara's mumbling and emo Isla than anything else feels unable to make the most of its idea.
Perhaps hampered by budget restraint's (although this hardly seems to be a problem for Netflix originals these days) or perhaps just a lack of overall vision. The Discovery showcases glimmers of what could be in stall for us whether it's the oft mentioned suicides, the cult like following Harber has garnered thanks to his work or Will's and Isla's investigation into a possible glimpse of the afterlife they have recorded but all these intriguing elements are quickly swept under the rug and while the film's final reveal makes the journey feel more rewarding than it actually is, you can't help but escape the feeling The Discovery has short-changed its viewers with a mediocre effort of a far more interesting story.
It's great seeing Netflix continue to invest in unique and original film properties but The Discovery will be marked down as one of their clear failures and while this intellectual thinking man's Sci-Fi has moments of greatness, overall this emotionally void experience is one of the dominate companies worst original studio efforts this side of their Sandler "comedies".
2 bunk beds out of 5
I would have given this a higher rating just for tackling such a difficult topic but the direction, acting and even cinematography never really came together. There were plenty of big, proven names who lent their prestige to this project and yet surprisingly none of the people involved seemed willing to commit. It was like they all knew the outcome would stink but no one wanted to sully their reputations by doing a bad job.
It is worth a watch if you are fans of some of the actors as I am. The arc of the plot is not unsatisfying even though it is in many instances frustrating. A film perhaps to while away the time and put yourself in a more contemplative mood.
A sci-fi romantic drama about a world where an afterlife has been scientifically proven, and how that knowledge drastically affects society. It was directed by Charlie McDowell, and it was written by McDowell and Justin Lade (the duo also teamed on 2014's 'THE ONE I LOVE'). The film stars Jason Segel, Rooney Mara, Robert Redford, Jesse Plemons, Riley Keough and Ron Canada. It's received mixed reviews from critics, and it was released by Netflix through their streaming site. I found the movie itself to be a little disappointing, due to the extremely promising premise and setup.
The story takes place two years after 'the discovery of an afterlife', by Thomas Harbor (Redford). The scientific proof of an afterlife has caused an extremely dramatic increase in suicides. Thomas's son, Will (Segel), blames his father for the high suicide rate. He travels to see him, at an isolated mansion, where Thomas is doing more research on his findings. Will meets a suicidal woman on his trip, named Isla (Mara), who he later prevents from killing herself. He then brings Isla to his father's mansion, and the two assist him in his research there. The whole time Will is extremely skeptical about the damage they're doing to society, with these new findings.
The movie is extremely dark and depressing, for almost it's entire running length. Like I said, the idea for the film is really intriguing, and fascinating, but it's definitely not fun watching it play out. The performances are decent, and the climax is somewhat interesting, and unpredictable, as well. I had hoped for a lot more from it though, when I started watching it.
Você sabia?
- CuriosidadesCharlie McDowell directed his then girlfriend Rooney Mara and his mother Mary Steenburgen in this film.
- Erros de gravaçãoWhen Will saves Isla, she tells him: "You were supposed to be the last person I ever spoke to.". But after they talked while she was hitchhiking, she got a ride, so the last person Isla talked to should be the driver, at least to tell him where she was going to (even is she might be meaning that Will was "the last person she had a significant conversation with").
- Citações
[first lines]
Interviewer: Dr. Harber, before we're live, I just wanted to say thank you for choosing me.
Thomas: [warming up his voice] Peter Piper picked a peck of pickled peppers.
Interviewer: The rich history you have with other journalists...
Thomas: I chose you precisely because we don't have a history. Now, don't fuck it up.
Producer: Fifteen seconds...
- Trilhas sonorasA Fancy Place to Cry
Written by Billy Hayes
Performed by Patsy Maples
Courtesy of Fervor Records
Principais escolhas
- How long is The Discovery?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Discovery
- Locações de filme
- Aquidneck Island, Rhode Island, EUA(Newport, Rhode Island)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 42 minutos
- Cor
- Proporção
- 2.35 : 1