Prevenge

There's some fun to be had here with this dark comedy. A pregnant woman goes on a murdering spree on the people involved in her unborn child's father's climbing death. A movie like this could have been completely unwatchable so I appreciate that they got the tone just right. The child speaks to her from the womb but it never gets completely goofy. The violence she commits is brutal and bloody and it doesn't attempt to trivialize or justify their deaths.

Despite that, there is entertainment to be had as the more she kills the more unhinged she becomes. At times it's an almost playful performance from Alice Lowe who also wrote and directed it. Overall a respectable movie. Nicely shot considering it was done in under 2 weeks.

One of my partner's strangest pregnancy cravings was to consume this dark slasher film before she popped - hastily written and filmed in the weeks before Alice Lowe herself did likewise. The fact that this authentic angle is there gives this otherwise unfocused narrative a strange gravity. It ultimately amounts to just one improbable murder after the next but Lowe's glowering sarcasm gives each interaction (with a succession of brilliantly cast folk) a nice edge. It does feel a bit first-drafty and there are some holes in it that make Prevenge unravel before the finale but the nature of how it was filmed and why I watched it will likely leave this particular film as an uncanny experience. A dark night of horrors before a totally new day.

The three Greek Furies that feature prominently in the 1934 Noirish movie, Crime Without Passion, are the central metaphor in Alice Lowe's extraordinarily dark Prevenge, billed as the world's first pregnant, slasher, comedy, horror movie.

In it, Alice Lowe's character, Ruth, embarks on a revenge murder spree goaded on by her helium-voiced, gestating baby.

It takes her to Wales and, in one breathtaking scene, the streets of Cardiff on Halloween night where she claims she almost needed protection from the boozed-up locals in a sequence reminiscent of Scarlett Johnassonn's Under The Skin street walk in Glasgow.

The reason for her bloody revenge spree is only revealed in drips (so I won't spoil it - like a preview I read before the screening did for me) which adds greatly to the narrative tension.

The making of this low budget Film Four offering is remarkable. Lowe was offered development money and finding herself pregnant used her condition to inspire this blackest of black script. She then wrote, produced, cast and filmed (in 11 days) the whole affair before her baby arrived.

Seeing an actor perform whilst heavily pregnant, and genuinely playing a pregnant character, is a rarity (my only recollection is Frances McDormand in Fargo) and Lowe certainly makes the most of the opportunity. Shooting took place in her late third Trimester.

The Furies are the ultimate avenging angels and she uses the extraordinary scenes from Crime Without Passion to symbolise her quest for justice, viewing the movie from the comfort of her hotel room where she takes respite, despite noisily bonking near neighbours, from her exhausting killings.

The killings themselves are simple but bloody affairs and each has hilarious set ups. Can she complete her task before the long arm of the law catches up on her careful forensic clean ups? You'll have to see it to find out.

This is classic British black comedy at its best. Using its low budget as a virtue but still making some moments of genuinely great cinematography, most notably in an exotic pet shop and a beautiful full facial dream sequence in a yoga class.

It has echoes of Mike Leigh's early work and Ben Wheatley's Sightseers is an obvious reference point. Obvious because Lowe is its co-star and it too shares a murderous plot line.

But, comparisons aside, this is an entirely original take on several genres that does its damnedest to create a genre of its own.

Whether there's room for thousands of pregnant, slasher, comedy, horror movies is debatable.

So we'll just have to agree on one thing. The original and best.

Watched this late on a Friday night to kill some time before I could sleep knowing nothing about it other than 'I enjoyed Sightseers' and was very pleasantly surprised at how much I enjoyed it.

Alice Lowe has done a fantastic job with this project as it is very well written, well directed and well cast. All the acting is very good and it doesn't come across as being a low budget film, despite only having a modest £100000. The concept (pregnant woman goes on killing spree under the command of her unborn child) sounds very corny, but is actually extremely well done and doesn't come across as cringeworthy at any point. The writing is funny and quite suspenseful and the characters are interesting, realistic and I found myself sympathising with the more likeable ones.

Overall I would recommend watching this film if you enjoy traditional black British humour. You shouldn't be disappointed.

Wondering what to do for a hour and a half and wanting to see something just slightly different I stumbled across PREVENGE . Low budget British black comedy written , directed and starring Alice Lowe about a pregnant female going on a killing spree. Hmm . There's a danger that this sounds like a vanity project but I always give a film a chance and did notice that this page is very positive . I did double check that the reviewers were genuine because when you've got an unknown film on this with glowing reviews this usually means they're written by shills who give themselves away only registering when the film is released and never ever writing a comment for any other film

Truth be told PREVENGE exceeded all my expectations and found myself being caught up in the story very quickly. There's not a lot to the premise of "Deluded pregnant woman murders people she doesn't like" but this hardly matters . Ms Lowe who was seven months pregnant during shooting production has made a very quirky offbeat and violent black comedy that caused me to constantly smile. The idea isn't very persuasive , realistic or original but for some strange reason the details such as an aggressive charity worker turning up at someone's door and being greeted in an equally aggressive manner does come across as being somewhat naturalistic. Characters react and interact in ways you might expect them to out in the real world

As I write this one American reviewer has posted a rather negative review. To be fair to an international audience PREVENGE has obviously been made for a domestic audience and you'd need to understand the dark sense of humour we have in Britain . Dare I say we Brits have a very nasty sense of humour ? Regardless of cultural sensibilities PREVENGE is an enjoyable black comedy