AVALIAÇÃO DA IMDb
6,3/10
2,7 mil
SUA AVALIAÇÃO
Para salvar uma garota em perigo, um sacerdote (Kim Yun-Seok) e um diácono (Gang Dong-Won) se envolvem em um caso misterioso.Para salvar uma garota em perigo, um sacerdote (Kim Yun-Seok) e um diácono (Gang Dong-Won) se envolvem em um caso misterioso.Para salvar uma garota em perigo, um sacerdote (Kim Yun-Seok) e um diácono (Gang Dong-Won) se envolvem em um caso misterioso.
- Prêmios
- 11 vitórias e 10 indicações no total
Avaliações em destaque
Story revolves around a priest and his assistant who are trying to save a girl from evil spirit. The movie presented in a very uninteresting way. The slow and weak writing are major problem which let down the movie.
The major positive thing of the movie is cinematography.
Other than last 20 minutes of exorcism there are not any other scary scenes.
The base plot of the movie were very old and Hollywood done many movies in the genre of excorcism. So as an audience I expect some uniqueness from other excorcism movie but I couldn't find any.
Watch it if you are hardcore fan of excorcism movies. But it may not please you.
Normally eastern horror movies would dabble in traditional myth or folklore, for example the haunting of girl with white dress and long hair which plagues Japan, China and even Indonesia. It's a pleasant surprise that a Korean movie tries to incorporate possession and religious tone into this genre. By maintaining respect from the original source and using it in unique atmosphere, this is a commendable as well as a successful excursion to other side of horror.
A young deacon (Dong-won Kang) is called to assist Father Kim (Yun-seok Kim) in the exorcism of a young high school girl. Both men have no connection before, and their personalities are too far apart. This is not the usual mentor and student relationship, the older Father is weary and brash which makes him a contrasting character to the young deacon. However, necessity ensures that they have to work together.
The first act is admittedly rather slow, it gives a nice look of the priests' lives and appreciated details about possession. However, this tends to stall a bit as the movie strolls through some subplots that are not necessarily crucial to the story. It ramps up significantly as the two priests walk closer towards possessed girl, at this point visual dims to portray dark premonition against the bright light of modern city.
This is suspense build up and showcase of exorcism done right. Its unusual oriental vibe works in the movie's favor by clashing the cultures together. Details like traditional rituals, tight apartments and occasional bleak view on metropolis splendidly set up the ambiance. The cinematography used is extremely chilling and engaging, viewing the struggle in creepy close encounter. This rings especially true when they face the malicious entity.
At its peak this is one of the most eerie displays of the genre. The exorcism in the east uses enigmatic theme and unorthodox setting to conjure novelty and gripping terror.
A young deacon (Dong-won Kang) is called to assist Father Kim (Yun-seok Kim) in the exorcism of a young high school girl. Both men have no connection before, and their personalities are too far apart. This is not the usual mentor and student relationship, the older Father is weary and brash which makes him a contrasting character to the young deacon. However, necessity ensures that they have to work together.
The first act is admittedly rather slow, it gives a nice look of the priests' lives and appreciated details about possession. However, this tends to stall a bit as the movie strolls through some subplots that are not necessarily crucial to the story. It ramps up significantly as the two priests walk closer towards possessed girl, at this point visual dims to portray dark premonition against the bright light of modern city.
This is suspense build up and showcase of exorcism done right. Its unusual oriental vibe works in the movie's favor by clashing the cultures together. Details like traditional rituals, tight apartments and occasional bleak view on metropolis splendidly set up the ambiance. The cinematography used is extremely chilling and engaging, viewing the struggle in creepy close encounter. This rings especially true when they face the malicious entity.
At its peak this is one of the most eerie displays of the genre. The exorcism in the east uses enigmatic theme and unorthodox setting to conjure novelty and gripping terror.
Exorcism movies are far too common in the film industry. With rather rigid formulas to evoke horror and uninspired screenwriting and directing, even something recent like 'The Possession of Hannah Grace' that comes with a new premise, could not trespass the overused pattern. However, The Priests shows possibility that an exorcism movie may still have a bright future.
Between his controversies, an exorcist and his new assistant, a deacon with a trauma, must perform an exorcism to a girl who in her edge of physical endurance, along with deadly terror that brings upon them.
The short premise may sound too familiar to us. The ambiance of horror and dialogues between priests, also quite known already in this kind of movie. However, what's different is how the movie narrates with the deacon's perspective. With light nuance in the beginning, The Priests gives new perspective, comedy and drama, which never quite well delivered in my exorcism-movies experience. Rather than being flat and boring, this attempt makes the buildups to the climax (the exorcism scene, of course), becomes more suspenseful and interesting. I am surprised this movie can pulled this off, since this formula is quite overused in Korean films I watch so far, but somehow it's different.
What's also makes this movie more interesting, is how the movie humanize the priests not over the top. Sometimes, the priests in many movies deal with faith problem, and we have the realization moment. This movie, while quite following similar pattern, also depicts the imperfectness and goofiness in the men who serve for the church. The rapport not makes me overly emotionally invested, but it's good enough to makes me stay interested.
The next good thing, sometimes you will listen many exorcism scenes do anything with various languages spells and so on without any explanation, but this movie gives more background to the exorcism and what is the nature of the devil. It gives more sense of depth to the movie, and I like it a lot. The appearance of a traditional Korean shaman also spices up the movie, bringing sense of reality that in the dangerous time, it is not uncommon to try different methods to overcome evil. This particular thing, is not explored well in Western movies that often portray the exorcism in only certain way.
While all's been very positive to me, I am not a fan of many clichés that happen throughout the movie (really, I've seen three Korean movies today and they all have car accident scenes) and how the exorcism scene feels quite dry rather than a blast to pay the buildups. I highly recommend this movie for those who longing for a good exorcism film, with drama plot added. It's not full of twist, but shows us that in doubt of this kind of movie, with right formula and plot, even your standard exorcism movie plot can be a gem.
Between his controversies, an exorcist and his new assistant, a deacon with a trauma, must perform an exorcism to a girl who in her edge of physical endurance, along with deadly terror that brings upon them.
The short premise may sound too familiar to us. The ambiance of horror and dialogues between priests, also quite known already in this kind of movie. However, what's different is how the movie narrates with the deacon's perspective. With light nuance in the beginning, The Priests gives new perspective, comedy and drama, which never quite well delivered in my exorcism-movies experience. Rather than being flat and boring, this attempt makes the buildups to the climax (the exorcism scene, of course), becomes more suspenseful and interesting. I am surprised this movie can pulled this off, since this formula is quite overused in Korean films I watch so far, but somehow it's different.
What's also makes this movie more interesting, is how the movie humanize the priests not over the top. Sometimes, the priests in many movies deal with faith problem, and we have the realization moment. This movie, while quite following similar pattern, also depicts the imperfectness and goofiness in the men who serve for the church. The rapport not makes me overly emotionally invested, but it's good enough to makes me stay interested.
The next good thing, sometimes you will listen many exorcism scenes do anything with various languages spells and so on without any explanation, but this movie gives more background to the exorcism and what is the nature of the devil. It gives more sense of depth to the movie, and I like it a lot. The appearance of a traditional Korean shaman also spices up the movie, bringing sense of reality that in the dangerous time, it is not uncommon to try different methods to overcome evil. This particular thing, is not explored well in Western movies that often portray the exorcism in only certain way.
While all's been very positive to me, I am not a fan of many clichés that happen throughout the movie (really, I've seen three Korean movies today and they all have car accident scenes) and how the exorcism scene feels quite dry rather than a blast to pay the buildups. I highly recommend this movie for those who longing for a good exorcism film, with drama plot added. It's not full of twist, but shows us that in doubt of this kind of movie, with right formula and plot, even your standard exorcism movie plot can be a gem.
If you look at the IMDb page for "The Priests", you'll find that the summary really isn't what this film is about at all. Ignore it! Instead, the film is an interesting combination of Western films exorcism films combined with Eastern sensibilities. This combination is an interesting one and the movie by Jae-hyun Jang is well worth your time.
When the film begins, a young Catholic priest in South Korea is trying to exorcise a demon from a young girl. However, soon something expected occurs and the girl dives from her hospital window. Despite the horrible fall, she is still alive and is in a coma where she remains off and on for years---all the while the demon remains trapped within her. The priest makes it his life's work to rid her of the demon but he is so far unsuccessful. As for his assistants, they all end up leaving the case...unable to cope with the horrible fight against evil. Soon, assistant number 11 is assigned to help. Can he manage to sum up the internal strength and together they rid the world of this evil? And, once the demon leaves the girl, what exactly are they to do with it?! That is a problem they really forgot to plan for in "The Exorcist"!
As I just mentioned the film, at times, "The Priests" clearly feels like "The Exorcist". Fortunately, it is not some cheap Korean copy or reworking of the Hollywood picture and differs in many, many ways. Because it's an Asian film, it integrates quite a bit of Eastern religion and mysticism as well. You'll see shamans, salt used for purification and many other non- Western elements within the film. You also have some amazing special effects as well as an ending that is nothing like the more familiar Hollywood version. Additionally, the story works very well and it will keep you on the edge of your seat! Plus, the ending really is awfully intelligent and offers an excellent pay-off. Well worth seeing and I look forward to more films from Jae-hyun Jang.
When the film begins, a young Catholic priest in South Korea is trying to exorcise a demon from a young girl. However, soon something expected occurs and the girl dives from her hospital window. Despite the horrible fall, she is still alive and is in a coma where she remains off and on for years---all the while the demon remains trapped within her. The priest makes it his life's work to rid her of the demon but he is so far unsuccessful. As for his assistants, they all end up leaving the case...unable to cope with the horrible fight against evil. Soon, assistant number 11 is assigned to help. Can he manage to sum up the internal strength and together they rid the world of this evil? And, once the demon leaves the girl, what exactly are they to do with it?! That is a problem they really forgot to plan for in "The Exorcist"!
As I just mentioned the film, at times, "The Priests" clearly feels like "The Exorcist". Fortunately, it is not some cheap Korean copy or reworking of the Hollywood picture and differs in many, many ways. Because it's an Asian film, it integrates quite a bit of Eastern religion and mysticism as well. You'll see shamans, salt used for purification and many other non- Western elements within the film. You also have some amazing special effects as well as an ending that is nothing like the more familiar Hollywood version. Additionally, the story works very well and it will keep you on the edge of your seat! Plus, the ending really is awfully intelligent and offers an excellent pay-off. Well worth seeing and I look forward to more films from Jae-hyun Jang.
This was actually really scary at times, and later quite disturbing as the possession intensified. I did find it a bit slow moving somewhere around the mid point, but it was still interesting, though. The ending is awesome! It gets really exciting with a possessed pig, police chase, cars crashing left, right and center, and a priest running out of time. Wow!
Você sabia?
- CuriosidadesKim Yun-Seok & Gang Dong-Won previously worked together in 2009 film "Woochi."
- ConexõesSpin-off Geomeun sunyeodeul (2025)
- Trilhas sonorasVictimae Paschali Laudes
Performed by Gang Dong-won and Kim Yoon-seok
Principais escolhas
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- How long is The Priests?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 185.093
- Faturamento bruto mundial
- US$ 36.636.541
- Tempo de duração1 hora 43 minutos
- Cor
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