Curve
- 2016
- 10 min
AVALIAÇÃO DA IMDb
6,7/10
2,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaClinging to a smooth, curved surface high above a sentient abyss, a girl tries to cover the few feet back to safety without losing purchase and falling to her death.Clinging to a smooth, curved surface high above a sentient abyss, a girl tries to cover the few feet back to safety without losing purchase and falling to her death.Clinging to a smooth, curved surface high above a sentient abyss, a girl tries to cover the few feet back to safety without losing purchase and falling to her death.
- Direção
- Roteirista
- Artista
- Prêmios
- 10 vitórias e 3 indicações no total
Avaliações em destaque
Every review I read about this short says stuff about how it's depicting depression and hopelessness but I couldn't disagree more... I think it depicts the exact opposite honestly.
Its a dramatized example of the animalistic instinct humans have of survival and everlasting hope even in moments of complete weakness and vulnerability... even when humans are placed in positions where there's "no way out", like the character in this short film, we still have the slightest ounce of hope left in us because that's just human nature. She does everything she can to survive until the bitter end...
So, no, this short wasn't about falling into the pits of sadness and depression, it's about how how even in the darkest/most helpless of moments, there is an inherent instinct in all of us to do everything possible for survival. All humans have hope.
Its a dramatized example of the animalistic instinct humans have of survival and everlasting hope even in moments of complete weakness and vulnerability... even when humans are placed in positions where there's "no way out", like the character in this short film, we still have the slightest ounce of hope left in us because that's just human nature. She does everything she can to survive until the bitter end...
So, no, this short wasn't about falling into the pits of sadness and depression, it's about how how even in the darkest/most helpless of moments, there is an inherent instinct in all of us to do everything possible for survival. All humans have hope.
The opening shots of waves and noise I could have done without, but from that first slide and hit of anxiety, this one delivers very simply and effectively. Essentially we have a single character, dropped onto a dangerously curved smooth piece of concrete, just about clinging to it with some small friction preventing her dropping into an abyss below. Perhaps there is some meaning to be taken from it about the nature of life or something like this, but if you are thinking about this while watching it, then the film has probably failed you because for me it was a very gut level film which rode that sense of fear and dread very well.
Credit to the actress, because she sells it, while the simplicity of the concept makes it easy to go with – there is not enough here to make you ask big questions or poke the logic of the situation; like the character herself, all you can do is try to survive the moment. In this way it is visually effective, and has strong sound work to add to the feeling. Like I said, the opening shots I could do without, but after this it is as simple as it is unsettlingly effective.
Credit to the actress, because she sells it, while the simplicity of the concept makes it easy to go with – there is not enough here to make you ask big questions or poke the logic of the situation; like the character herself, all you can do is try to survive the moment. In this way it is visually effective, and has strong sound work to add to the feeling. Like I said, the opening shots I could do without, but after this it is as simple as it is unsettlingly effective.
Well, this is a curveball.
I love the visual design. The sound design is outstanding. The makeup and blood effects are swell. I think Laura Jane Turner gives a pretty great performance, portraying the fright, alarm, desperation, and determination of the single unnamed character. Writer-director Tim Egan's camerawork zeroes in on every meticulously coordinated, deliberate movement of Turner as the character grapples with her plight, and especially in the final moments especially, his editing serves that same purpose. From a technical standpoint, this short is very well-rounded. I appreciate this unique, somewhat fantastical take on the film genre of "lone person, trapped and in peril." As viewers we can readily identify with the character in the instinctual urge for survival, and the heightened emotional and physiological state that accompanies it.
Yet I can't help but feel that something's missing, that some greater truth has bowed out from the finished product.
It's easy and natural to theorize about the nature of the scenario, though without anything in the short beyond what we see, this is a fruitless pursuit. It's also easy and natural to try to read some meaning into the abridged arc on hand, and one could readily say this is a metaphor for Life, Struggle, or any grand overarching idea. That could be true - substance is in the eye of the beholder - but that pursuit also feels superfluous here.
The result is a short that's simple in concept, finely realized, handily (if not wholly) engaging, and peculiarly intriguing. What's it all for? I honestly don't know. But that doesn't mean we can't appreciate 'Curve' for what we plainly get on the face of it.
I love the visual design. The sound design is outstanding. The makeup and blood effects are swell. I think Laura Jane Turner gives a pretty great performance, portraying the fright, alarm, desperation, and determination of the single unnamed character. Writer-director Tim Egan's camerawork zeroes in on every meticulously coordinated, deliberate movement of Turner as the character grapples with her plight, and especially in the final moments especially, his editing serves that same purpose. From a technical standpoint, this short is very well-rounded. I appreciate this unique, somewhat fantastical take on the film genre of "lone person, trapped and in peril." As viewers we can readily identify with the character in the instinctual urge for survival, and the heightened emotional and physiological state that accompanies it.
Yet I can't help but feel that something's missing, that some greater truth has bowed out from the finished product.
It's easy and natural to theorize about the nature of the scenario, though without anything in the short beyond what we see, this is a fruitless pursuit. It's also easy and natural to try to read some meaning into the abridged arc on hand, and one could readily say this is a metaphor for Life, Struggle, or any grand overarching idea. That could be true - substance is in the eye of the beholder - but that pursuit also feels superfluous here.
The result is a short that's simple in concept, finely realized, handily (if not wholly) engaging, and peculiarly intriguing. What's it all for? I honestly don't know. But that doesn't mean we can't appreciate 'Curve' for what we plainly get on the face of it.
At the first sigh, an Existentialist short film, illustrating concepts, theories, perspectives. At the second, the simplicity becomes the main virtue. Not the last, the admirable acting. A cold, thrilling short thriller, builded in most miimalistic manner, proposing balls of questions, suppositions and omparations. Result - just a good short film.
A very economical efficient look at sadness, depression, addiction or whatever you want to see. Firstly, unlike other reviewers, I feel that the lack of context or a before story made it even better. More universal and more relatable. And I think the movie is not about how you got there but about what you experience there, on the slippery slope of your fight. If you are looking at it through the lens of mental illness, the part when she sees the blood stains on the other side seems to indicate the impact of people around her. How well or how badly the people around us handled the slippery curve can have a direct impact on how well you handle it yourself. Overall, loved it. My only gripe was that the end felt a bit hurried.
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