Adeus, Berlim

The acting in this movie isn't the best and the movie has some passages that are boring but the story is solid. (Only recommend if you read the book)

This is my first movie that I watched from Fatih Akin. Shame on me! I am deeply impressed his innocent language in telling the story of two boys and the other characters. Tschick (Goodbye Berlin) tells a very ordinary story around two teenagers with an amazing beautiful way. I think that the success of the movie is not trying to tell the story from an adult view, on the contrary, telling like a teenager who talks about what happened during the last summer. The tune between sadness and happiness is very balanced. I like movies that not trying to exploit / (ab)use audience's weak points and Tschick (Goodbye Berlin) is also not trying to do this and set the audience free. For me, the main outcome (if we need a message from every movie that we watched) is "to be yourself" and "to accept life and people around you as well as yourself". There are many upsetting around two boy characters but all are experienced not in a melodramatic way but very truthful way like all we experienced when we were young. Anand Batbileg (Tschick) and Tristan Göbel (Maik) play their role perfectly. As I was watching the movie, I have never thought on their performances as "Oh no it is too exaggerated way" or "they are short for the role". I like this movie. It is honest, cheerful, hopeful and very very sentimental. I like sentimental laughter. (*) Mylast note for the admin. It is not possible to write Fatih Akin's surname in its original way. In Turkish we have small "I" and this field doesn't accept it. His surname is not written with "i" but with small "I". You may need fixing this. Thank you!

This is based on a renowned novel for young readers (which I didn't read) and was turned into a motion picture by what is arguably right now Germany's most famous director, Faith Akin. For that I thought it was a surprisingly conventional film, although one with a lot of charm. Maik is a fourteen year old with fairly average problems: To his utter bewilderment, the attention of the most beautiful girl of his class eludes him (at this age, as a boy, I can attest that you are usually after girls which are totally out of your league), his father is emotionally distant (not that in puberty you have the need for long evening walks with your dad), his mother has a problem with drink (or never being able to get enough of the stuff). Not that I would have complained to have the run of the house for two full weeks after dad had handed over a nice wad of cash to me. Maybe the scenario of the affluent, but uncaring family has kind of lost its edge over the years. I had a distinct feeling of feeling more sorry for the father who didn't get a lot of gratitude for providing a luxury villa for his family, and who had to struggle with a wife who is yoyoing back and forth to rehab, and a pubescent son.

Luckily, there are plenty of elements of "charming oddity" such as the epic, empty landscapes of the Mark Brandenburg, or the boys listening to Richard Clayderman on the stolen car's cassette player.

Charming, amiable teen-age comedy with a few moments of sadness thrown in as well. Two 14 year old 'outsider' boys in Berlin form a friendship, and take off for the country in a stolen car, seeking adventure.

The odd couple of friends here are pretty endearing. There's no big, obvious reason Maik is an outsider. He's OK looking, not a bad kid, not a teacher's pet or a bad boy. He just has the bad luck of not standing out enough to make him cool, so he's become a non-entity in his class. His counterpart – the very hard to overlook Tschick -- is an extremely tall Russian immigrant 'new-kid' with a silly hair cut and a bad-ass tough attitude. Their bond is sweet, and somehow believable.

Based on a popular young-adult German novel, "Tschick" is not as edgy, odd and original as most of Akin's films, but has just enough quirk and personality to keep it from falling into feeling too familiar, even if the basic story is a variation on something we've seen many times. Of all Akin's earlier films probably the closes analog is "In July" (2000) – a familiar rom-com story given a personality through Akin's approach.

If not the revelation I was hoping for given the brilliance of Akin's best films ("Head-On", "The Edge of Heaven") it's still a likable coming of age film with it's own bittersweet take on the world.

German road movie about two teenage boys going on German roads during summer vacations. It is a simple movie but very well executed and with a great cast. It makes you want to become young and fearless again, nostalgia, nostalgia, always a powerful sentiment. In background it tackles important topics including dysfunctional families and races.