Depois que um assalto a banco fracassa, este deixa seu irmão mais novo na prisão, Connie Nikas embarca em uma odisseia distorcida pelo submundo de Nova York para tirar seu irmão Nick da cade... Ler tudoDepois que um assalto a banco fracassa, este deixa seu irmão mais novo na prisão, Connie Nikas embarca em uma odisseia distorcida pelo submundo de Nova York para tirar seu irmão Nick da cadeia.Depois que um assalto a banco fracassa, este deixa seu irmão mais novo na prisão, Connie Nikas embarca em uma odisseia distorcida pelo submundo de Nova York para tirar seu irmão Nick da cadeia.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 vitórias e 47 indicações no total
Taliah Webster
- Crystal
- (as Taliah Lennice Webster)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
If I could ever experience what it's like to be a neon light inside a crowded nightclub, I imagine it would feel a lot like watching Good Time.
This movie exudes intensity, electricity, and neonicity (not a real word, just roll with it). The opening scene provides the movie's blandest color scheme, but it's serious and compelling and important, so pay attention.
From there, the movie leaps fearlessly into a techno blasting, adrenaline surging, rush of mayhem and terrible decision making. Two brothers rob a bank, run from the police, and one ends up in the hospital. Then it gets worse.
Constantine (played by Robert Pattinson, in a career-making performance) lives a life of dysfunction. He struggles to maintain healthy relationships with family or friends or anyone. The one thing in his life that he's sure of is that he wants to take care of his brother, who has intellectual disabilities. He spends a majority of the film frantically (frantic accurately describes the mood for most of Good Time) attempting to save his brother from the trouble that he put him in. The problem is that Constantine can't even properly take care of himself, so helping his brother is far beyond his abilities.
Try as he may, every attempt to help backfires. Despite Constantine's good intentions, he is a powerfully negative influence in his brother's life. He sees himself as his brother's savior, but that's very far from the truth.
It's tempting to sympathize with Constantine. He has real moments of decency. But just when you may think this isn't such a bad guy, he showcases another instance of unsavory behavior. That seems to be the story of his life—fleeting moments of hope, followed by swift slaps of grim reality that are mostly brought on by his own doing.
In the end, his brother, Nick, becomes the more likable character. We want what is best for Nick, just like Constantine does. Because of this shared goal, I want Constantine to succeed. I have never rooted harder for a character that I didn't really want to root for. That's all because of Nick.
Since this is sounding deeply dramatic, let me reiterate, this isn't a plodding sob story. The frantic pace, ludicrously rousing music and color scheme will make your eyes bug out and your hair stand up. Actually, you may literally stand up at certain moments because of the intensity.
See Good Time if you're up for an intense crime thriller. Just don't forget to think while watching. There's more to this movie than neon and techno.
This movie exudes intensity, electricity, and neonicity (not a real word, just roll with it). The opening scene provides the movie's blandest color scheme, but it's serious and compelling and important, so pay attention.
From there, the movie leaps fearlessly into a techno blasting, adrenaline surging, rush of mayhem and terrible decision making. Two brothers rob a bank, run from the police, and one ends up in the hospital. Then it gets worse.
Constantine (played by Robert Pattinson, in a career-making performance) lives a life of dysfunction. He struggles to maintain healthy relationships with family or friends or anyone. The one thing in his life that he's sure of is that he wants to take care of his brother, who has intellectual disabilities. He spends a majority of the film frantically (frantic accurately describes the mood for most of Good Time) attempting to save his brother from the trouble that he put him in. The problem is that Constantine can't even properly take care of himself, so helping his brother is far beyond his abilities.
Try as he may, every attempt to help backfires. Despite Constantine's good intentions, he is a powerfully negative influence in his brother's life. He sees himself as his brother's savior, but that's very far from the truth.
It's tempting to sympathize with Constantine. He has real moments of decency. But just when you may think this isn't such a bad guy, he showcases another instance of unsavory behavior. That seems to be the story of his life—fleeting moments of hope, followed by swift slaps of grim reality that are mostly brought on by his own doing.
In the end, his brother, Nick, becomes the more likable character. We want what is best for Nick, just like Constantine does. Because of this shared goal, I want Constantine to succeed. I have never rooted harder for a character that I didn't really want to root for. That's all because of Nick.
Since this is sounding deeply dramatic, let me reiterate, this isn't a plodding sob story. The frantic pace, ludicrously rousing music and color scheme will make your eyes bug out and your hair stand up. Actually, you may literally stand up at certain moments because of the intensity.
See Good Time if you're up for an intense crime thriller. Just don't forget to think while watching. There's more to this movie than neon and techno.
"I think something very important is happening and it's deeply connected to my purpose." Connie (Robert Pattinson)
The depth in the heist-gone-wrong Good Time is the way the director brothers Safdie take us through the seedy side of NYC and the fraught love between Connie and his mentally disabled brother, Nick (Benny Safdie). These two are not bright enough to carry off a heist, proved by Connie's clumsily eluding NYPD and continuing to search for a pot of gold that will give him and his brother the peaceful life they are not meant for.
Here is a heist movie with a heart and enough cinematic savvy to make it an instant classic.
Steinbeck's Of Mice and Men lingers behind the devoted brothers, and Martin Scorses's Mean Streets and Sidney Lumet's Dog Day Afternoon provide the paradigm for clueless hoods confronting the underlife in their daily lives. In fact, interesting characters like mothers and minorities dance out of scenes almost as fast as they enter. Yet naturalism pervades the proceedings as different lowlifes and poor minorities come and go the way they would in NYC at night in the world of thieves and good but poor people.
Corey Ellman (Jennifer Jason-Leigh) is Connie's sometime girlfriend, who supplies money and hope for a vacation to Puerto Vallarta, neither of which is destined to happen. The actress is so fine, as she always is in indies, that her vanishing seems normal under the circumstances and lamentable for the audience.
Sequences such as the mayhem in an amusement park and a hospital teeter on the surreal while the frenetic action continues apace. The directors are geniuses with the close-ups, perhaps the dominant proxemic of the film. Much credit must go to Sean Price Williams' cinematography, which could have been the standard jittery hand held if it weren't so elegantly moving the characters through the night with frenetic abandon and inevitable doom.
Rob Pattinson has come a long way from the Twilight series, being the actor I am sure he wanted to be beyond his somber character in the famous series. Pattinson is the center of the action, withstanding the tyranny of the close up and a character so crazy with love for his brother that we root for Connie although he's a small-time hood without a real plan.
The depth in the heist-gone-wrong Good Time is the way the director brothers Safdie take us through the seedy side of NYC and the fraught love between Connie and his mentally disabled brother, Nick (Benny Safdie). These two are not bright enough to carry off a heist, proved by Connie's clumsily eluding NYPD and continuing to search for a pot of gold that will give him and his brother the peaceful life they are not meant for.
Here is a heist movie with a heart and enough cinematic savvy to make it an instant classic.
Steinbeck's Of Mice and Men lingers behind the devoted brothers, and Martin Scorses's Mean Streets and Sidney Lumet's Dog Day Afternoon provide the paradigm for clueless hoods confronting the underlife in their daily lives. In fact, interesting characters like mothers and minorities dance out of scenes almost as fast as they enter. Yet naturalism pervades the proceedings as different lowlifes and poor minorities come and go the way they would in NYC at night in the world of thieves and good but poor people.
Corey Ellman (Jennifer Jason-Leigh) is Connie's sometime girlfriend, who supplies money and hope for a vacation to Puerto Vallarta, neither of which is destined to happen. The actress is so fine, as she always is in indies, that her vanishing seems normal under the circumstances and lamentable for the audience.
Sequences such as the mayhem in an amusement park and a hospital teeter on the surreal while the frenetic action continues apace. The directors are geniuses with the close-ups, perhaps the dominant proxemic of the film. Much credit must go to Sean Price Williams' cinematography, which could have been the standard jittery hand held if it weren't so elegantly moving the characters through the night with frenetic abandon and inevitable doom.
Rob Pattinson has come a long way from the Twilight series, being the actor I am sure he wanted to be beyond his somber character in the famous series. Pattinson is the center of the action, withstanding the tyranny of the close up and a character so crazy with love for his brother that we root for Connie although he's a small-time hood without a real plan.
Greetings from Lithuania.
"Good Time" (2017) is one of the more involving movies I've seen in some time now. This is a good thrill ride from start till finish. It has a very good directing, good and involving script, great performances and great pacing. The movie is pretty brutal, but its not a blood fest. It has a simple premise and keeps on to it till the end.
Overall, i really enjoyed "Good Time" for its all 1 h 38 min run time. It never dragged and i was very involved into this story superbly told. Very good movie on all accounts.
"Good Time" (2017) is one of the more involving movies I've seen in some time now. This is a good thrill ride from start till finish. It has a very good directing, good and involving script, great performances and great pacing. The movie is pretty brutal, but its not a blood fest. It has a simple premise and keeps on to it till the end.
Overall, i really enjoyed "Good Time" for its all 1 h 38 min run time. It never dragged and i was very involved into this story superbly told. Very good movie on all accounts.
Good Time (2017, The Safdie Brothers) This is a wonderfully gritty crime film that is mostly set over one night. It has the sensibilities of a 70's film and feels like a film Abel Ferrera would want to make is he had any talent. The story follows a bank robber (Robert Pattinson)who finds himself unable to evade those who are looking for him. The acting is superb but the tone of the film might not be for everyone as its a loud, messy world of agitation and intensity that is quite tiring. I personally thought it was great and got a lot out of it and loved the style of presentation from the credits and cinematography to the great synth' score. 7.5-8/10
Day? Was it though? And for whom? One may almost think the title was chosen ironically. Now maybe it was meant for the viewer ... you know having a good time watching it. But that would depend on your defintion of it. You really do have to have a love for low budget movies, otherwise ... maybe stay clear from this.
Robert Pattinson gives a performance that will very likely be far removed from what we see him do in the new Batman movie. And that just goes to show you his range. While a movie he did for Netflix (he was one of many talented actors involved in the project) was ripe for people to make fun of (I actually enjoyed it), because of his accent ("Laz"), here he plays a character who is way over the top crazy.
But he still manages to make him likeable. You kind of root for the guy. Of course that also has to do with the person he is trying to do these things for - he seems like a gullible guy who gets into trouble, because of Pattinsons character ... a weird little gem/nugget of a movie - surely not for everyone to enjoy.
Robert Pattinson gives a performance that will very likely be far removed from what we see him do in the new Batman movie. And that just goes to show you his range. While a movie he did for Netflix (he was one of many talented actors involved in the project) was ripe for people to make fun of (I actually enjoyed it), because of his accent ("Laz"), here he plays a character who is way over the top crazy.
But he still manages to make him likeable. You kind of root for the guy. Of course that also has to do with the person he is trying to do these things for - he seems like a gullible guy who gets into trouble, because of Pattinsons character ... a weird little gem/nugget of a movie - surely not for everyone to enjoy.
Você sabia?
- CuriosidadesAll actors didn't read the script but were given a detailed backstory of their characters and were told to improvise every scene, while Robert Pattinson and Benny Safdie had scripts but were still told to react to the others as well as they could.
- Erros de gravaçãoWhen Connie drives past the Elmhurst Hospital to drop off Ray, he is actually driving past the Saint Joseph's Medical Center in Yonkers, New York.
- Citações
Connie Nikas: I think something very important is happening and it's deeply connected to my purpose.
- Cenas durante ou pós-créditosExcepting the production companies and title, the opening credits begin 17 minutes into the movie.
- ConexõesFeatured in Chris Stuckmann Movie Reviews: Good Time (2017)
- Trilhas sonorasTu Con El
(uncredited)
Written by Eduardo Franco Da Silva
Performed by Frankie Ruiz
Principais escolhas
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- How long is Good Time?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Good Time: Viviendo al límite
- Locações de filme
- Adventureland - 2245 Broadhollow Road, Farmingdale, Long Island, Nova Iorque, EUA(adventureland amusement park scene)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.026.499
- Fim de semana de estreia nos EUA e Canadá
- US$ 125.101
- 13 de ago. de 2017
- Faturamento bruto mundial
- US$ 3.274.936
- Tempo de duração1 hora 42 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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