Jie jiu Wu xian sheng

Andy Lau's Mr. Wu gets kidnapped by some criminals and the police will try to find him before the bad guys kills him. Will they find the place where he is being kept at before time runs out? Will he be able to free himself?

The story of "Saving Mr. Wu" is simple enough. Rich guy gets kidnapped, and the police will try to save him, while the criminals try to get the money, and who knows, maybe get rid of him instead of releasing him. The plot is simple enough, but the movie keeps jumping back and forth in time, non-stop, to make things more interesting. It never becomes confusing, though, which is a point in favor of the direction and the plot. Everything that happens is pretty easy to follow and the tension is kept almost thorough the movie.

The look is dark and gritty (a little bit too much), the direction is good and never goes for flash and shocks, and the acting is good, with Lau being as good as ever. However, the movie lacks punch and grit, it goes for the safe, and lacks something to make it stand from the pack. It is easy to watch, and entertaining enough, but the story could have offered way much more.

In recent years, the movies produced from China have become more and more ridiculous and shallow, the screenplays were either ridiculous or stupid, the acting of all the characters were more pretentious and exaggerated. Lot of profiting Chinese on-line media companies also jumped on the money train to produce more and more superfluous and hollow films targeting the teenagers or low level TV viewers. Strong influence from Korea also polluted the self-respect and self-dignified of the younger generations in China, more young men looked more feminine and more look-alike the Korean young men, with forehead fully covered; young female actors(if we could tolerate their poor acting talent)look more and more like women in escort business. Pointless wedding scenes became the main course, love scenes, lovers' quarrels or misunderstanding scenes became the main scenarios and the plots. Shooting locations must be either Italy or France with lot of unrealistic story lines portrayed Chinese young men, especially young women living abroad. More and more scenes of passenger airplanes taking off or landing, so the airport terminal departure and arrival scenes also became part of these movies. Then night time party scenes also a must have, scenes of the Chinese young and old characters, male or female binged imported Italian or French wines also became must-have scene. Every female characters, heroines or supporting all looked like models, wearing expensive clothes, driving expensive imported foreign cars.....on and on, endless repeated again and again formulaic scenes, plots and scenarios, same crap, different titles. Then another genre mainly targeting the shallow Chinese viewers I.Q. and logic also polluted the Chinese copycatting movie industries: 99.999% pure ridiculous, clueless, pointless, stupid farce-like movies started to pest the Chinese screens. They completely misunderstood the definitions of "Comedy", they thought by throwing in all the ridiculous scenarios and plots, by allowing the actors doing the stupid exaggerated acting were the indispensable and must-have in their so-called "Comedy". And these above-mentioned stuff have become the total ingredients of the Chinese movie and TV industries.

Another part of the Chinese media industries also become the mouthpiece of the totalitarian Chinese Communist Party. They rewrote the historical record and document, invented so many unorthodox and untrue incidents to praise and kiss the Party, changed the Chinese history to brain wash their younger generations, injected falsified and blind patriotism, national hatred to the Japanese and dislike of the totaled Nationalist Party.

While these are the factual outcome of 95% of the Chinese movie and TV productions. There almost nothing worth watching enough, the tiny 5% portion of them are trying their best to do the good and doing their might to maintain the sanity of the Chinese. And "Saving Mr. Wu" is rightly among the small 5% rare species.

This movie at large is good and serious, but the randomly edited and patched time sequence of the story line, scenarios and the plots suffered huge set back. The formulaic but randomly linked and arranged time frames were like a drunken frog jumping around with no logical sequence.

The leader of the kidnappers also fell into the formulaic type of a farce-like comedian character. By acted and performed like that kind of criminal attitude, there was no way that he could become an Alpha dog but more like a typical American stand-up comedian with gifted and crafty wisecracking dialog. A criminal imprisoned for 10 years with teeth so clinically white was a terrible overlook by the actor and the production part.

Luckily, Andy Lau and those guys who played the police force have not been ruined by the partly unconvincing formula, they were serious, and Andy Lau was more serious in his sincere and complete believable performance as the victim of the kidnap case.

But the self-thought-to-be-correct and self-righteous directing and the editing had jeopardized this film to reach being a premium drama. The poorly assembled time sequence, the hourly patched scenes, the dragging stupid last rescue plan and the unbelievably ridiculous last seconds rescue were simply naively stupid and shallow.

Those overly dramatized scenes, the randomly poor patched jump-around hour this hour that sequences, and the unconvincingly exaggerated comedian-like acting and the overdone smart dialog of the criminal leader inevitably downgraded this film to a just OK thriller. And the curly hairdo of the criminal leader, then suddenly became regular straight prison shortcut hairstyle was another careless poof of this at least still quite watchable 90% serious Chinese film.

This is a 6.5 for me, A gang of kidnappers abduct a movie star for ransom. This isn't an unusual plot. It's not an awful film but it's missing something. I think that it might be a lack of character development. I never really got a feel for some of the characters and it kept me from investing much into what was going on. If I were to pick the best thing about this it would have to be the villain. The actor playing the villain did a great job playing the callus criminal. He totally had me hating him.

So, while I enjoyed the film, it was a bit flat. Glad I checked it out.

I regard this film is somewhat a remake or tribute to Akira Kurosawa's Tengoku to Jigoku (Heaven and Hell) - a detective story of a kidnap that depicts the detectives, the kidnapper and the kidnapped (though for the former it is the father of the kidnapped that is the main character).

With both being shot in semi-documentary styles (the film is actually based on a true story in China) and focused on the investigation procedure, it is the kidnapper in both that steal the show. Ruthless, relentless and with hatred for the society, both are ready to do anything for money. Lau, who played the victim in the present film, even with good acting and a script tailored-made for him, actually overshadowed by the kidnapper.

With the case slowly reviewed, the evils of present-day 21st century China are also reviewed. The use of apple as the main source /key for solving the case is a nice human touch to a very depressing and inhumanistic story and make the key message more in line with the Chinese official (i.e. criminal listen you rip what you sow) or the cause and effect Buddhist philosophy.

All in all, despite its conventional tone, it is a good film with a good acting, good script and good cinematography all round and a positive message for the folks of a socialist society that turn more materialistic and capitalistic day by day.

The bandits are brilliant, the others are ordinary. There are loopholes in the plot from the beginning. But the timeline and the plot are all right. It doesn't look messy and boring.