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7,2/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTokita Mayuko who was majored in textile technology moved to Tokyo and finally found a job in Ginza. Mayuko's dream is to develop new kinds of fabric, but she ends up working in a handmade l... Ler tudoTokita Mayuko who was majored in textile technology moved to Tokyo and finally found a job in Ginza. Mayuko's dream is to develop new kinds of fabric, but she ends up working in a handmade luxury lingerie atelier called Emotion.Tokita Mayuko who was majored in textile technology moved to Tokyo and finally found a job in Ginza. Mayuko's dream is to develop new kinds of fabric, but she ends up working in a handmade luxury lingerie atelier called Emotion.
Explorar episódios
Ayumi Orii
• 2015
Reiko Tajima
• 2015
Tôru Nomaguchi
• 2015
Hironobu Nomura
• 2015
Hisahiro Ogura
• 2015
Tomu Ranju
• 2015
Toshi Takeuchi
• 2015
Megumi Satô
• 2015
Avaliações em destaque
I love fashion, beauty, clothes etc. so when I saw this on Netflix, it piqued my interest. The show is pretty happy, lighthearted, kind of whimsical filled with pretty characters who are impeccably dressed-- I mean all the shirts are ironed, hair and makeup very clean and fresh with not a single hair out of place. All the clothing pieces are coordinated so everyone look super presentable like the posters.
Overall, it was an enjoyable watch for me because of the eye candies. The storyline was okay-- super straightforward, very simple... pace of the story is somewhat slow. characters are very manga like-> very happy and not multifaceted.
Love the soundtrack / music that they used. Would like to know where I can get a hold of them.
Overall, it was an enjoyable watch for me because of the eye candies. The storyline was okay-- super straightforward, very simple... pace of the story is somewhat slow. characters are very manga like-> very happy and not multifaceted.
Love the soundtrack / music that they used. Would like to know where I can get a hold of them.
My wife started watching this show, but I got hooked shorlty. I believe the values presentes in the script are one of its best features and production is very good. It really makes you appreciate the effort on lingerie creation.
I'm currently learning Japanese and the type of conversations taken on this show are perfect to get the feel of normal Japanese people (unlike anime) and tune the ear for the languaje. The respect and candor of the characters is just like many Japanese persons I met on a recent trip. Worth watching !
I'm currently learning Japanese and the type of conversations taken on this show are perfect to get the feel of normal Japanese people (unlike anime) and tune the ear for the languaje. The respect and candor of the characters is just like many Japanese persons I met on a recent trip. Worth watching !
Good to see content from Japan. Great production values.
I found the musical score intrusive and too 'on the nose'. Signaling what you should be feeling now in case you can't figure it out from the script - determination, inspiration, sadness etc. Lush, redundant and mostly saccharine. Especially that damn piano! Coincidentally just having rewatched The Birds which has no musical score at all. Wish there was a separate mute for the music.
Subtitles in yellow often lost on a light background.
A weirdly depopulated Ginza and too-blue sky over Tokyo. The distraction of anime-looking characters thanks to cosmetic surgery especially among the young actresses.
The melodramatic line readings and swelling music when someone said something like, I will make...bras that I like! The simpering overacting and fumbling by the doe Kiritani in the early episodes.
Male characters mostly emasculated or evil. What was up with the coffee guy? Poor schmuck.
Not crazy about the stereotypical work-life imbalance, would like to have seen some of the characters' lives outside of work.
Other than Kiritani, a great cast. In particular could watch Mao Daichi sew and drink coffee all day. Without music and maybe without that Anna Wintour haircut. Her 'regal bearing' is an inspiration, as is her enunciation which is great for students of the language.
I found the musical score intrusive and too 'on the nose'. Signaling what you should be feeling now in case you can't figure it out from the script - determination, inspiration, sadness etc. Lush, redundant and mostly saccharine. Especially that damn piano! Coincidentally just having rewatched The Birds which has no musical score at all. Wish there was a separate mute for the music.
Subtitles in yellow often lost on a light background.
A weirdly depopulated Ginza and too-blue sky over Tokyo. The distraction of anime-looking characters thanks to cosmetic surgery especially among the young actresses.
The melodramatic line readings and swelling music when someone said something like, I will make...bras that I like! The simpering overacting and fumbling by the doe Kiritani in the early episodes.
Male characters mostly emasculated or evil. What was up with the coffee guy? Poor schmuck.
Not crazy about the stereotypical work-life imbalance, would like to have seen some of the characters' lives outside of work.
Other than Kiritani, a great cast. In particular could watch Mao Daichi sew and drink coffee all day. Without music and maybe without that Anna Wintour haircut. Her 'regal bearing' is an inspiration, as is her enunciation which is great for students of the language.
The young and the old, both in transition, makes up the story of "Atelier" a 2015 miniseries from Japan.
Adorable Mirei Kiritani stars as Mayuko, a young woman who comes to work at the Emotion salon in the Ginza section of Tokyo. Her boss Mayumi (Mao Daichi), made up to look like Anna Wintour, is tough but fair. The lingerie is hand-made and exquisite, and Mayuko falls in love with the whole industry, to the point where she wants to create something herself.
Mayuko and Mayumi learn more from one another than either one thought possible, as Mayuko works to find out who she is and Mayumi realizes she needs to invent herself.
Lots goes on in these 13 episodes: designs stolen, a theme for a fashion show stolen, a child who is estranged from his mother who appears, going into mass marketing, and lots else.
I have never been to Tokyo - it looks so beautiful on this show - it's like watching Manhattan, where I have lived, on Suits or White Collar. At the end someone is out on the sidewalk and you can really see that the streets are crowded like New York in midtown.
Learning a little of the culture was amazing also - lots of bowing, not a huge amount of touching, people seem to treat one another with respect. It's a more formal culture.
Someone on this board said the show reminded them of anime because some of the younger women had plastic surgery. I was wondering during 13 episodes why some of the women seemed to be a mix of American and Japanese.
Mirei Kiritani is so pretty and played the part of a naive girl who wants to learn everything very well. Mao Daichi, who seems like Japan's answer to Joan Collins, is perfect in her role of an elegant, somewhat imperious woman who hides her vulnerability underneath. She wears an Anna Wintour wig -- I'm not sure if I saw her in something else if I would know her. I believe at one point the character is said to be 50, or maybe I misheard - Daichi is 60, and I could have believed she was late forties.
The other actors were all wonderful, including Mayuko Kawakita, Ken Kaito, and Wakana Sakai.
Highly recommended - and for those concerned about language and nudity - this is cleaner than a Disney film.
Adorable Mirei Kiritani stars as Mayuko, a young woman who comes to work at the Emotion salon in the Ginza section of Tokyo. Her boss Mayumi (Mao Daichi), made up to look like Anna Wintour, is tough but fair. The lingerie is hand-made and exquisite, and Mayuko falls in love with the whole industry, to the point where she wants to create something herself.
Mayuko and Mayumi learn more from one another than either one thought possible, as Mayuko works to find out who she is and Mayumi realizes she needs to invent herself.
Lots goes on in these 13 episodes: designs stolen, a theme for a fashion show stolen, a child who is estranged from his mother who appears, going into mass marketing, and lots else.
I have never been to Tokyo - it looks so beautiful on this show - it's like watching Manhattan, where I have lived, on Suits or White Collar. At the end someone is out on the sidewalk and you can really see that the streets are crowded like New York in midtown.
Learning a little of the culture was amazing also - lots of bowing, not a huge amount of touching, people seem to treat one another with respect. It's a more formal culture.
Someone on this board said the show reminded them of anime because some of the younger women had plastic surgery. I was wondering during 13 episodes why some of the women seemed to be a mix of American and Japanese.
Mirei Kiritani is so pretty and played the part of a naive girl who wants to learn everything very well. Mao Daichi, who seems like Japan's answer to Joan Collins, is perfect in her role of an elegant, somewhat imperious woman who hides her vulnerability underneath. She wears an Anna Wintour wig -- I'm not sure if I saw her in something else if I would know her. I believe at one point the character is said to be 50, or maybe I misheard - Daichi is 60, and I could have believed she was late forties.
The other actors were all wonderful, including Mayuko Kawakita, Ken Kaito, and Wakana Sakai.
Highly recommended - and for those concerned about language and nudity - this is cleaner than a Disney film.
This starts out with a girl who just graduated and she and her friend go to Tokyo to find work. The girl Mayu eventually finds a job at a high end lingerie shop called emotion. There she starts to learn and also implement some of her ideas as well as get on the owners nerves from time to time. She reminded the owner of herself when she was younger. As the time goes by the business gets better and starts to grow. Mayu eventually finds out that Nanjo the owner was planning on retiring and possibly leaving the shop to her. So she tells nanjo that she is not going to feature her line as it is hers and not emotions and that she is going independent. She did this so that Nanjo wouldn't retire. Nanjo eventually gave her the sewing machine that she first used when she found out where mayu was. Mayu returned to the store to visit and also visit Nanjo. There she starts to cry and Nanjo assures her that she is not going anywhere. Nanjo realized that Mayu sacrificed herself to keep her from retiring. The loose ends that I am referring to is what happened to Mayu's mother. I kind of suspect that maybe Nanjo might have had her out of wedlock which led to the divorce from her husband and in the end what was the result of Mayu going independent? They only show her sewing a cloth and nothing else. That's why I rated it an 8. I would still recommend it though. It seems like the japanese dramas have more control over how to do a series and not let Netflix interfere which makes me happy.
Você sabia?
- CuriosidadesAtelier means artist's studio or workroom.
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Atelier
- Empresas de produção
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