Divinas

Wow! What I expected to be a medicare classic sentimental a girl-from-the-ghetto story, turned up to be an extraordinary experience of incredibly acted, beautifully complex, unconventionally artistic movie. If this is the director's first feature movie, I am genuinely looking for next one.

The story is about a 15-year-old Muslim girl called Dounia and her black friend Maimouna that both grow up in a poor migrant superb of Paris.They have both different characters and family situation, but they both share their insecurities and hopes with each other openly and you can feel the strength of their influence on each other even when it seems like they paths split.

They are both clueless teenage girls, that feel like they deserve more in life than what they were given by their parents or society. And it's Dounia that is more willing to risk and fight for that better future. The relationship dynamic is fascinating to watch and very well acted. There is also interesting and potentially romantic (?) relationship between Dounia and a guy who is a dancer, and whose artistic aspirations in dancing is confusing her (and her own value system). And what's more, her friend Maimonua doesn't seem to be so impressed with him as Dounia, so she acts very ambiguously toward him and even sees him as weak, even though she is not sure that what she sees as a weakness is actually a weakness after all. This split between her contradictory emotions is amazingly well acted (in my opinion by a rising star) young actress Oulaya Amamra.

The ghetto, lack of meaning, lack of guidance and respected adult authorities, lack of social (economic) opportunities and feeling of being an alien in someone else's society is the true antagonist of the story.

It drives Dounia (and Maimonua follows her in admiration) to make naive and bad choices, but at the same time you feel something very authentic and even admirable in her drive to find the most accessible way out of her frustrating situation. As there seems to be no adult that understands her feelings, she relies on her best friend Maimonua feedback and evaluation of her. But they both can only know, what they can learn from their surrounding culture and significant adults around themselves - who also seem clueless and desperate, so why should Dounia trust them at all? She has an immature drunk mother and no father. So when she drops out of school and start selling drugs, the world looks like it belongs to her (and her best friend), unable to see inevitable consequences of the path she puts herself and their friendship in.

And as the movie progress, you ask yourself how much she can get away with and will she finally learn harsh life lessons on her own or will the unusual relationship with the dancer help her to see beyond distorted values she desperately tries to believe in?

It is a matter of taste, I guess, but a Golden globe nomination, 10 minutes standing ovation and subsequent win at Cannes festival is, in my opinion, well deserved. Besides I read that the "self-thought" director Houda Benyamina herself grew up in the type of suburb she captures in this movie, so you can't accuse her of over-dramatization or stereotyping.

I've seen A Man called Ove (2016) and Toni Erdmann (2016) which are both nominated for 2017 Oscars for foreign movies, but I think Divines deserves it more. I personally, put Divines to my Top 2016 list of movies.

Highly recommend.

Houda Benyamina's stunning debut Divines immediately reminded me of Céline Sciamma's Girlhood. The two films follow similar protagonists, both 16 year old girls growing up in the rough banlieu of Paris. But while Girlhood was the story of a girl growing up in the ghetto told by someone who wasn't from that area, Benyamina is someone who came from those places and understands it intimately and as a result her film feels more vibrant and multi- dimensional.

Divines is focused on Dounia (Oulaya Amamra, phenomenal), a plucky young teen who lives in makeshift tent camp with her mother who drinks too much and sleeps around. As a result Dounia had to grow up fast. Like a teenage Robin Hood she shoplifts from grocery stores bringing basic necessities to her neighbours and friends. While at school she is treated with condescension by a teacher, trying to inform her how to behave in order to get the low wage entry level positions she'll probably be doomed to occupying her whole life and decides that that isn't for her. Instead, thinking only of money, she hustles her way into getting a job with Rebecca, the neighbourhood drug dealer.

Now in another movie (like Girlhood) this would be represented in a very moralistic fashion but Benyamina shows how for someone like Dounia, working her way up to drug dealer is probably the quickest, most interesting way for her to achieve her goals. And while Dounia does some morally dubious things the movie understands why and never judges her.

Benyamina also has some fun playing with her characters and her style and there are some dance and fantasy sequences that make this play like a ghetto fairy tale. But she never forgets her serious side either. Divines is ultimately a film about forgotten people trying to make it anyway they can and Benyamina makes sure that you remember them.

This is a welcome sight. This is not an easy one. Scene after scene, the characters, the settings, the relationship, each and every element comes in your face with incredible strength; from classroom argument to daughter-mother interaction, nothing is easy and nothing doesn't hurt. And for all that, the movie still manages to be fun, to make you laugh (albeit often at someone's painful expenses). Praise must of course go towards the main character, surprisingly multifaceted, rich and intense in about any moment of the film. She will draw you into her hopes, values and experience, her very own; morals, logic, conventions be damned! The talent from the young cinematographer at work here is to project all this with that incredible force; you will be happy when the characters are, you will cry when they do. And you will hope with them of a better tomorrow, however twisted. The synopsis here doesn't do justice to the scenario, this is much more about survival, and progress, only with the meagre supply of solutions and resources available to the heroes where they where born, in the limited scope of perspectives such life can offer them. They will not accept their fate, they will fight it, and we will be entranced by them.

I never write movie reviews, but I had to write one for this one. This is undoubtedly one of the best movies I've seen. It is raw, touching, and exceptionally well directed. The acting by the main character (Dounya) is phenomenal, and I am hoping to see her in more films in the future. Overall, its a must see film that shows the dark realities many people around the world face. WATCH IT NOW.

This is one very affecting movie, a type of film that fills you with a sense of real people feeling real emotions --nothing is fake, all the characters and all their needs are as real and painful as it gets. And just as in life, nothing is resolved in a satisfying ending.

The lead actress is one very ambitious young lady, Oulaya Amamra, who will make her mark on cinematic history soon, but you might want to catch her in her early stage to see how she progresses quickly to Meryl Streep (or at least Jennifer Lawrence) status. Her character's name is Dounia, and she is a daughter of the town slut in a Roma (Gypsy) camp.

Her best friend, Maimounia, a black girl, daughter of a Muslim priest, is as lovable as they come. The two of them conspire to become rich. Even though they achieve the goal, it eludes them in a way that is completely unfair, yet realistic. There is no simple resolution, and therefore, the film is just like life: it is completely and utterly unfair.

Although the plot seems simple, it is extremely more complex and a summary of the action doesn't do justice to the story. Dounia has a love-hate relationship with a male dancer that takes too much away from the rest of the film, and the scenes of the dancer are way over long and unnecessary, but thankfully it is the relationship that she has with her best female friend that is the true heart of the film.

To say more would detract from one's enjoyment of the twists and turns that ensue during the course of the film. Rest assured, you will be glad you spent time in the company of the actresses and the female director of this very impressive film.