Dinheiro Em Jogo

Great movie with impeccable dramatic development. From the presentation of the characters to their arrival to the house until the development of the past of each of them within it, the story is provoking in the viewers a continuous change of reference point and, therefore, fixation of your interest. Excellent management work of actors who manage to set the tone for each of the personal stories of each and an almost perfect casting for each of the roles. The film, whose development does not leave indifferent to the spectators by its continuous change of point of view of the history on the part of each one of its personages, ends of surprise form presenting / displaying a worthy end of the whole history.

Not that this is a bad film. But there are number of things that are somewhat annoying: too much dialog, characters and situations that aren't really believable and a story that is somewhat predictable. Settings are OK, director tries to give a visual touch but the film smells to much like a stage play. But hey, the actors are OK and the story is still strong enough to keep your attention. All by all a film that is easy to see but also easy to forget.

"Money" is a passable Monster-in-the-House/Heist-Gone-Wrong character-driven drama. It seems somewhat hampered by an obviously limited budget. About 95% of the action takes place in and around an isolated residence with a core cast of five people. Much of the story is relayed through dialogue; however, the dialogue is generally reasonably clever. Jamie Bamber, as the villain, largely drives the plot, with credible supporting performances by Jesse Williams, Lucia Guerrero and Fredric Lehne. Unfortunately, over-reliance on jiggly-cam shots is obvious and frequently distracting. The story doesn't break any new ground and several of the plot points are predictable. It doesn't have much to offer in the way of theme or character arcs and there really isn't a good protagonist to balance Bamber's villainy. For a film titled "Money," with an alternate title of "$," one would think they would at least get the stage money right. The bills look authentic, but there aren't nearly enough of them. What is supposedly five million dollars can't be more than half a million. As low budget direct-to-video fare, it's okay. It's watchable, but not a film one would want to view repeatedly to appreciate subtle nuances.

It seems to me that 'Money' is a perfect, elegant and flawless product; a very stylized classic drama. While I was watching it, movies like The Rope (Alfred Hitchcock, 1948) or Wait Until Dark (Terence Young, 1967) came to my mind. The movie is concise, pragmatic and straightforward. Its goals are clear and they know how to reach them. Its message is, on top of that, beautiful, illuminating and not indulgent. The tension is built up in a superb manner for a movie that needs to keep us in suspense. And the director's work with the actors is sublime. With perhaps the exception of Kellan Lutz, more inexpressive, they are all splendid, and that makes the text shine and the credibility of what is taking place escalate. In that sense, the actor's direction is spectacular. At times, the necessity of filming hastily is noticeable, but not so much because of the editing, which is perfect, with just some isolated glimpses that can be observed. However, it is more noticeable in the staging: it looks like there wasn't time to plan a proper communicative meaning beyond what's functional. There is not a genuine relationship between the characters and the space, not a single shot provides more information than what the characters verbally announce. It would have been a spectacular movie if they had taken more risks in that sense. It would have been even better if they had what every movie lacks of: time! But, in spite of that, everything in 'Money' is believable, accurate and intense. Concision, focusing on a single location, a right pace in the dialogues, witty replicas and great performances are but a few of its virtues. In that sense, 'Money' is a complete success.

There is not an extra word or an extra shot in Money. Everything is brilliantly calculated to take the audience on a smooth ride. There are no explosions or fireworks in here. It's all about humans making choices and making mistakes based on their darkest ambitions. I enjoyed very much the performances and how the script can flip the circumstances upside down in just a second. There is some kind of seductive coldness in this film. It didn't make me care particularly for any of the characters. Instead I was fascinated watching their actions and decisions. The film kept me intrigued until the very end. The premise is simple yet the unfolding is quite elegant and believable. I recommend this film to anyone that likes smart thrillers that rely on human psychology.