AVALIAÇÃO DA IMDb
6,3/10
9,6 mil
SUA AVALIAÇÃO
Um advogado que sai com uma arquiteta rica e de um metro e meio de altura é ridicularizado por sua família, seus funcionários e suas antigas namoradas, por sua altura.Um advogado que sai com uma arquiteta rica e de um metro e meio de altura é ridicularizado por sua família, seus funcionários e suas antigas namoradas, por sua altura.Um advogado que sai com uma arquiteta rica e de um metro e meio de altura é ridicularizado por sua família, seus funcionários e suas antigas namoradas, por sua altura.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
Florence Demay
- Mathilde, l'ex d'Alexandre
- (as Florence Ernst)
Avaliações em destaque
This is the classic French romcom with a twist. A dashing architect and a big girl lawyer fall in love with each other. Who wouldn't, they've got everything going for them, so much so that it's sheer willpower that keeps them from falling heels over head in love with themselves. And every man should take a few pointers from Alexandre how to properly woo a woman. The only hitch is that this French lover stands barely 1,40 m tall. Although this predicament is obvious from the start, and I felt a bit nauseous about how truly wonderful Alexandre is (he's great at anything), the movie still provides a lot of momentum and keeps the story going. It's especially fun to watch how they make the 1,82 m tall actor Jean Dujardin appear to be only 1,36 m tall by a number of old school tricks (his counterpart Diane (Virginie Efira) standing on a box, or Jean Dujardin kneeling) and CGI (green screen).
Yet another failed French Comedy. This decade has not been kind for French Cinema and comedies are pretty catastrophic. This one is no exception.
The main issue to enjoy this movie is suspension of disbelief : the special effects used for Jean Dujardin to become a small man just don't work. They're incredibly botched: Dujardin looks inserted into every scene, nothing flows naturally and, most importantly, he doesn't look like a short man, he looks like a shrunk man. There's a difference and it's a big one. He looks like somebody kneeling, he looks like somebody you put on a smaller chair and in SFX he looks shrunk to 60%
So one can never get into the movie simply because it doesn't look right.
And then you have to go through a fairly ridiculous Rom Com, quite by the books hence predictable, not funny for a single moment and not charming for another.
With the exception of Efira...who's just great. But even her charm and wits can not save this movie. Pass Pass Pass
The main issue to enjoy this movie is suspension of disbelief : the special effects used for Jean Dujardin to become a small man just don't work. They're incredibly botched: Dujardin looks inserted into every scene, nothing flows naturally and, most importantly, he doesn't look like a short man, he looks like a shrunk man. There's a difference and it's a big one. He looks like somebody kneeling, he looks like somebody you put on a smaller chair and in SFX he looks shrunk to 60%
So one can never get into the movie simply because it doesn't look right.
And then you have to go through a fairly ridiculous Rom Com, quite by the books hence predictable, not funny for a single moment and not charming for another.
With the exception of Efira...who's just great. But even her charm and wits can not save this movie. Pass Pass Pass
You'll search far and wide to find a positive review of this film but you have found one here. Like every romantic farce, Up For Love (2016) is a comedy based on situational humour rather than dialogue or action. It's a genre that shows people revealing themselves by how they react to the unexpected and this one is funny and sad and loaded with charm.
The plot line is simple: a beautiful lawyer loses her phone and a caller offers to return it if she will dine with him. Freshly divorced Diane (Virginie Efira) is trying to move on and is vulnerable to the smooth-talking Alexandre (Jean Dujardin). When they first meet she is stunned to find that the high-profile architect is 4 foot 6 inches tall. It is a hilarious scene of studied avoidance and shifting glances. But they hit it off and start dating, and each situation into which Diane introduces Alexandre is a farcical study of how people react to his diminutive stature. Throughout it all, Alexandre endures the stares and jibes with good-humoured acceptance despite the callous insensitivity of people towards those who are different.
There is an unmistakable feeling of guilt in laughing at how Alexandre copes with everyday moments in his life, like needing to jump up into a normal size chair and see his dangling feet not reach the floor. But that is the whole point: how would we react in the situation? Dujardin is a pin-up star of French cinema and he plays here with irrepressible warmth and forbearance despite his short straw in life. Efira is his perfect match and plays middle-class embarrassment to perfection. Critics have complained that the digital effects to down-size Dujardin are clumsy. It is true that if you look for it, you can notice some between-scene differences in scale and perspective that slightly alters his size in relation to the frame. Just ignore it. The whole of cinema involves suspension of disbelief and this story has more than enough going for it to be spoilt by minor hiccups with experimental technology.
Love stories between mismatched souls have always been the lifeblood of romantic comedy, so in one sense Up For Love is just another take on an ancient theme. If your glass is always half empty, then this film is a flawed cliché. For others, it is a delightful romance that doubles as a serious essay on dealing with difference. It is heart-warming and awkward, original and familiar, all at the same time.
The plot line is simple: a beautiful lawyer loses her phone and a caller offers to return it if she will dine with him. Freshly divorced Diane (Virginie Efira) is trying to move on and is vulnerable to the smooth-talking Alexandre (Jean Dujardin). When they first meet she is stunned to find that the high-profile architect is 4 foot 6 inches tall. It is a hilarious scene of studied avoidance and shifting glances. But they hit it off and start dating, and each situation into which Diane introduces Alexandre is a farcical study of how people react to his diminutive stature. Throughout it all, Alexandre endures the stares and jibes with good-humoured acceptance despite the callous insensitivity of people towards those who are different.
There is an unmistakable feeling of guilt in laughing at how Alexandre copes with everyday moments in his life, like needing to jump up into a normal size chair and see his dangling feet not reach the floor. But that is the whole point: how would we react in the situation? Dujardin is a pin-up star of French cinema and he plays here with irrepressible warmth and forbearance despite his short straw in life. Efira is his perfect match and plays middle-class embarrassment to perfection. Critics have complained that the digital effects to down-size Dujardin are clumsy. It is true that if you look for it, you can notice some between-scene differences in scale and perspective that slightly alters his size in relation to the frame. Just ignore it. The whole of cinema involves suspension of disbelief and this story has more than enough going for it to be spoilt by minor hiccups with experimental technology.
Love stories between mismatched souls have always been the lifeblood of romantic comedy, so in one sense Up For Love is just another take on an ancient theme. If your glass is always half empty, then this film is a flawed cliché. For others, it is a delightful romance that doubles as a serious essay on dealing with difference. It is heart-warming and awkward, original and familiar, all at the same time.
I particularly enjoyed the first half of this movie as I could totally relate to it. Not exactly by me dating such a short man, but men with other physical short falls that I wrestled with. Shallow, I know. This couple were so wonderful to watch and the chemistry between them was great. I absolutely loved the dance scene - I really was not expecting him to be such a good dancer. The 2nd half strayed way too much into typical Hollywood Rom-Coms, which I avoid like the plague- especially the ending. Still, overall - a good, watchable film with a gorgeous leads.
First the long review from the other is not fair. It sounds like someone who admits being shorter is an issue. So can be being taller than the average. We are dealing with an Oscar winner and some really clever movie tricks and set design etc that is what is to appreciated also and the creativity and fun to show it. I don't want to spoil it but I find it has a general positive attitude. It teaches us to appreciate what's between the two ears and maybe legs also as it often does not match the rest of the body automatically. I have met several people who needed injections to grow, very costly treatments that maybe could have been approached in the movie also.
See it and make up your own opinion.
Você sabia?
- CuriosidadesJean Dujardin was shortened with different camera tricks like being shot from above, on his knees or sitting on a wheeled stool. During his dialogue scenes with Virginie Efira, which were often shot without these tricks, he had to look up (thus above her head) while she had to look down (at his chest).
- Erros de gravaçãoAlexandre (Jean Dujardin) is supposed to be 1,36 as he is a dwarf, but when he falls off the plain with Diane Duchêne (Virginie Efira) they seem to have almost the same height.
- Cenas durante ou pós-créditosDuring the title credits, some letters are taller and some are smaller, mirroring the theme of the movie.
- ConexõesFeatures Viagem do Coração (2003)
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- How long is Up for Love?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 8.273.919
- Tempo de duração1 hora 38 minutos
- Cor
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