A Garota Desconhecida

The efficient Dr. Jenny Davin (Adèle Haenel) works hard and has been chosen to replace Dr. Habran (Yves Larec), who has just retired, at the Kennedy Hospital. One night, someone rings the bell of her office after-hours and Dr. Davin asks her trainee Julien (Olivier Bonnaud) to not open the door since does not to seem an emergency. On the next morning, Police Inspectors Ben Mahmoud (Ben Hamidou) and Bercaro (Laurent Caron) require her surveillance tape since a teenager was found dead on the other side of the road and they are investigating what happened. Jenny feels guilty for not opening the door and becomes obsessed to find the teenager's identity. Her investigation affects her relationship with patients that might know something about the unknown girl.

"La fille inconnue", a.k.a. ("The Unknown Girl", is a film impressively realistic with a storyline of human values and obsession. Like most of the European movies (Belgium / France), the plot is developed at a slow-pace, supported by the great performance of Adèle Haenel. It is good to see the human values of her character that is deeply affected by her attitude. It is also interesting to see how doctors work in France, going to the patient's home and attending also during the night. My vote is seven.

Title (Brazil): "A Garota Desconhecida" ("The Unknown Girl")

Dr Jenny Davin is a young go getter, she is running a small practice but is destined for much better things in the filed of medicine. She has an intern/locum who she rides pretty hard and seems to be lacking in all but professional courtesies.

Then one night her practice door bell rings and she refuses to have it answered. Later she finds that it was the last attempt of a young girl to get help before she was murdered. Faced with the weight of what she has done – or rather not done – she becomes obsessed with finding out who the girl was and so begins a quest for the truth.

This is a bleak film, the town is crumbling and grey and everything has the feel of neglect – this is replicated in the way some of the people are treated and the victim is no exception. However, at the centre of it all is hope and decency and so the two are finely balanced against each other in a way that holds the yin and yang together nicely.

The acting is all great too and it will keep your attention until the final reveal. It is well written directed and shot too – so not a lot not to like – in French this is a film for those who like to an unusual plot and appreciate the smaller things that cinema has to offer.

Simple yet effective, The Unknown Girl starts out as a typical day in the life of Jenny Davin, a doctor running a private clinic who feels guilty not answering a late night door bell ring at the office that oddly ends up costing a young woman her life. Feeling guilty, when Davin discovers that this woman's identity is unknown she makes an effort to find out who she is so that she won't have to lie in an unmarked grave.

It's a well done movie, I'm very impressed with what they did with so little. Some what like a Dogme 95 movie in the sense that they do nothing to enhance the story, which is so basic. No music, no flashy cuts or cinematography. Nothing to make it sparkle, Yet it does. It could have been so dull but it wasn't at all, was interesting and really pulls you into the story. worth seeing.

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While The Unknown Girl, the latest film by Jean-Pierre and Luc Dardenne ("Two Days, One Night"), is suggestive of social and political issues such as immigration, unemployment, and economic imbalance, its main concern is with moral character, accountability, and spiritual redemption. Like many other films of the Dardenne Brothers, it is simple, natural, and direct, without using a musical background or resorting to sentimentality. Consistent with recent exceptional performances from established actresses such as Cecile de France in The Kid With a Bike and Marion Cotillard in Two Days, One Night, Adele Haenel ("Love at First Flight") is transfixing as Dr. Jenny Davin, a young general practitioner in Saraing, Belgium whose quiet strength, professionalism, and fierce determination dominate the film and make it a worthy addition to the two-time Palme d'Or winners' oeuvre.

Shot by cinematographer Alain Marcoen ("Two Days, One Night"), the film begins at a small clinic where Jenny has been filling in for the retiring Dr. Habran (Yves Larec) but must soon decide whether to accept a more lucrative position out of town. When a young boy has convulsions, Jenny deal with it promptly but later calls out her intern,, Julien (Olivier Bonnaud) for letting his emotions get the better of him, a dressing down that causes him to rethink whether or not he wants to be a doctor, though she later confesses to him that she was being high-handed. Her next admonition to Julien, however, has much more serious consequences.

When they hear an after-hours buzzing on the intercom, she instructs him to ignore it, telling the young intern that he cannot let patients rule him. When a young African woman is found dead on the opposite side of the freeway by the river Meuse, however, Jenny is riddled with guilt. It is soon clear that the deceased woman was the same person who knocked on their door late at night, yet without any identification papers, discovering her identity and the cause of her death is a challenge which becomes the central focus of the film. Though it deals with a possible criminal investigation, it is less of a "whodunit" than an exploration of the many ways in which people deal with feelings of guilt.

Realizing that if she had answered the ring, the young woman might still be alive, Jenny takes it upon herself to conduct a solo investigation. Hoping to discover the victim's name and find anyone who knew her in order to give her a proper burial, Jenny walks around the town, talking to adults and children who may have seen the woman, showing them her photo and reassuring them that any information they provide will be held in confidence. Though most are in denial and refuse to cooperate, Jenny is able to pick up important signals, especially in an interview with a teenager (Louka Minneli) when his accelerated pulse rate indicates that he may not be telling the truth.

The Unknown Girl is mostly muted with little variation in tone, but there are moments of joy when two young male patients sing a lovely song they wrote for Jenny, and when an elderly woman throws a gift of a panettone out the window into Jenny's waiting arms. It also touches on the spiritual when a man asks Jenny, "Why should I screw up my life if she's already dead?" and Jenny replies, "Because, if she were dead, she wouldn't be on our minds." While a too-neat resolution and a lack of the element of surprise keep the film from being in the top rank of the Dardennes' works, its message that healing can only begin when there is a willingness to communicate and to be responsible for one's actions is as good as any that have been delivered in previous films.

"The Unknown Girl" is one of the most refreshing and original pictures to come out in several years. It is a character study of a female doctor coming to grips with her conscience as she ignores a frantic after-hours caller who is subsequently killed. She becomes a part- time detective to find out what happened to the girl, becoming obsessed at the expense of her practice and at considerable risk to her own safety.

French actress Adele Haenel gives a thoughtful, understated performance as the doctor/ detective. She is in nearly every scene, wearing a hooded parka out of season and with a determined innocence and disregard for normal investigative procedure, which she improvises as she goes. The film achieves the 'suspension of disbelief' necessary for films to work, and receives great assistance from an almost-perfect mise en scene on the streets of Liege, Belgium. It becomes real, for an hour and 50 minutes. Ignore bad reviews and see if you agree it is as close to perfection as filmdom can get.