Fear Itself

A documentary (or is it?) about fear and how horror films exploit our reactions to achieve the desired ends. After a few minutes I was left thinking this can't possibly sustain my interest for 90+ minutes, but the exceptional vocal performance of the narrator and the sound-design which gives her work a dream-like quality build-up to create a whole that is more than the sum of its parts could be. It provokes some interesting reflections on our own complicity with what scares us and how we deal with it and invites reflections that will linger long after you finish watching.

Somebody has clearly taken a great deal of trouble to curate these clips from a wide range of films spanning several decades, some of which I had not even thought of as 'horror' before. The clips are accompanied by a drifting, almost dreamy monologue from a disembodied female voice that curls around the images, only occasionally linking to them before setting out on a new meander. Some relatively rarely seen clips include Peter Lorre in an early German-language role, and other reminders that black and white did not always mean monochrome. While it was fun to try to recognise the clips before the captions identified them, and nice to see the original titles used, it was frustrating that the English names by which such classics as Spirit of the Beehive are widely known were not included. My Japanese was not enough to help me track down some tantalising treats. More frustrating though, and the film's ultimate failure to break through to me as a viewer, was that the clips never quite reached the exciting bits. It is curiously unfulfilling to spend this long building tension but never finding release. Is the essence of The Birds really encapsulated by an indoor scene, curtains closed, where the only avian actors are two caged parrots?

I gave up after five minutes. The narrator sounds like a high school drama student. Absolutely painful to listen to. Not soothing enough to be relaxing, just pure wood.

This film is hard to categorise; it doesn't have a plot as such and is entirely made up or clips from horror films or films which contain elements of the genre. As we are shown the clips a narrator tells of how, following an accident, she has thought about the nature of fear and how it is used in film.

I'm not sure what I think of this... it was just so different. I had no knowledge of it before watching and when I saw it recommended on the BBC iPlayer I assumed it was a standard documentary about horror films. If you want to be scared you are likely to be disappointed as most of the clips aren't that frightening and the fairly emotionless narration of Amy Watson is calming rather than frightening; something I'm sure was deliberate. The selection of films was interesting; many will be familiar to most horror viewers but there were also plenty I'd not heard of before. They are taken from the earliest horror films right up to ones made recently. Overall I'd say this won't be for everybody but I'm glad I watched it... I'd recommend it as even if you don't enjoy it you might get some ideas for films to watch in future from the clips.

An exclusive-to-BBC-iPlayer (sort-of)-documentary, which is (sort of) about how and why horror movies scare us, 'Fear Itself' is a peculiar, esoteric, wonderful little treat of a film.

In a manner reminiscent of Mark Cousin's epic and fantastic documentary series 'The Story of Film: An Odyssey', combined with Mark Gatiss' delightful documentary strand 'A History of Horror', director Charlie Lyne - with 'Fear Itself' - does away with conventional documentary structure (i.e. linear narrative, talking head interviews, objective in-depth analysis), and instead presents us with a stream-of-consciousness ramble from a fictional, unseen Narrator (played/voiced by the lyrically dulcet Scottish tones of Amy E. Watson), who hushedly guides us through a smorgasbord of clips from over 100 years of horror film-making.

Over an eclectic tapestry of fearful scenes from films you'd expect (such as 'Ringu', 'Don't Look Now', 'Suspiria', and a Lynchian double-bill with 'Lost Highway' (via the Mystery Man) and 'Mulholland Drive' (via...NOT the creature behind Winkies Diner, weirdly)) and other films you wouldn't expect in the slightest (such as 'Gravity', 'Brazil', and 'Hollow Man'), the Narrator weaves a thesis on the nature of fear in cinema, and fear itself (naturally), via a fictional narrative of her character that just so happens to tie in with the films turning up on-screen while she speaks (like with 'Martyrs' and 'The Strangers').

Watson's mesmerising voice, alongside the words she speaks, as well as the barrage of clips from films familiar and obscure, coupled with the extraordinary music and unnerving sound design, help make 'Fear Itself' an exceptionally hypnotic viewing experience, which transfixes you from beginning to end.

Plus, it makes you appreciate the craft of not just horror film- making, but the sheer visceral power of the moving image itself, and the ways in which the best movies can effect you just through the way they look and sound.

Even better, it introduces you to a whole host of old and new foreign films that you'll never have heard of before, but which you will definitely want to seek out once you see the images from them that 'Fear Itself' shares with you.

A perfect film to watch in the run-up to Halloween.