O Livro de Henry

Has you laughing and crying, very human. Didn't know what to expect when I started watching this, stumbled upon the title. The richness of the characters, you could feel the love in the family through the acting.

While rating and writing reviews about more recent similar films (I'm writing this in December, 2017) like Greta Gerwig's "Lady Bird," the Julia Roberts vehicle "Wonder," and Brooke Shields' turn in "Daisy Winters" (all films about young people struggling to cope with a variety of obstacles as they try to find their place in the world), I realized I was comparing them to how I felt when I exited viewing "The Book of Henry." I hadn't realized until now just how much "Henry" has stuck with me long after viewing, so I was surprised to find in checking my list of reviews written I had rated "Henry" but not written a review of it. I'm doing so now to alert those who may be wondering whether it's worth their time that it is, as I know it has gotten mixed reviews and didn't do well financially in theaters--but I'm also going to refrain from writing about any plot points or spoilers, as I was lucky enough to see "Henry" without knowing anything about it, not having even seen an advance trailer, and I recommend the same for you as the best way to see it: knowing nothing about any of its twists or even its core story. I found the cast perfect, in an ensemble kind of way, and remember the warmth and kindness generated by the film overall as I exited the theater. It has turned out to be one of my favorite films of the year, and I want to make sure to say so here because it was so terribly under-appreciated on its initial release, and barely seen by anyone, making it one of those films that, in my opinion, many people will be discovering on streaming or on DVD, and, after then watching it and enjoying it, wondering why they hadn't heard of it when it was released in theaters. It truly fits the "under-appreciated gem" label so many of these kinds of character-study films eventually end up with.

I went into The Book Of Henry expecting essentially a kids film, I guess by the title I figured this would be something akin to Diary of a Wimpy Kid (2010). I was wrong, I was really really wrong.

The Book of Henry is a masterful clever title that isn't for kids and I wouldn't even say is suitable "Family" viewing. It tells the story of a single mum with her two children, she's essentially failing at life and the eldest of her two sons (Still a little boy) is the man of the house. He's a child genius and his mother depends on him to an overwhelming extent. He begins to fear his friend next door is being abused by her father so sets about a powerful intricate plan but things don't go to plan and the whole film goes in a direction I certainly did not forsee.

A true tour de force The Book of Henry had me gripped with it's remarkable plot and strong performances, by the half way point I expected this to potentially be another 10 but sadly it fell short.

Don't get me wrong The Book of Henry is a good film, it's clever, it's witty, it's unpredictable and it's heartfelt but somewhere along the way it falls short of greatness.

It's tone is inconsistent and it would be very hard for me to narrow down a demographic, it's similiar to The Lovely Bones (2009) in it's dark overtones but oddly quaint imagery.

Well made and certainly an original piece this perhaps should have been better but regardless is a sweet little film.

The Good:

Unpredictible

Powerful stuff

The Bad:

Fails to truly deliver on its potential

Not sure Watts was the best casting choice

Things I Learnt From This Movie:

Not every child actor makes me want to dive into the screen and slap them repeatedly. Most, but not all.

Naomi Watts tends to pick movies that are simply too good for her

Sometimes things are not always what they seem, especially in the small suburban town where the Carpenter family lives. Single mother Susan Carpenter (Noami Watts) works as a waitress at a diner, alongside feisty family friend Sheila (Sarah Silverman) . Her younger son Henry Carpenter (Jaeden Martell) is a playful 8-year-old. Taking care of everyone and everything in his own unique way is Susan's older son Henry (Jacob Tremblay), age 11. Protector to his adoring younger brother and tireless supporter of his often self-doubting mother - and, through investments, of the family as a whole - Henry blazes through the days like a comet. Susan discovers that the family next door, which includes stepfather Glenn (Dean Norris) and Henry's kind classmate Christina (Maddie Ziegler) , has a dangerous secret - and that Henry has devised a surprising plan to help. As his brainstormed rescue plan for Christina takes shape in thrilling ways, Susan finds herself at the center of it. Never leave things undone !.

A sensitive and enjoyable film with nice acting, though a bit slow, the story results to be some boring. The history blends a strange mixture of silly family comedy, melodrama, realism, suspense, cuteness and terror with uneven results. The film is acceptable and passable and the final half hour elevates it quite a bit. The family plot line is simplistic , though it has some twists and turns, and so various characters are predictable, but it is a good entertainment. Decent interpretations from Noami Watts as the protective and sensitive mother, Jacob Tremblay as the intelligent, wise older son, Jaeden Martell as the naive younger son, Sarah Silverman as the likeable friend, Dean Norris as nasty stepfather, Lee Pace as Doctor Daniels and special mention for Maddie Ziegler as the charming dancer at her big screen debut.

It packs a colorful and brilliant cinematography by cameraman John Schwartzman, as well as vibrant and rousing musical score by Michael Giacchino, both of whom are Colin Trevorrow's regulars .The picture was professionally written and directed by filmmaker Colin Trevorrow and shot in 36 days . Trevorrow is a fine craftsman , he wrote and directed "Home Base" that became one of the early viral successes on the internet. His first feature film was the succesful "Safety Not Guaranteed" and following Jurassic World (2015) this quickly became one of the largest grossing in the year because it gives audiences exactamente what they want , only more so and following this The Book of Henry (2017). Rating : 6/10. Acceptable and attractive but no notable film.

"Violence isn't the worst thing in the world. What is then? Apathy."

I'm sure that some movie critics of reputable newspapers ("The Guardian" and the like) and magazines are awful, out-of-touch guys, who pine away on a dusty attic avoiding any contact with other human individuals. Pessimists who cringe at the sign of a bit of emotions and sugar-sweet feelgood moods and hide like a slug that encounters a grain of salt on her path. The result is an allergic reaction of disgust and aversion, after which they begin to spit their guts and criticize the targeted object. Is "The Book of Henry" really overly-sentimental? Is it so sugary that your blood glucose levels suddenly go berserk? Is it so un-freakin-believable that a Jerry Springer show looks like a realistic show? And does the second part of the movie about revenging a child molester feel extremely exaggerated? Maybe yes. However, calling this film the biggest crap of the year, demonstrates shortsightedness and empathy similar to that of a mummified Egyptian pharaoh.

Whatever they claim, "The Book of Henry" is an amiable and entertaining evening filler. Something I'm yearning for after an endless series of nerve-racking or extremely serious movies where you need to stay focused, so you won't lose the thread after another plot-twist. I admit I watched the first chapter with more pleasure than the second chapter. Not because of the acting. But content-wise it was sometimes a bit too much and after a while it lost a bit of its credibility. For instance. I doubt you can buy a high-tech sniper rifle in the U.S. just by saying some obscure name and waving with a bundle of dollar bills. Let's skip the formalities! And someone calling the authorities after seeing an emotional performance of a ballet dancer, was quite bizarre. Especially when bruises and the timid behavior of the girl herself (plus Henry's testimonies) didn't ring any bells before.

You can say the film is kind of bizarre. Not only because of the family situation in which the Carpenter family finds itself. That's already extremely strange. Also the sudden twist in the middle of the story is bit of uncommon. Not often a main character leaves the story so early. Even though he isn't completely out of the picture. And that's why I'm talking about two chapters. The "pre" and "post" Henry period. Perhaps the mix of genres is a cause for criticism. At first, it looks like an innocent youth movie. Then it goes from a melodrama to a thriller with a revenge motive. Granted, that might be too much as well.

I enjoyed the acting the most. Jaeden Lieberher as bright Henry. A young boy looking at the world with very different eyes due to his unimaginable intelligence and at the same time he's still like an average, everyday boy. The way in which he confronts his classmates with the real facts is both sobering as extremely funny. Lieberher plays this with seemingly little effort. A brilliant mind but played in such a way that he remains human. Only I thought that his cartoonish machine he designed, using wires, hammers and wooden mechanisms, was quite contradictory to his high intellectual abilities. Naomi Watts (gorgeous role in "Demolition" by the way) is a known quantity, although she's acted of the screen a bit by her dominant son and all she seems to be doing is hitting the buttons on her PS4 controller. Even in the second chapter, Henry is holding her hand and is in charge of everything. But especially Jacob Tremblay, as the younger brother Peter, really surprised me. Not because of his impact on the story. But the professionalism he displays in shaping his personality. A likable and highly amusing character. Maddie Ziegler knew how to play the emotionally broken neighbor girl in a sublime way. A rendition in which the repressed emotions impressed more than Henry's occasional hyper-kinetic behavior.

Perhaps it's my age that makes me more melancholic and I'm touched much faster. However, I think most viewers approach this movie in a wrong way. I read somewhere that Henry's preconceived plan (which he has worked out in detail in his red booklet) is the opposite of his intellectual ability. A burst in his wisdom because it's revenge he's after. However, perhaps this was the only solution he could come up with after deductive and analytical reasoning. How does anyone react when witnessing that a criminal offense goes unpunished? And legal measures don't have the desired effect? Perhaps it takes more time for average intelligent people to come to the same conclusion.

I'm afraid I'm the only one with a positive opinion about this movie. Apparently, I like to root for the underdogs among movies. I'm sure that critics and opponents of "The book of Henry" will say that Trevorrow, after this cinematic adventure, delivered better work in the more realistic blockbuster "Episode IX". Even if he would add a scene with Chewbacca, Han Solo and Luke Skywalker dancing the can-can, these experts of stories on celluloid will probably approve it and claim that the man has added a willful interpretation to the Star Wars story. But he mustn't give in to willfulness when it comes to other movies (grinding teeth intonation). I am pleased that rebellious movies like "The Book of Henry" are made in Hollywood and not only the sometimes saltless crap that's being released. Because those are the movies where I say "Well, this was a great movie" when it's finished.

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