Houdini and Doyle

Pretty good show,entertaining even if not factual. Houdini was married by 1894 and didn't meet Doyle until much later. It's sort of like watching a live version of Scooby Doo. What seems like supernatural causes turns out to be the equivalent of a a guy in a rubber mask with just a hint of doubt that maybe something really strange could be going on. Sets are a little too nice for London at the turn of the century. Modern music is often used in scenes but somehow it works. Cotumes are pretty good. The characters are likable and the acting is generally very good. I especially like that they did not make the chief inspector a total buffoon as it first seemed.

The best way to describe this series is X-files meets Downton Abbey. Personally, I'm a fan of stories that mix history in fiction, so perhaps I'm bias in its favor, but there are several aspects of this series which are successful.

The show's premise is actually fairly straight forward. The characters of Harry Houdini and Arthur Conan Doyle team up with a plucky female detective from Scotland Yard in order to solve a series of cases. Naturally, each of mysteries have what appear to be some element of the supernatural. Most of the stories also touch on the personal struggles of the two leads, so watching from the beginning will enhance your ability to to follow and enjoy each episodes.

What really makes this series are the actors. In addition to having really talented leads, the cast is strong overall. Perhaps it's just me, but I am sick to death of reality TV and hackneyed sit-coms. Consequently, getting to watch actors who actually know how to act is, for me, more valuable than ever.

Another thing that makes this very enjoyable to watch is its visual appeal. The costumes and set designs are very well done and, even if not always historically accurate, evocative of a romantic and bygone era.

The stories themselves are fast-paced and fairly intricate by today's standards. They also blend fantasy and reality in a way that's pretty darn appealing.

Although billed as a mini-series, if this show doesn't get a second run it will be a shame. It's charming, beautiful, and very watchable.

This reminds me of Ioan Gruffudd's Forever (2014-15), an edgy, yet cozy, murder mystery story that has likable performers, and is filled with anachronisms and good taste in clothing. (Except Conan Doyle's suits, which get louder as the series goes on, a possible sign of growing confidence in the characterization of the character.)

The hook is that Harry Houdini and Sir Arthur Conan Doyle have partnered to solve murders that have some connection to the supernatural and/or spiritual. It's set in the wrong time period for Houdini and Doyle to have been associated. A choice was made to make it Edwardian rather than in the more accurate 1920s. They use modern language and the modern music is intentionally unsettling. The series relies heavily on the old theater maxim of "a willing suspension of disbelief."

And it's highly entertaining. The actors are personable and talented. It's definitely an ensemble cast that works well together. The sets and costumes are well done (suitable for the time period),and highly detailed.

The story line doesn't explore any real substantial questions of politics, culture, war, or social values...yet. It's enjoyable, mindless entertainment, excellently done, with great potential for more robust story lines. Although the episodes might not have been filmed in the release-date order, the staging, story, and characters appeared to mature as the first season progressed.

But there is one travesty: They do a disservice to a good actor, and to women everywhere, by not giving their excellent female star better billing.

I think I watched all the available episodes to me in the span of a couple days. My favorite murder mystery show was canceled just a month ago and this show really brought me back to my happy place. Episodes 7 and 8 of the season were incredibly entertaining and yet also heartbreaking with a focus on the family dynamics of Doyle and Houdini. All of the scenes are nicely shot and the musical accompaniment to the episodes matched the mood and theme of the show but also stood out as more than just background music. I really hope the show gets renewed, even though I probably won't get to see a second season in the U.S. until next May. Whatever will I do until then? Read, I guess. ;)

I was in free fall after the brilliant first season of Lucifer ended, only to be replaced with what looked like a Sherlock knock-off about Conan Doyle and Harry Houdini. What?

The first episode was a bit jarring, to be sure. Just kind of silly and ephemeral. You know? I know nothing about Harry Houdini. I do know a little about Conan Doyle because I've read all of his Sherlock stories. I didn't quite get it at first.

I thought the pilot odd and quirky. It kind of reminded me of the Murdoch Mysteries because it felt so "light weight" -- all air, no substance. But then... the show started to grow on me. I continued watching it and I started to appreciate the writing -- especially the snarky Houdini (he's given some of the best lines, dissing Canadians and bigots, for example, but really Doyle and Adeleide have great lines, too). Both the actor who plays Houdini and the actor who plays Doyle take their roles seriously and do a great job -- no matter that the premise itself is just kind of goofy.

And, in fact, it seems all of the people involved in making this show take their jobs seriously. It's quite good on many different levels, including the production values as well as the writing and acting.

I set my DVR.

And then we had episode four -- Spring-Heel'd Jack -- and I sat up and took notice. Now this is really quite good. The main mystery was excellent. There are some continuing subplots that are compelling. I was appreciating the characters more and more. There really seems to be chemistry between the three leads. And they are not one-dimensional but fairly interesting individuals.

This isn't great TV, but it is far more entertaining to watch than stupid reality shows. And I believe there's lots of promise here.

I keep thinking here at the end of ten episodes what's the use of writing this review if Fox is just going to cancel the show after the first season. But, hey. At least I am taking a stand. I really don't have anything terribly negative to say about it. The show falls into that amazing category of re-imagined fiction -- Robin Hood, Dracula, The Musketeers, Hannibal... they are really fun. And this show is fun. The TV version of comfort food. What could be better during a blisteringly hot summer?