Beowulf: Return to the Shieldlands
- Série de TV
- 2016
- 44 min
AVALIAÇÃO DA IMDb
5,8/10
3,7 mil
SUA AVALIAÇÃO
A heroica lenda Beowulf galopa através da épica e mítica Shieldlands até a casa de infância de Herot, na esperança de corrigir os erros do passado.A heroica lenda Beowulf galopa através da épica e mítica Shieldlands até a casa de infância de Herot, na esperança de corrigir os erros do passado.A heroica lenda Beowulf galopa através da épica e mítica Shieldlands até a casa de infância de Herot, na esperança de corrigir os erros do passado.
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Avaliações em destaque
This series isn't great. This series is very entertaining. I wish the series creators hadn't gone for the easy option of calling it Beowulf because that's what niggles people like me. For heavens sake think up a new norse name to call your hero and eliminate all the pedant complaints, this is just asking for bad reviews. My son, who has actually been made to read the saga of Beowulf at school tells me that Beowulf died. I don't know if that's actually true but if he believes it then many others of his age will also. My son is extremely scornful of the series without even bothering to watch any of it.My son is probably the target audience of this series. Nuff said.
Comparison inevitably will be made to The Vikings since these shows walk on the same genre. However, Beowulf is the more casual of the two, using special effect and colorful scenery for broader demographic, a bit like the animation from years earlier only without CG Angelina Jolie. This direction if fine, not all recent works must be brooding and gritty, although Beowulf suffers from erratic shifts in plot as well as a few dubious displays of mythical creatures.
It is noticeable that the story pushes the titular Beowulf into many tribulations from the first steps. Unfortunately, this sets up too many subplots at the same time. Characters are being murdered, betrayed and chased even before any connection could be made to any of them, which presents a couple of strange seemingly rushed developments. It also tries to present some mystery and political struggle, but these aspects lack depth since they have to share the scene with many other angles like childhood memories or shoehorned romance.
Much of the resources evidently went to costume and setting. The attires these characters don are incredibly polished, certainly different yet appreciated fashion from typical medieval series. Its surroundings are fairly gorgeous as well, colorful both in human settlement and natural landscape. If any flaws should come from this eye-catching presentation, it's that the characters look a tad too modern for the era.
CG effect is a toss-up, some scenes look terribly crude while few others look very meticulous. At its best, the display of creature is presentable, having decent features and surprising detail on fur or beastly motion. On the other hand, when it falters, it further weakens the immersion since the human characters already react unconvincingly to inorganic monsters.
Beowulf: Return to the Shieldlands is a light excursion for wider audience with more colorful presentation, although the cumbersome plot and sloppy CG might undermine that effort.
It is noticeable that the story pushes the titular Beowulf into many tribulations from the first steps. Unfortunately, this sets up too many subplots at the same time. Characters are being murdered, betrayed and chased even before any connection could be made to any of them, which presents a couple of strange seemingly rushed developments. It also tries to present some mystery and political struggle, but these aspects lack depth since they have to share the scene with many other angles like childhood memories or shoehorned romance.
Much of the resources evidently went to costume and setting. The attires these characters don are incredibly polished, certainly different yet appreciated fashion from typical medieval series. Its surroundings are fairly gorgeous as well, colorful both in human settlement and natural landscape. If any flaws should come from this eye-catching presentation, it's that the characters look a tad too modern for the era.
CG effect is a toss-up, some scenes look terribly crude while few others look very meticulous. At its best, the display of creature is presentable, having decent features and surprising detail on fur or beastly motion. On the other hand, when it falters, it further weakens the immersion since the human characters already react unconvincingly to inorganic monsters.
Beowulf: Return to the Shieldlands is a light excursion for wider audience with more colorful presentation, although the cumbersome plot and sloppy CG might undermine that effort.
I hoped for so much something as great as 'Vikings,' or 'The Last Kingdom,'but it felt like an episode of Doctor Who (i.e. more for kids and sets that look like sets). Then after a lot of irritated huffing and puffing on my part, I realised it has been made for a young audience who would get the most from this ambitious reworking and I expect these it would delight. I can't rate this properly as it wasn't made for me, but if I look back to my earlier tastes in life, am sure I'd have revelled in this show. The time slot should have given me a clue that it wasn't intended for me and all the gripes I had are answered by it being reworked for it's target audience which doesn't include me. From childhood to 24 I expect I'd have loved this version of Beowulf. I hope enough of it's target audience find it.
I have written scripts so know how tough it is, but this is, indeed, a wasted opportunity. Was it viewed as a follow to GOT or Lord of the Rings? Could have been. At first I wondered if it was a spoof, but there are enough kernels to keep viewers interested. Just.
When i saw Beowulf in the TV listings, i immediately hoped that a decent drama had been created, based on the historical poem, and produced to a high standard. I was quickly disappointed.
Although the story is very loosely based on the old English poem about a Scandinavian monster terrorising a Danish King, that is pretty much where the similarity ends. You are very quickly introduced to CGI trolls working a in human village in place of oxen, turning a wheel. It is at this point you realise the slant is farther toward the fantasy realm drama than the historical realm drama.
In terms of the characters, they are rather cliché and lacked depth. The sets are OK in parts and in others look like cheap fantasy set pieces. They also seem inconsistent as great halls with cast relief gates in bronze are hardly likely to be the product of a 20 person village. The grandeur of some of the buildings is far out of whack with the population size and any semblance of industry or agriculture.
Casting, and cast diversity - within minutes you are introduced to characters that are obviously Indian Asian, and also Black (African). There are quite a few characters with diverse ethnic origins. Again, if you were expecting something akin to the fantastic 'Vikings' or even the Stars productions like 'Spartacus' forget it.There is no attempt at historical, cultural, or geographic realism as a backdrop for this show.
A Black male actor appears in Arabic dress who speaks with a solid south England accent. I totally get diversity in a modern TV show about modern society, or even in culturally mixed locations like Rome, but in something apparently 'based' on an AngloScandinavian tale/poem it hardly fits. This reality works in both directions, if i were watching a show about the rise of a chieftain in Africa in 300BC, then i'd hardly expect to see the cast featuring heavily with Chinese and white Australian sounding actors (it just drags you out of the show). It's another element that constantly reminds the viewer that there is no historic setting for this and it is little more than a uber low budget Lord of The Rings rip off merged merged with the title Beowulf.
If this show were targeting adults, one has to ask, who watches stuff like this? The script, acting, story seems quite immature. It does feel more like a teen show, however it is on UK TV in a late evening slot. For this reason i suspect it won't pick up the viewers, and won't make a second season.
Although the story is very loosely based on the old English poem about a Scandinavian monster terrorising a Danish King, that is pretty much where the similarity ends. You are very quickly introduced to CGI trolls working a in human village in place of oxen, turning a wheel. It is at this point you realise the slant is farther toward the fantasy realm drama than the historical realm drama.
In terms of the characters, they are rather cliché and lacked depth. The sets are OK in parts and in others look like cheap fantasy set pieces. They also seem inconsistent as great halls with cast relief gates in bronze are hardly likely to be the product of a 20 person village. The grandeur of some of the buildings is far out of whack with the population size and any semblance of industry or agriculture.
Casting, and cast diversity - within minutes you are introduced to characters that are obviously Indian Asian, and also Black (African). There are quite a few characters with diverse ethnic origins. Again, if you were expecting something akin to the fantastic 'Vikings' or even the Stars productions like 'Spartacus' forget it.There is no attempt at historical, cultural, or geographic realism as a backdrop for this show.
A Black male actor appears in Arabic dress who speaks with a solid south England accent. I totally get diversity in a modern TV show about modern society, or even in culturally mixed locations like Rome, but in something apparently 'based' on an AngloScandinavian tale/poem it hardly fits. This reality works in both directions, if i were watching a show about the rise of a chieftain in Africa in 300BC, then i'd hardly expect to see the cast featuring heavily with Chinese and white Australian sounding actors (it just drags you out of the show). It's another element that constantly reminds the viewer that there is no historic setting for this and it is little more than a uber low budget Lord of The Rings rip off merged merged with the title Beowulf.
If this show were targeting adults, one has to ask, who watches stuff like this? The script, acting, story seems quite immature. It does feel more like a teen show, however it is on UK TV in a late evening slot. For this reason i suspect it won't pick up the viewers, and won't make a second season.
Você sabia?
- CuriosidadesThe series was filmed in County Durham and Blyth (near Cramlington) in the northeast of England.
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- Também conhecido como
- Beowulf: el regreso
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