Babylon Berlin

I was quite aware of the history of German film making which excelled up until the 40's. Babylon Berlin has shown me that the German film industry is not in limbo anymore, but is now making a major comeback with such wonderful mini-series as this one.

The cinematography, acting, set designs are just superb.

I can not get enough of this great series.

To the directors, actors and film crews I want to thank you all for this masterpiece and keep up the good work.

The program is everything everyone is saying... but watch it in the original German only. The English soundtrack is absolutely horrendous. It is truely so bad that it completely alters the rating for this brilliant piece of television. It sounds like a bunch of drama students took a bunch of downers and sat around a table to read the script. There is no emotion, commitment or ownership of the characters. And what characters there are! Babylon Berlin is an intriguing world beautifully filmed, scripted and acted. If, like me you started watching in English and thought it was pox... do yourself a favour, watch in German and experience Babylon Berlin as it was envisioned.

A novel. Impressive at whole.Inspiring a serie fascinating episode by episode. The result is just seductive. as guide of a world, as example of high craft, as images of good performances and atmosphere. A serie ignoring taboos for a large and precise picture of a reality not very comfortable but useful for understand the events after it. Crimes, secrets, politics,sex, violence . A remarkable contribution has Volker Bruch, giving the precise character - interpreter of a Berlin out of limits.And impecable characters. So, great work

This series are one of the best I've ever seen. First of all because they are educational. They tell us about how life was under the Weimar Republic (the democratic regime in Germany between 1919 and 1933). I am tired of all those cliches about Germany as fascistland, ignoring the rich history this country had before authoritarianism.

In Germany 1929, the country is falling apart because of the great depression combined with the crippling punishment of Versailles treaty, plus almost all adult males are crippled because of WWI or heavily shell shocked, with seizures and convilsions that prevented them of working or actually leading normal lives. Starvation, homelessness, drug use and prostitition (male, female and transvestite ) are essentially the only way many families resort in order to feed their children and older relatives. Heroin addiction is a menace, and that despair is driving people to embrace any charlatan, demagogue or ideology that promises bringing them a better future (which at the time, was not fascim yet, but Bolshevism, with Trotskyists and Stalinist competing and fighting each other).

Despite all that hopelessness and misery that Germans were enduring, there is an incredible cultural scene happening in Berlin, where the nightlife is intense, American Jazz musicians and dancers achieve success, the arts (Cinema, design, architecture, music) is evolving, there is a lot of beauty and reckless sex happening. Decadence is the word to describe the atmosphere, where a caste society lives another planet, with country clubs, mansions and servants, while the plight of the majority is simply ignored. It almost feel like the Blade Runner society.

It is not mentioned in the series, but at the time, Albert Einstein was a professor in Berlin, and Fritz Lang was the king of Cinema, Walter Gropius founded Bauhaus by that time, Vladimir Nabokov was living there, in short, the great Europeans minds flocked to Berlin in the late 1920s. So what you appreciate in the series is this dicotomy. How a society with so much brilliance, talent and efficiency could have rebuild itself slowly and become a prosperous nation, but later the population made wrong choices and followed the call that ended up in a disaster that they will never recover. I was in Berlin 2 tears ago, and saw how damaged the city is and felt so sorry for them and their curse.

The series gives us some contex that help us understand how many people, mostly good intentioned, ended up supporting a system in 1933 that was almost non existent in the 20s (fascism). Their regime at the time was democratic, with a free press, a legal system, parliament, etc.

Babylon Berlin is not only politics. It is also thriller, romance, drama and action. The main actors Gereon and Lotte are very charismatic and you cheer for them all the time, because they come from disfunctional families, but they try to do the right thing all the time. It is almos impossible not to fall in love with Lotte.

The rest of the cast is also very good looking, but still keeping the beauty standars accurate with the early 20th century. Their nude bodies are beautiful, but never arousing. The nakedness is constant, but never out of place. And people smoke all the time, whic is also accurate. There is almost no scene without a cigarette.

I hope most people enjoy just like I did

(Review updated after Season 4).

Berlin, 1929. A detective from Cologne, Gereon Rath, is seconded to the vice squad in order to crack a series of blackmail cases. Meanwhile a train from Moscow to Berlin is hijacked by communist revolutionaries. The train is carrying more than it appears.

Superb drama series. At the most basic level this is a crime/detective drama and a very good one. Always intriguing with multiple strands of plots operating, seemingly in parallel. The separate plots do coalesce eventually, forming a picture that is more than the sum of the parts.

Great, gritty depiction of life. Hardly any character is non-expendable and sub-plots don't always have happy endings.

Some great character development and character-based sub-plots too. The story arc of Charlotte Ritter is particularly interesting and engaging. On this note, great work by Volker Bruch as Rath and Liv Lisa Fries as Ritter but the casting and performances of all involved are spot-on.

What lifts this series to another level, however, is the historic background and the feeling that you're seeing history being played out before your eyes. You see the changes and upheavals occurring in Germany, especially the rise of the National Socialists (Nazis), and how this affects the country and life in general.

The historic side is not merely a backdrop but part of the plot. The rise of the Nazis has a significant impact on the plot, especially in Season 3 and probably more so in forthcoming seasons. Rather than a crime drama, the series could easily be a study on Germany's path to World War 2.

This historic aspect increases in significance as the series goes on, culminating in Season 3 which is a great mix of classic whodunnit, political machinations and historic events.

There is a downside to the historic side though. Any time the police are up against National Socialists you know they are going to be stymied by the politics and the influence the Nazis hold in high places. Does make the series quite frustrating at times (well, I did say it was gritty) and it will be interesting to see how the writers pivot away from this obvious perennial dead end, especially as the National Socialists gain more power.

This political aspect comes to a head in Season 4 as the police and SA, the paramilitary wing of the National Socialist Party, clash.

Season 4 also marks a downturn in the quality of the show as the plot becomes less watertight, being inconsistent, haphazard and contrived at times. It's also quite unfocussed as we have several sub-plots in play, many of which are unconnected with anything else going on. The interest and engagement levels suffer as a result.

S4 is still reasonably interesting though, just not as good as previous seasons.

Season ratings: S1 8/10, S2 9, S3 10, S4 7.5.