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IMDbPro

Ouija: Origem do Mal

Título original: Ouija: Origin of Evil
  • 2016
  • 14
  • 1 h 39 min
AVALIAÇÃO DA IMDb
6,2/10
79 mil
SUA AVALIAÇÃO
Lulu Wilson in Ouija: Origem do Mal (2016)
In 1967 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their seance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by a merciless spirit, the family confronts unthinkable fears to save her and send her possessor back to the other side.
Reproduzir trailer2:36
34 vídeos
99+ fotos
Psychological DramaSupernatural HorrorDramaHorrorMysteryThriller

Uma mãe viúva e suas filhas incorporam um truque para reforçar seu negócio de espiritismo, convidando uma presença maligna para dentro de casa, sem perceber como isso é perigoso.Uma mãe viúva e suas filhas incorporam um truque para reforçar seu negócio de espiritismo, convidando uma presença maligna para dentro de casa, sem perceber como isso é perigoso.Uma mãe viúva e suas filhas incorporam um truque para reforçar seu negócio de espiritismo, convidando uma presença maligna para dentro de casa, sem perceber como isso é perigoso.

  • Direção
    • Mike Flanagan
  • Roteiristas
    • Mike Flanagan
    • Jeff Howard
    • Juliet Snowden
  • Artistas
    • Elizabeth Reaser
    • Lulu Wilson
    • Annalise Basso
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    79 mil
    SUA AVALIAÇÃO
    • Direção
      • Mike Flanagan
    • Roteiristas
      • Mike Flanagan
      • Jeff Howard
      • Juliet Snowden
    • Artistas
      • Elizabeth Reaser
      • Lulu Wilson
      • Annalise Basso
    • 287Avaliações de usuários
    • 201Avaliações da crítica
    • 65Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 7 indicações no total

    Vídeos34

    Trailer #2
    Trailer 2:36
    Trailer #2
    Official Trailer
    Trailer 2:34
    Official Trailer
    Official Trailer
    Trailer 2:34
    Official Trailer
    How Doris Talks To Daddy
    Clip 0:49
    How Doris Talks To Daddy
    Take Her Voice Instead
    Clip 0:50
    Take Her Voice Instead
    Father Tom Explains His Theory
    Clip 1:02
    Father Tom Explains His Theory
    What Its Like To Be Strangled
    Clip 1:30
    What Its Like To Be Strangled

    Fotos107

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    + 102
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    Elenco principal22

    Editar
    Elizabeth Reaser
    Elizabeth Reaser
    • Alice Zander
    Lulu Wilson
    Lulu Wilson
    • Doris Zander
    Annalise Basso
    Annalise Basso
    • Lina Zander
    Henry Thomas
    Henry Thomas
    • Father Tom
    Parker Mack
    • Mikey
    Halle Charlton
    Halle Charlton
    • Ellie
    Alexis G. Zall
    Alexis G. Zall
    • Betty
    Doug Jones
    Doug Jones
    • Ghoul Marcus
    Kate Siegel
    Kate Siegel
    • Jenny Browning
    Sam Anderson
    Sam Anderson
    • Mr. Browning
    Chelsea Gonzalez
    Chelsea Gonzalez
    • Gloria
    Lincoln Melcher
    Lincoln Melcher
    • Jack
    Nicholas Keenan
    Nicholas Keenan
    • Walter
    Michael Weaver
    Michael Weaver
    • Roger Zander
    Ele Keats
    Ele Keats
    • Ellie's Mom
    Eve Gordon
    Eve Gordon
    • Joan
    Chad Heffelfinger
    Chad Heffelfinger
    • Male Ghoul
    Nina Mansker
    • Female Ghoul
    • Direção
      • Mike Flanagan
    • Roteiristas
      • Mike Flanagan
      • Jeff Howard
      • Juliet Snowden
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários287

    6,279.4K
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    Avaliações em destaque

    7rockman182

    Ouija: Origin of Evil (2016)

    When I first heard about this sequel/prequel my initial thoughts were: "Who the hell asked for this?" The first Ouija was cookie cutter horror film. It use the device of a ouija board (and the mystique and eeriness of it) as a crutch for the thin, awfully written that followed. It was a completely forgettable experience, so one would wonder why the film series was brought up again. Its a good thing that first impressions are just what they are because this prequel is not bad at all.

    The film was in better hands when it was announced that Mike Flanagan would be directing but I was still mixed. Oculus was actually pretty great. A creative idea that was actually pretty emotional and investing. Flanagan's followup was the Netflix film Hush. I know a lot of people loved Hush but maybe these people don't watch movies often or are lenient to what they see on Netflix. Hush was terrible. I don't want to go into it here but maybe some other time I can explain how improbably dumb it really is. Anyways, this film is a prequel of sorts to the first and is based on a family who help people move on from their passed loved ones by staging seances. A ouija board causes dark spirits in the house to possess a young girl leading to trouble and at times, some wicked fun.

    The film is set in the 60s and you can immediately tell by the film style. The style is of a film you'd see from that era; they even used the old Universal Pictures logo at the start of the film. Its not just the post production editing of the film but the costume, music, and just all around aura is done very well. No one knows her well yet but Lulu Wilson made this film. She does a great job and there are a few moments (where the script was fantastic) and she was able to come off as unsettling, just from saying her lines. She is without a doubt the strongest point of the film.

    The film isn't without flaws. The third act isn't exactly fantastic as some questionable things happen and you scratch your head wondering if there could have been a better resolution. There definitely could have been. Also, the CG does look ropy at times but I think that can be forgettable as the film offers decent entertainment value. Here's a film that sacrifices scares for build up, good performances, and focus on the story of why spirits have possessed Doris and the circumstances surrounding whats going on. I can respect that.

    I'm usually extremely critical of horror films because these days so many films go for jump scares and have no substance. There are exceptions that are becoming smart, nostalgic, or reinventing the horror genre. I don't think there is anything innovative about Ouija: Origin of Evil but its a massive improvement over its predecessor and is a film has a good amount going for it to make for a good time.

    7/10
    8randymcbeast

    A pretty captivating little horror flick, and beautifully shot

    I wasn't really expecting much from this one. The IBDb rating was pretty low, the title is a bit cheesy, and the writers, directors and cast are not exactly A-listers. None of that mattered though as this one was actually pretty good.

    First off, the scenes were beautiful. It was like watching a warm sunset. In addition, the direction and camera angles really enhanced the suspense and intensity. The special effects were also top notch and at one point I was like, "Whaaaat? That is cool".

    I was pretty captivated throughout, although it did have it's clunky moments but not too many of them and they quickly worked their way out of them.

    The cast did a superb job with the young Lulu Wilson pretty much stealing the show. I'll most likely be seeing her again in my nightmares. Annalise Basso, Elizabeth Reaser and Henry Thomas also did an excellent job so I don't want to sell them short either.

    Overall this was a pleasant surprise with moments of nail-biting suspense. Definitely worth the watch on a dark and quiet night. Oh, and one other reviewer mentioned not watching the preview. I didn't so that might have helped.
    7Jared_Andrews

    Deft Direction and Stellar Acting Carries the Movie

    If you first "Ouija" film, you might have been inclined to skip this addition (a prequel) to the series. No one would blame you. "Ouija" is a laughably awful film. "Ouija: Origin of Evil" however, is a surprisingly competent and thoroughly enjoyable horror movie.

    Perhaps it should not come as a surprise that "O of E" turned out so well. With the steady guidance of director Mike Flanagan (Hush, Oculus, Haunting of Hill House), one of the most consistent creators of scary stories in the business, we should expect high quality work. Once again, he delivers.

    The story revolves around a recently widowed mother and her two daughters. At risk of losing their old, creepy and possibly haunted (definitely haunted) house, the mother resorts to work as a fake medium to make money, calling on her daughters to contribute to the ruse. Things get more exciting when the mother brings home a Ouija board, not knowing that sinister spirits would soon possess her younger daughter.

    Then, as we witness the little girl's behavior grow increasingly strange, our goosebumps grow increasingly prevalent (because creepy little girls are a reliably freaky scary movie trope). The older sister soon suspects something, the little girl crawls on walls, and a priest shows up to help. That stuff is predictable and somewhat unoriginal. But this movie still works because of its splendid acting - the little girl, Doris (Lulu Wilson), is particularly impressive - and deft direction.

    Mike Flanagan clearly knows how to run the show. He makes sure that "O of E" becomes a far cry from other horror movies of this ilk, which possess so little inventiveness in their direction.

    With this film, we are treated to elegant camera movement, unnerving closeups, and evocative framing and angle choices that all appear purposeful and thought through. Instead of calling attention to an evil presence on screen with a hard cut, we simply see a shadowy figure crouching on the edge of the frame.

    Flanagan also chooses to include limited jump scares and, mercifully, no fake jump scares. Fake jump scares are what I call those moments of building tension when the sound goes silent, then suddenly there's a blast of jarring noise that makes us jump out of our seats as the camera reveals a harmless friend character. It's a cheap manipulation, a dirty trick. We deserve better, and Flanagan gives us better.

    Rather than turning to a loud and bombastic score to sell scares, Flanagan relies on the editing and our natural inclinations as viewers to feel scared. He trusts that when something scary that unexpectedly appears in front of us on screen, it will deliver chills.

    "O of E" delivers a slow-building eerie viewing experience. There are no excessive bursts of violence. Nothing is over-the-top. It's a small-scale movie, but one that is nonetheless effective. I recommend it to any fans of possession movies, especially if you prefer ones devoid of gore.
    7SnoopyStyle

    shockingly pretty good

    It's 1967 Los Angeles. Alice Zander (Elizabeth Reaser) runs a crooked spiritual reading business out of her home. She uses her daughters Lina (Annalise Basso) and younger Doris (Lulu Wilson) in operating her scams. They incorporate an Ouija board into their production. While trying to contact the girls' dead father, Doris seems to make real contact. Father Tom (Henry Thomas) is the headmaster of the girls' school. Mikey (Parker Mack) has a crush on Lina.

    Surprise! This is actually good. It is well-made. The characters are well-drawn and well-acted. I wouldn't say that this is breaking down any new walls but there is good in doing good work. I do have a couple of small nitpicks. For some reason, Alice and Father Tom go out for what looks like a fancy dinner. It almost looks like a date if it weren't for the characters. Second, I would keep the possibility that Doris is scamming everyone until further into the movie. It would be nice to have Father Tom uncover the whole situation as a reveal. The good are the actors, the mood, the simple premise, and good construction. It's a shocker that this is all pretty good.
    6Reno-Rangan

    So this is where it all began!

    It is a decent horror film, but surely better than the first. The previous part was an usual teen themed horror where everything started as a playful. But this one was a prequel and it focused on the origins. A single mother with two daughters is making money helping the people who want to contact their beloved dead ones. The things changes when her little daughter started to communicate the spirits of her own. The chaos unleashes, the house becomes haunted and the family begins to fall apart.

    Keeping it simple is what worked out well for the film, despite thematically borrowed from others, scenes were kind of familiar and characters intentionally developed. Particularly the priest role was the most overused in any horror film. Followed by the twist. That turning point was good, but not a new. Nice performances and well shot film. Ouija is a fine concept for a horror theme and with this film's somewhat success, I hope the next one would only get better. So it is worth a watch, if you're not anticipating a something special.

    6/10

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The film was shot digitally, but director and editor Mike Flanagan, in order to add a retro feel to the film, added elements in post-production to give the appearance of a movie shot on film. Those include the 'cigarette burns', marks that appear every 20 minutes or so in the upper right corner of the frame, which were used to signal a change of reels for film projected.
    • Erros de gravação
      In order to make the film appear more authentic for the time in which it is set (1967), cue marks, or "reel change" marks, are inserted at approximately every 20 minutes. However, the marks are oval when they should actually be circular, since this is a film presented in a 1.85:1 aspect ratio and not in a 2.39:1 aspect ratio. The only time the marks should be oval is if a film is projected with an anamorphic lens. On an anamorphic film print, the cue marks are circular, but the anamorphic lens makes the circle look like an oval when projected on a screen.
    • Citações

      Doris Zander: Wanna hear something cool?

      Mikey: Sure.

      Doris Zander: Do you know what it feels like to be strangled to death? First, you feel the pressure in your throat. Your eyes water, and you start to taste something very, very sour in your mouth. Then it's like someone lights a match right in the middle of your chest, and that fire grows. It fills your lungs, and your throat, and all the way behind your eyes. And finally, that fire turns to ice; like pins and needles of ice are sticking into your fingers, your toes, your arms. You see stars, then darkness. And the last thing you feel... is cold.

      [Mikey looks confused and horrified]

      Doris Zander: [smiles] Goodnight, Romeo.

    • Cenas durante ou pós-créditos
      There is a post-credits scene with Lin Shaye.
    • Conexões
      Featured in FoundFlix: Ouija 2: Origin of Evil (2016) Ending Explained + Connections to the First Film (2016)
    • Trilhas sonoras
      You Gotta Move Me
      Written by Dennis Michael Lacey

      Performed by Mike Lacey

      Courtesy of Crucial Music Corporation

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    • How long is Ouija: Origin of Evil?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 20 de outubro de 2016 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official Instagram
    • Idiomas
      • Inglês
      • Ucraniano
    • Também conhecido como
      • Ouija: el origen del mal
    • Locações de filme
      • Clark Residences - 306 Loma Drive, Los Angeles, Califórnia, EUA(the girl's school)
    • Empresas de produção
      • Universal Pictures
      • Platinum Dunes
      • Blumhouse Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 9.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 35.144.505
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 14.065.500
      • 23 de out. de 2016
    • Faturamento bruto mundial
      • US$ 81.705.746
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 39 minutos
    • Cor
      • Color
    • Mixagem de som
      • Datasat
      • Dolby Digital
      • Dolby Atmos
      • DTS
      • SDDS
    • Proporção
      • 1.85 : 1

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