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IMDbPro

Ouija: Origem do Mal

Título original: Ouija: Origin of Evil
  • 2016
  • 14
  • 1 h 39 min
AVALIAÇÃO DA IMDb
6,2/10
79 mil
SUA AVALIAÇÃO
Lulu Wilson in Ouija: Origem do Mal (2016)
In 1967 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their seance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by a merciless spirit, the family confronts unthinkable fears to save her and send her possessor back to the other side.
Reproduzir trailer2:36
34 vídeos
99+ fotos
Psychological DramaSupernatural HorrorDramaHorrorMysteryThriller

Uma mãe viúva e suas filhas incorporam um truque para reforçar seu negócio de espiritismo, convidando uma presença maligna para dentro de casa, sem perceber como isso é perigoso.Uma mãe viúva e suas filhas incorporam um truque para reforçar seu negócio de espiritismo, convidando uma presença maligna para dentro de casa, sem perceber como isso é perigoso.Uma mãe viúva e suas filhas incorporam um truque para reforçar seu negócio de espiritismo, convidando uma presença maligna para dentro de casa, sem perceber como isso é perigoso.

  • Direção
    • Mike Flanagan
  • Roteiristas
    • Mike Flanagan
    • Jeff Howard
    • Juliet Snowden
  • Artistas
    • Elizabeth Reaser
    • Lulu Wilson
    • Annalise Basso
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    79 mil
    SUA AVALIAÇÃO
    • Direção
      • Mike Flanagan
    • Roteiristas
      • Mike Flanagan
      • Jeff Howard
      • Juliet Snowden
    • Artistas
      • Elizabeth Reaser
      • Lulu Wilson
      • Annalise Basso
    • 287Avaliações de usuários
    • 201Avaliações da crítica
    • 65Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 7 indicações no total

    Vídeos34

    Trailer #2
    Trailer 2:36
    Trailer #2
    Official Trailer
    Trailer 2:34
    Official Trailer
    Official Trailer
    Trailer 2:34
    Official Trailer
    How Doris Talks To Daddy
    Clip 0:49
    How Doris Talks To Daddy
    Take Her Voice Instead
    Clip 0:50
    Take Her Voice Instead
    Father Tom Explains His Theory
    Clip 1:02
    Father Tom Explains His Theory
    What Its Like To Be Strangled
    Clip 1:30
    What Its Like To Be Strangled

    Fotos107

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    + 102
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    Elenco principal22

    Editar
    Elizabeth Reaser
    Elizabeth Reaser
    • Alice Zander
    Lulu Wilson
    Lulu Wilson
    • Doris Zander
    Annalise Basso
    Annalise Basso
    • Lina Zander
    Henry Thomas
    Henry Thomas
    • Father Tom
    Parker Mack
    • Mikey
    Halle Charlton
    Halle Charlton
    • Ellie
    Alexis G. Zall
    Alexis G. Zall
    • Betty
    Doug Jones
    Doug Jones
    • Ghoul Marcus
    Kate Siegel
    Kate Siegel
    • Jenny Browning
    Sam Anderson
    Sam Anderson
    • Mr. Browning
    Chelsea Gonzalez
    Chelsea Gonzalez
    • Gloria
    Lincoln Melcher
    Lincoln Melcher
    • Jack
    Nicholas Keenan
    Nicholas Keenan
    • Walter
    Michael Weaver
    Michael Weaver
    • Roger Zander
    Ele Keats
    Ele Keats
    • Ellie's Mom
    Eve Gordon
    Eve Gordon
    • Joan
    Chad Heffelfinger
    Chad Heffelfinger
    • Male Ghoul
    Nina Mansker
    • Female Ghoul
    • Direção
      • Mike Flanagan
    • Roteiristas
      • Mike Flanagan
      • Jeff Howard
      • Juliet Snowden
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários287

    6,279.4K
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    Avaliações em destaque

    6benjaminryder-45940

    Better Than The First

    It's rare to find a sequel that surpasses the first these days, but Ouija: Origin of Evil manages to just that. Not that it was a very tough feat considering the original was one of the most lame-brained movies I've seen in a while, but Origin of Evil improves upon its predecessor tenfold - just not enough to make it really worthwhile.

    It's obvious that Mike Flannigan is on his way to becoming one of our true masters of horror, but this film seems more like a paycheck movie for him and it shows. He does the best he can with the tepid material, but ends up using the old "distorted faces/mouths with rolled back eyes" effect a few too many times and it quickly becomes tedious.

    Like all of Flannigan's films, it's wonderfully well cast and beautifully put together. I just wish they'd spent a little bit more time with the script. You might be better off watching Flannigan's Hush, Absentia, Gerald's Game, Occulus, or The Haunting of Hill House.
    6spencergrande6

    Better Than It Has Any Right To Be, But Still...

    Mike Flanagan just gets so close yet again, yet falls disappointingly short. Oculus is still his best work, and the promise that both Hush and this prequel to a PG-13 board game prequel show, is that if given the right opportunity he might really be capable of a cold-blooded classic.

    This is a film that shouldn't exist, should never have gotten theatrical distribution and definitely shouldn't have attracted the likes of Flanagan (okay, he probably did this to increase his clout in the industry, but still). He musters some great work here, following familiar supernatural clichés but bringing his own touch to the proceedings.

    The setting is beautiful, the characters likable and not completely square. The atmosphere is given time to build, he luxuriates in teasing and messing with audience expectations (as a way of spiting this, and goosing the audience lulled into a slow burn placation, he includes an explosive scene wherein the actual demon is seen shoving his fist down the little girl's throat. It's both too much and a necessary jolt at the time, a conundrum if ever there was one and a small encapsulation of everything right and wrong within this film).

    It's too bad some of the nice work done in the first 2/3rds of the film is undone by a clichéd, boring, exorcism-lite finale. None of it is very scary, and it all has the feel of fitting into the "Ouija" franchise package, whatever in God's name that could mean. Considering the stakes here, what Flanagan does is still impressive.
    7Matt_Layden

    This prequel has no business being as good as it is.

    This prequel has no business being as good as it is. The first Ouija film came out in 2014 and quickly faded away into obscurity. So imagine my surprise when they decide to make a 'prequel' of all things. I hunch is that The Conjuring films have been pretty successful and they are set in the 70's, when things were a little creepier, no cell phones and genuine scary aesthetic. Imagine my surprise again when up and coming horror filmmakers Mike Flanagan was the man behind the camera. The underrated mirror horror flick Oculus and deaf home invasion flick Hush were two of his recent outings. Things were looking not too bad for this flick and to top it off, it received some pretty decent reviews.

    Alice and her two daughters run a scam business in which they "speak to the dead". The mother justifies this business by telling her youngest daughter, Doris, that it helps people move on and get closure. When her eldest, Lina, plays the new Ouija boardgames at a friends house, she tells her mother to incorporate it into her act. She does and things take a sinister turn when they scam becomes reality.

    It's hard to make a game board scary. The first film tried, failed and this one tries and succeeds for the most part. Any non-horror fan might balk at the idea that this film is good, but I consider this movie to be one of the most underrated flicks of the year. Flanagan knows how to build solid tension and he doesn't rely on cheap scares or an obscene amount of gore. This film has none of that. Careful framework and lighting is all he needs to create an unsettling atmosphere. Whenever someone decides to look through the ouija glass piece, you feel yourself tense up expecting something to happen.

    Kids in horror films are the go to for anything scary. Most movies tend to cast children horribly and they end of ruining the film. Doris, played by Lulu Wilson delivers an innocent and somewhat chilling performance as the youngest daughter. Her goodbye message to a young boy about what it feels like to be strangled to death is an excellent scene to send chills down your spine. No scary images, sounds or blood needed. Just a child delivering one monologue about suffocating you.

    Obviously the film is far from perfect, but it doesn't cater to the happy ending crowd either. It takes some chances and for the most part, lands them. I was surprised by how much I liked this film, which may be why the rating is higher than what others would tend to give a film like this. Had the first film never existed, this would be a bigger hit.
    8randymcbeast

    A pretty captivating little horror flick, and beautifully shot

    I wasn't really expecting much from this one. The IBDb rating was pretty low, the title is a bit cheesy, and the writers, directors and cast are not exactly A-listers. None of that mattered though as this one was actually pretty good.

    First off, the scenes were beautiful. It was like watching a warm sunset. In addition, the direction and camera angles really enhanced the suspense and intensity. The special effects were also top notch and at one point I was like, "Whaaaat? That is cool".

    I was pretty captivated throughout, although it did have it's clunky moments but not too many of them and they quickly worked their way out of them.

    The cast did a superb job with the young Lulu Wilson pretty much stealing the show. I'll most likely be seeing her again in my nightmares. Annalise Basso, Elizabeth Reaser and Henry Thomas also did an excellent job so I don't want to sell them short either.

    Overall this was a pleasant surprise with moments of nail-biting suspense. Definitely worth the watch on a dark and quiet night. Oh, and one other reviewer mentioned not watching the preview. I didn't so that might have helped.
    6Echo9-71

    atmospheric horror that deserved a better-written ending

    This is an solid, slow-burn, atmospheric horror movie; well-paced capped off with a thrilling third act. It very effectively combines a simple plot, and natural characterization, with good acting and direction. The result is a compelling story that is believeable and susupenseful.

    At the end of the final act, I was thinking "high-fives all-around, good job guys" and was about to give this two thumbs up.

    And then, inexplicably, in the last 5 minutes the filmmakers revert to cheesy B-horror cliches making for a jarring denoument that simply feels wrong.

    WTF? Was that studio exec interference or just plain bad judgement? Nope. Because it's a prequel (to a movie I haven't seen yet), I guess it had to end with a bridge to the other movie. But it could have and should have been better, so the truth is, it's just bad writing. The last few minutes just don't match the tone or narrative arc of the first hour and a half, and it comes across feeling like a cheap add-on. Not a twist ("cool!"), or a surprise ("gotcha!") just lame ("seriously? Pffthtttt!") (That's the raspberry sound, BTW.)

    This movie should have wrapped up nicely at 1:27:25. If it had: 8/10.

    With the dopey last 4 and a half minutes added: 6/10.

    PS - If you can, stop watching at 1:27:25 and just imagine a better CODA; e.g., Lana, the sensible one, getting on with her life as best she can, and the Ouija board washing up on some beach like in Jumanji.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The film was shot digitally, but director and editor Mike Flanagan, in order to add a retro feel to the film, added elements in post-production to give the appearance of a movie shot on film. Those include the 'cigarette burns', marks that appear every 20 minutes or so in the upper right corner of the frame, which were used to signal a change of reels for film projected.
    • Erros de gravação
      In order to make the film appear more authentic for the time in which it is set (1967), cue marks, or "reel change" marks, are inserted at approximately every 20 minutes. However, the marks are oval when they should actually be circular, since this is a film presented in a 1.85:1 aspect ratio and not in a 2.39:1 aspect ratio. The only time the marks should be oval is if a film is projected with an anamorphic lens. On an anamorphic film print, the cue marks are circular, but the anamorphic lens makes the circle look like an oval when projected on a screen.
    • Citações

      Doris Zander: Wanna hear something cool?

      Mikey: Sure.

      Doris Zander: Do you know what it feels like to be strangled to death? First, you feel the pressure in your throat. Your eyes water, and you start to taste something very, very sour in your mouth. Then it's like someone lights a match right in the middle of your chest, and that fire grows. It fills your lungs, and your throat, and all the way behind your eyes. And finally, that fire turns to ice; like pins and needles of ice are sticking into your fingers, your toes, your arms. You see stars, then darkness. And the last thing you feel... is cold.

      [Mikey looks confused and horrified]

      Doris Zander: [smiles] Goodnight, Romeo.

    • Cenas durante ou pós-créditos
      There is a post-credits scene with Lin Shaye.
    • Conexões
      Featured in FoundFlix: Ouija 2: Origin of Evil (2016) Ending Explained + Connections to the First Film (2016)
    • Trilhas sonoras
      You Gotta Move Me
      Written by Dennis Michael Lacey

      Performed by Mike Lacey

      Courtesy of Crucial Music Corporation

    Principais escolhas

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    Perguntas frequentes20

    • How long is Ouija: Origin of Evil?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 20 de outubro de 2016 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official Instagram
    • Idiomas
      • Inglês
      • Ucraniano
    • Também conhecido como
      • Ouija: el origen del mal
    • Locações de filme
      • Clark Residences - 306 Loma Drive, Los Angeles, Califórnia, EUA(the girl's school)
    • Empresas de produção
      • Universal Pictures
      • Platinum Dunes
      • Blumhouse Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 9.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 35.144.505
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 14.065.500
      • 23 de out. de 2016
    • Faturamento bruto mundial
      • US$ 81.705.746
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 39 minutos
    • Cor
      • Color
    • Mixagem de som
      • Datasat
      • Dolby Digital
      • Dolby Atmos
      • DTS
      • SDDS
    • Proporção
      • 1.85 : 1

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