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IMDbPro

Lobisomem

Título original: Wolf Man
  • 2025
  • 16
  • 1 h 43 min
AVALIAÇÃO DA IMDb
5,6/10
32 mil
SUA AVALIAÇÃO
POPULARIDADE
698
19
Matilda Firth and Julia Garner in Lobisomem (2025)
A man must protect himself and his family when they are being stalked, terrorized, and haunted by a deadly werewolf at night during a full moon. But as the night stretches on, the man begins to behave strangely.
Reproduzir trailer2:45
14 vídeos
99+ fotos
Body HorrorWerewolf HorrorHorror

Um homem deve proteger a si mesmo e sua família quando eles são perseguidos, aterrorizados e assombrados por um lobisomem mortal à noite durante a lua cheia. Mas conforme a noite avança, o h... Ler tudoUm homem deve proteger a si mesmo e sua família quando eles são perseguidos, aterrorizados e assombrados por um lobisomem mortal à noite durante a lua cheia. Mas conforme a noite avança, o homem começa a se comportar de forma estranha.Um homem deve proteger a si mesmo e sua família quando eles são perseguidos, aterrorizados e assombrados por um lobisomem mortal à noite durante a lua cheia. Mas conforme a noite avança, o homem começa a se comportar de forma estranha.

  • Direção
    • Leigh Whannell
  • Roteiristas
    • Leigh Whannell
    • Corbett Tuck
  • Artistas
    • Christopher Abbott
    • Julia Garner
    • Matilda Firth
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,6/10
    32 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    698
    19
    • Direção
      • Leigh Whannell
    • Roteiristas
      • Leigh Whannell
      • Corbett Tuck
    • Artistas
      • Christopher Abbott
      • Julia Garner
      • Matilda Firth
    • 394Avaliações de usuários
    • 246Avaliações da crítica
    • 50Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos14

    Official Trailer
    Trailer 2:45
    Official Trailer
    Official Trailer
    Trailer 1:11
    Official Trailer
    Official Trailer
    Trailer 1:11
    Official Trailer
    Wolf Man
    Trailer 2:44
    Wolf Man
    All About Horror in 2025
    Promo 7:06
    All About Horror in 2025
    Wolf Man: Caught In The Truck
    Clip 0:45
    Wolf Man: Caught In The Truck
    Wolf Man: Trying The Radio
    Clip 1:04
    Wolf Man: Trying The Radio

    Fotos146

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    Elenco principal12

    Editar
    Christopher Abbott
    Christopher Abbott
    • Blake
    Julia Garner
    Julia Garner
    • Charlotte
    Matilda Firth
    Matilda Firth
    • Ginger
    Sam Jaeger
    Sam Jaeger
    • Grady
    Ben Prendergast
    Ben Prendergast
    • Grady Wolf
    Zac Chandler
    Zac Chandler
    • Young Blake
    Benedict Hardie
    Benedict Hardie
    • Derek
    Milo Cawthorne
    Milo Cawthorne
    • Man
    Leigh Whannell
    Leigh Whannell
    • Dan
    • (narração)
    Lucy Bowden
    Lucy Bowden
    • Journalist
    • (não creditado)
    James Ketteridge
    James Ketteridge
    • Tyler
    • (não creditado)
    Rob MacBride
    Rob MacBride
    • SFPD
    • (não creditado)
    • Direção
      • Leigh Whannell
    • Roteiristas
      • Leigh Whannell
      • Corbett Tuck
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários394

    5,631.9K
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    Resumo

    Reviewers say 'Wolf Man' offers a fresh take on the werewolf genre with a realistic transformation and strong atmosphere, but suffers from a predictable story and slow pacing. Practical effects and sound design are lauded, while the creature design divides opinions. Christopher Abbott's performance is praised, but Julia Garner's role is criticized as underutilized. The film attempts innovation but struggles with narrative and character depth.
    Gerado por IA a partir do texto das avaliações de usuários

    Avaliações em destaque

    dextermorgan-91603

    Yikes

    Leigh Whannell's The Wolfman is an absolute travesty, a film so bogged down by its own misguided ambition that it dares to insult its audience with every agonizingly slow, dialogue-driven scene. Christopher Abbott and Julia Garner, while undoubtedly talented actors, are wasted on a screenplay that reads like a collection of rejected first drafts from a sophomore creative writing course. Whannell's attempt to craft a "thoughtful" horror film comes off as nothing more than pretentious navel-gazing, with long, tedious conversations that add nothing to the plot and suck all momentum out of the narrative.

    The werewolf design is a disgrace, looking more like a cheap Halloween costume than a creature of terror. It's baffling how a film in 2025 can fail so miserably at something that movies from the 1940s did with more finesse. Worse still, Whannell has the audacity to forgo any meaningful visual transformation sequence. The transformation-a cornerstone of werewolf lore-is entirely absent, replaced by uninspired sound effects and a lazy cutaway. This omission is not only a colossal disappointment but also a blatant disregard for the source material.

    Determined to strip The Wolfman of everything that made the original story iconic... Gone are the thrills, the action, and the horror. In their place, we're subjected to a plodding, self-important drama that's more interested in existential musings than delivering even a shred of excitement. The film feels like an insult to fans of the genre, a condescending lecture masquerading as art.

    The pacing is excruciatingly slow, with the film grinding to a halt whenever the characters open their mouths. The dialogue is overwrought and meandering, more suited to a bad stage play than a feature film. Whannell tries to inject tension through strained metaphors and half-baked character studies, but it all comes off as hollow and forced.
    6marlon-dwight

    Wolf Man (2025) vs. The Invisible Man (2020)

    Leigh Whannell's reimagining of The Wolf Man is moderately entertaining. But, ultimately, it falls short of the levels of suspense, creativity and energy achieved in his 2020 remake of The Invisible Man starring Elisabeth Moss and Aldis Hodge. It also pales in comparison to 2010's The Wolf Man directed by Joe Johnston and starring Benicio del Toro, Anthony Hopkins, Emily Blunt, and Hugo Weaving.

    For starters, the film's script is devoid of nuance, a problem highlighted by instance after instance of unimaginative dialogue that really could have benefited from a punch-up or two prior to principle photography. From start to finish, each character in the movie more or less says exactly what they're feeling. As a result, the viewer is consistently denied the emotional reward derived from dialogue that requires a certain level of maturity and investment in order to connect with what the actors are attempting to convey nonverbally.

    Next, Christopher Abbott and Julia Garner lack onscreen chemistry and are not very believable as a married couple. Additionally, the lack of physical resemblance between actor Sam Jaeger and Abbott, who are cast as father and son in this film, is a bit distracting.

    The biggest problem related to casting, however, is Garner. She seems out of her depth in this project and is neither convincing nor sympathetic as the story's forlorn wife and mother.

    However, child actress Matilda Firth delivers a strong performance that mitigates some of the aforementioned casting issues. Very talented.

    On the technical side, the movie's cinematography is rather flat, devoid of light, contrast and vibrance. In all fairness, this is a problem that's been common among a number of horror projects shot in recent years. Even non-horror projects like Gladiator II, directed by a filmmaker known for crafting beautiful, visually dynamic motion pictures, have fallen victim to this current trend of drab lighting. So, no real surprise there.

    On another positive note (in addition to Firth's performance), Wolf Man, much like The Invisible Man (2020), features outstanding sound design. The movie's sound does a lot of the heavy lifting during the story's most suspenseful moments. In light of this, the entire sound department deserves an immense amount of credit and recognition for their work on this project.

    So, in short, not as good a movie as I'd hoped for, but by no means bad. I'll definitely watch it again at home when it's available.
    6cherokeysong

    Not bad, but lacking in many areas.

    Let me start by saying that Christopher Abbott's performance was splendid. He stepped into this role with ease, and I would recommend this film based solely on his interpretation of the titular character.

    That said, there were many things in this film that failed to work for me. Addressing Julia Garner's performance, I must say I think she is a lovely actress. In fact, she tends to steal any scenes she's in when it comes to most of her other work that I've seen. In Wolf Man, however, she is less than believable in the role of wife and mother, and, along with a lack of depth in the script, I found myself less than concerned about the fate of the family.

    I was especially excited to see this movie after hearing it was being written/directed by Leigh Whannell, whose work on The Invisible Man was impeccable. Wolf Man fails where The Invisible Man succeeds in the way of character development and raw emotion. When it comes to the world of fantastical creatures like vampires, werewolves, zombies, etc., I think there should be a clear direction chosen between campy/outrageous and dark/serious when telling such stories. While Whannell seems to have chosen the latter, I felt the film was too tame to affect an audience and too surface-level to reach the heart.
    6filmephile

    A wolf (man) at the door

    This film is just alright, maybe a little better than that. But it's nothing to write home about: close, but no cigar.

    It plays it too safe. Just when you think something interesting is going to transpire, it doesn't. The film is an adaptation of a decades-old story, and yet it doesn't break any new ground nor offer up any new ideas.

    The cinematography and acting are the two standouts. The presentation of the Oregonian outdoors is beautiful, as is the use of lighting throughout. Abbott and Garner turn in great performances, but the actress playing their daughter is not very good to the point that she often took me out of the film. The film felt like it was leading up to something really climactic, but didn't really. Ultimately it ends up feeling rather generic. There are a few jump scares and creepy imagery, but overall it isn't all that scary.

    That said, the film is worth checking out if you're looking for an entertaining, spooky little time. The runtime is short, and it clips along pretty nicely.
    7jasperswaney

    The "Unbreakable" werewolf movie

    What unbreakable did for super heroes movies, Wolf-man did for werewolf movies. Its execution felt similar. But much like Unbreakable I believe the reviews will dip lower than this movie deserves to be. I remember people hating Unbreakable because of the slowness and "seeming" anti-climactic nature of it but over time people began to realize the brilliance of it. This feels similar. The tension is great and atmosphere spot on. I kept waiting for a cringy or overtop moment make me roll my eyes but it never did and stayed the course it was on. Not the modern American werewolf in London I've been searching for but definitely an emerald I didn't expect to find while mining for diamonds. Go see it.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Leigh Whannell explained how he conceived the werewolf's point-of-view shots, saying: "I had this idea of the camera moving around the room and suddenly what seemed like gibberish became legible, and you realized there was some invisible wall that the camera had crossed through. I started researching wolves, how they see, the colors of their eyes. I was thinking about how animals hear. When we talk to our dogs, we all anthropomorphize our pets. I have whole conversations with my dog where I'm like, "What are you doing? Oh, you're upset. What are you upset about?" You know that he's just staring at you. They recognize tone and maybe up to 20 words. I was thinking about that. This classic Wolf Man story is a great way to use this because usually in Wolf Man stories, the transformation is very quick. I was like, what if you slowed this down and treated it more like a degenerative illness? I was thinking more of a film like "Still Alice."
    • Erros de gravação
      Though the city scene is set in San Francisco, California, New Zealand traffic lights are visible.
    • Citações

      Blake: Sometimes when you're a daddy, you're so scared of your kids getting scars that you become the thing that scars them

    • Conexões
      Featured in Jeremy Jahns: Wolf Man - Movie Review (2025)
    • Trilhas sonoras
      Les Feuilles Mortes
      Music by Joseph Kosma

      Performed by Cannonball Adderley

      Courtesy of Blue Note Records under license from Universal Music Enterprises

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    Perguntas frequentes17

    • How long is Wolf Man?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 16 de janeiro de 2025 (Brasil)
    • Países de origem
      • Estados Unidos da América
      • Nova Zelândia
      • Irlanda
    • Centrais de atendimento oficiais
      • Facebook
      • Official Instagram
    • Idioma
      • Inglês
    • Também conhecido como
      • Wolfman
    • Locações de filme
      • Wellington, Nova Zelândia
    • Empresas de produção
      • Universal Pictures
      • Blumhouse Productions
      • Cloak & Co.
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 25.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 20.707.280
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 10.897.495
      • 19 de jan. de 2025
    • Faturamento bruto mundial
      • US$ 34.151.868
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 43 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Atmos
    • Proporção
      • 2.39 : 1

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