Uma Dama de Óculos Escuros Com uma Arma no Carro

For a long while I thought I was watching a live-action version of "Alice In Wonderland", or perhaps even a time-loop movie; when the elaborate plot finally comes together, it is in equal parts surprising and far-fetched. Joann Sfar's direction is top-notch; he maintains a dreamy mood throughout. Freya Mavor is a red-haired, apparently multi-lingual firecracker! **1/2 out of 4.

That is exactly what I thought while watching this. It's a vibe. It's a feel. It's a retro dream state. Like a great Lana song.

I actually read the book after watching both versions of the film. It doesn't move any faster, as some claim, but it does have its own very cool vibe. For example, it opens with the Lady waking up in the bathroom after the assault, so you're in her mind set, in a First person narrative, as she tries to puzzle it out. I would like to see a third film version with VO that attempts this. In all versions the pay off doesn't really pay off, but it's not the point. It's a mystery box that keeps the motor running while you enjoy the cool ride with an exotic cocktail. Freya alone makes this worth watching. But it's so much more. Original version is great too.

A slow-paced stylish dreamlike psychological dramathriller that kept my interest rather well.

The story-telling is a bit vague at times and occasionally flat out incoherent but that suits the film and it's main character's state of mind who is a bit of a daydreamer, and is not always 'in touch with reality'.

It's a bit of a mystery so the less you know regarding the plot the better you'll probably perceive the film.

It felt a bit like something De Palma might have done in the 70's if he made a French movie. A bit film noirish. I'm sure there are other French directors that would be better to be referencing but I haven't seen tremendously many French films I must admit. Turns out it's actually a remake of another little known French film from 1970 by the same name.

Just read the main actress Freya Mayor's bio and I was really surprised to find out that she is Scottish, she seemed to be speaking French rather well so thought she was a native French (although I of course is no expert on that). Anyways she played the role well.

It's a very visual film some critics claimed it was a 90 minute musicvideo, I don't agree with that but I guess I can see where they are coming from. There is a lot of music in the movie and occasionally rather limited dialogue, but it works IMO and the soundtrack is great. And the cinematography is excellent.

It might not be a movie that's something for everyone's taste but it suited me just fine.

Freya Mavor is a Scottish (not French) actress and model. She is thin and tall, easy one the eyes and definitely hot...

Well, I really hope you like her ...a lot, because she is practically in ...every scene of this movie! Not doing anything really. Walking, driving, observing, changing clothes...

There is a plot but is simple and totally naive with today's standards. That's why it is supposed to take place a few decades ago where forensics were basic and you could fool them more easily.

The narrative has some serious problems. You may think at some point that it might be similar to Memento, but that's far from the truth. The premise is really simple, just the narrative and the editing (lots of split screens and linear wipes) are confusing.

Overall: It is a boring film witch tries to be artistic in terms of narrative, editing and cinematography. The leading lady is practically in every scene so if you like her, you might be bored less. Generally, I don't recommend this movie.

Great aesthetics throughout, beautifully shot, amusingly playful dialogues -sometimes unreal, sometimes carrying shifting meanings or seemingly no meaning at all- this film is a dreamy, sensual ride with a gorgeous actress (and character) on which the camera often lingers... The male counterpart can also be evocative though, but I like how the film just celebrates this beautiful woman, and with great music makes her attitude even more catchy. Meanwhile, the character is ambiguous, sometimes naive, other times vindicative and strong, sometimes simply weak. I struggle to find the underlying meaning of the film and though I have theories I am more than satisfied to let my appreciation of the movie be on a purely aesthetic level.