Resgate Suicida

So a question? Are we supposed to believe that everyone in this movie thinks Juliette Lewis is a man? She's clearly a woman, even with the weird croaky voice she attempts. I mean the first scene on the river I am trying to figure out why they are calling her Bill. Are they humoring her or are we supposed to believe they all think she's a man? Even if she was really a man, she still small and weak looking. Not at all scary. I mean the budget seems to be adequate, the acting is decent. The story is a little odd but still a servicable storyline for a good western, if done right. The cold, bleak setting and sets are well made but Juliette Lewis is just terrible. Not her acting as much as the part. Don't get me wrong, I think she is a great actress and love her in a lot of films, but she is not threatening, scary, mean or menacing. I keep thinking why the hell is everyone supposed to be afraid of her. The licorice thing in the store? Weird and gross, but not something I think an outlaw robbing a store would do. Peter Dinklage is another great actor and is decent in this but I guess miscast. He's not a hard boiled bounty hunter killer type, as much as I love him, he would probably be killed in about 13 seconds. I think that's the whole problem with this movie, casting. Trying to make actors and actresses that are normally unthreatening, hard and scary just doesn't work. Just can't buy into it, sorry. I wanted to. If you are someone able to really suspend your disbelief then you might like it. It's not bad, I just couldn't get past the casting. They may explain the gender thing at some point but I am turning it off.

For the press run that Peter went on to sell this thing, I was expecting more. I love Juliette Lewis (The Other Sister, From Dusk 'Till Dawn) and she basically carries the entire film. In my opinion, Peter Dinklage gives an unmemorable performance here yet shines in comparison to the rest of the somewhat unknown cast.

As far as Tubi movies go, this is a decent watch. I just felt like there was something missing. As far as westerns go, this one just doesn't feel like it has a lot of grit. I remember watching an interview with Peter where he recalls one of the producers wanting a character in the film to have a "James Hetfield" look (lead singer of Metallica, for those who don't know) and Peter suggested that they just get James Hetfield to do the movie. Well, there is probably a reason why they suggested a professionally trained actor who looks like Hetfield, rather than Hetfield himself. He does an okay job, even kind of bad at times.

I don't want to get political with this review, but I feel like this needs to be addressed. I understand that every movie can't be Django Unchained. I also understand that life imitates art and visa versa, and we are trying to create a better world here. But there is something inside of me that is crying out every time I watch a period piece made in modern times. It seems like Hollywood is desperately trying to rewrite history to make America's past seem way less racist and horrible than it is. This is a pretty good example of that. There is ZERO racial tension in the film, despite the fact that two out of the five characters are African American who go up against some of the frontier's nastiest outlaws. To my knowledge it isn't even mentioned and I didn't know that Reginald's (Dinklage) counterpart Eustace (Gbenga Akinnagbe) is an ex-slave until I read that in the film's description. No one else in the film mentions it at all. It's not a huge issue, it just feels kind of disrespectful to the people in that time who suffered the horrible atrocities of slavery. I just really don't like the white washing of American history. Sorry, rant over.

Another part of this movie that I didn't enjoy is seeing Andrew Schulz in the film. I don't like this man's comedy, I don't care for his podcast, and I think that he does a middling job here. He also sports the exact same haircut and mustache that we see in modern times which feels out of place. I remember a golden age of film where truly talented actors was enough to get people to see your film. Now we're at a point where we are relying on YouTube stars to get people to watch. It makes me kind of sad honestly.

I really wanted to like this movie more than I did. The cinematography is pretty good, despite the fact they use plenty of cheat codes (filming a western and using a winter backdrop, for example). I saw this for free so I guess beggar's can't be choosers, but I found this film to be average at best.

In bright but dark western "The Thicket" Levon Hawke's sis Esme Creed-Miles is taken by notorious crim Juliette Lewis (so good again) & her gang - so Hawke teams with Peter Dinklage (also great), Gbenga Akinnagbe & Leslie Grace to hunt them down across bleak snowy terrain... while they themselves are hunted by James Hetfield (yes, him) & Macon Blair. Characters, dialogue and the relatively simple plot are all well written by first-timer Chris Kelley (based on Jon R Lansdale's novel) and it's superbly directed in his trademark ethereal yet gritty style by the classy Elliott Lester (who's growing a solid reputation). Terrific fare, especially for western genre fans.

Set against the unforgiving backdrop of the Wild West, The Thicket tells the story of a mismatched group of individuals: Reginald Jones, a bounty hunter portrayed by Peter Dinklage; his loyal sidekick Eustace, played by Gbenga Akinnagbe; Jack, who enlists their help to rescue his kidnapped sister (Levon Hawke); Lula, the sister in peril (Esme Creed-Miles); and the menacing outlaw Cut Throat Bill, brought to life by Juliette Lewis.

This film evokes memories of Sergio Corbucci's spaghetti Westerns, yet it opts for a more subdued palette, emphasizing the darker aspects of its narrative and employing somber cinematographic techniques. It is only towards the conclusion that the visuals begin to brighten.

The storyline is populated with nefarious characters and unstable individuals, all too willing to inflict harm on anyone displaying courage or a strong moral compass. Consequently, the innocent siblings endure their share of hardships before they learn to adapt and survive in this brutal, unforgiving environment. Their plight is compounded by the tragic loss of their parents to smallpox and the murder of their grandfather (Guy Sprung) by Bill, which sets off this harrowing journey.

In summary, this film is likely to captivate those in search of a chilling, action-packed thriller that embraces its brutality and mercilessness with a haunting, macabre flair. Enjoy!

If you like westerns, you got to see it!

Peter Dinklage is amazing in it. Every attempt Dinklage makes to be a Bonafide leading man has never failed! He's shown time and time again that he has the chops, and this movie is no different.

But Juliette Lewis! This was a surprise indeed! Not saying she has not proven herself a good actor as well, but man! She locked down one of the best bad guy performances I ever scene. It's one of those things where the internet is going to need to make a click bait list of most underrated Villains in cinematic history just so they can put Cutthrought Bill on the list persuading the cult status.

Last but not least (well actually...) Jame Hetfeild. I have to admit I'm a big enough fan of Metallica to put in the effort to see this in theatres (which may not have been the cheapest choice considering its a Tubi original film and might be released on the format in a few days for free). Everything I know about Hetfeild is that he took a long time to come out of his shell to try holding some lines in a film, but he does it and does it well enough. It was fun seeing him act.

Surprisingly and oddly unique as a western too taking place in what must of have the very end of the wild west. No dates were given but it is interesting to see cars and bikes in a western. I'm guessing 1910 or 1911.

Anyway, it can drag along some times but overall, it was worth sitting though.