Tudo Bem, Isso é Amor

The story of a love affair between a Psychiatrist and a successful writer. Both parties have mental health issues due to events in their past. Can their love overcome these issues as well as the serious family problems both have. The Psychiatrist is played by Hyo-Jin Kong who is superb in her role and the male lead In-Sung Jo is also convincing. The story mainly centres around the hospital and tries to highlight how ostracised a person can be because of their illness. A physical injury is visible and easily understood unlike mental illness which people tend to shun as it is not so easy to interpret. An enjoyable series with interesting side characters.

Not since queen of the classroom (Japanese version),has a drama made me think the way this one has. When it started off first, i thought i might just give it a 5/10, then it veered between 6 and 7, for a long time, then 8. But I still wonder why i didn't want to rate it higher. It's one of the best written dramas I've seen. The two leads are excellent and for the most part are backed up a wonderful cast. Being specific, the punk girl isn't really in the same league. It seems to be going in one direction, then goes in another unexpected one. Well at least for me, who hadn't read much about it before. I don't know how anybody who deals with mental health issues would rate this, but i thought it portrayed them honestly. It brought home to me the fact, that anyone can suffer from mental health problems, and just because you look okay, doesn't always mean you are okay. PS. Reminded in the "currently watching forum" about the soundrack. The poster said he liked it. So did i. Update. I see it won a plaque of appreciation at the Korean Society for Schizophrenia Research. Second update. Lee Sung-Kyung (the punk girl) is actually 24. Maybe her acting deserves a bit more credit, than i was giving her..

Jo In-Sung and Gong Hyu Jin's chemistry are just magnificient! I LOVE LOVE LOVE LOOOOOOOVE this kdrama so much. Really good storyline and superb acting!! Highly Recommended!!!

Well, this is definitely one of the best Kdramas i have seen in a while. I don't even like calling IOTL a k drama but i'd rather prefer calling it a Korean show. It was simply amazing.I will recommend it to everyone. I am not a doctor, so i can't say how aptly the psychiatric aspect of the show was portrayed. But, i want to point out how nicely the show was written and the different characters were interwoven with each other. The show was 6 at the beginning, but as the story moved on it kept on getting better and better and by the 12th episode, it got to 10. The actors did an extraordinary job. The main actor was outstanding. His character was so vulnerable at one point and he acted that part so beautifully, I can't even. The main actress, her dressing sense was so good. Her character was irritating at times but she can't help it as the character was written that way and she acted really well as well. TBH all the characters did an amazing job. The kisses were so real and felt raw. Those kind of kisses are difficult to find in kdramas.:D And finally the OST. It was so good and the songs were played on such needed moments. "Let me go, I don't wanna be your HERO", that song gave me goosebumps every time it was played on the show. All in all, it was definitely one of the best Korean Shows.

It's Okay, It's Love: 2014 Korean TV melodrama,16 episodes.

Story: Relationship adverse psychiatrist meets popular playboy novelist. They are seemingly mismatched for one another, but they end up having to live together as roommates due to some contrived circumstances. They soon start to develop feelings for one another, and thus, another K-drama love story is underway.

SPOILERS AHEAD!

If the story sounds familiar to you, well, of course it does; many of these K-drama shows invoke the same basic story being retold again & again with just slight variations. This show involves two thirty some year old leads that fall in love and try to stay in love, overcome obstacles along the way, and eventually try to find some peace or happiness at the end of it all regardless of what happens. For these shows to work, all you really need is some experienced leads and some decent writing, and, you need to keep the show at a minimal number of episodes that include enough interesting auxiliary characters and side stories to keep everything moving along when the lead love story isn't the focal point. This particular show, while nowhere near the best K-drama I've seen, accomplishes enough of the aforementioned ingredients to be above satisfactory at the very least.

Aside from the love story, the overall theme of this show focuses on the general healing of past & present emotional wounds among the characters. Along with the female lead, 2 of the secondary cast members are also psychiatrists, and many of the side stories occur in a hospital dealing with random patients that need some help. The psychiatrists aren't much better off than some of their patients though, and the same goes for everyone else on this show, as they all have their own deep seeded personal problems to reconcile (some more than others). Most of the interaction with the patients is just window dressing & filler, as the docs diagnose a different disorder for each weekly new patient, then fix 'em up and send them on their way. Don't expect to gain any deep insight about the field of psychiatry when you watch this show; it's pretty clear the writers and cast are just winging it as best they can after briefly perusing a Psychiatry for Dummies book.

Jo In-sung & Gong Hyo-jin are your two leads. Neither is a stranger to this genre, and they've each played similar characters many times before. Jo In-sung has long since mastered playing the suave & smug handsome guy who comes complete with a past tragedy and stoic underlying intentions. Gong Hyo-jin is an expert at portraying the attractive & caring, yet somewhat flawed & vulnerable woman that just needs to find that one special guy that truly understands her. They work very well together, but it's not so much that the two stars have some searing on-screen chemistry, as it is that they're both just real solid pros who know what's needed to play these parts. In an indication of how professional these actors are, Gong Hyo-jin doesn't delay or disrupt the series at all when she breaks her arm off set in an accident; she just shows up for work as usual, the writers hurriedly fit this mishap into the daily script re-writes, and the show doesn't miss a beat.

The rest of the cast is all right. No complaints really. There are number of solid veterans on hand, along with several other interesting characters, and two younglings who get the resident flower boy and snotty hottie roles while they work on their acting chops. A lot of these side characters have their own relationship and or emotional issues to deal with as the show progresses. There are really no secondary love interests that compete for the leads' affections though; one dude tries to "re-involve" himself with Gong Hyo-jin occasionally, but she ain't having none of his nonsense. This character also serves as somewhat of antagonist, albeit a very meek one, in a story that has very few of antagonists at all...the only true antagonist in play is Jo In-sung's older delinquent brother, who's soon to be released from prison and is determined to cause some trouble with his family secret & desire for justice. This show doesn't really put its focus on love triangles or ridiculously mean/evil peopleit's much more about relationships and healing and that sort of thing.

One thing I really liked about this show, and deserves special mention, is its idea of giving Jo In-sung's character a "hidden alter ego" (so to speak). I can't say too much about this without spoiling things because it's somewhat crucial to the story. It won't take you long to catch on to it though if you're paying attention, and, eventually it's made blatantly obvious later on. This story line could have even been better implemented if more time was allowed to think it through a little more, but this is KTV "on-the-fly", so I must commend the writers for even trying to implement it and for pulling it off as well as they did.

Summary: I don't really have many complaints with this show to be honest...Everything is pretty good, and it makes for a pretty decent & solid K-drama overall. Probably best suited to late 20's-mid 40's viewing crowd, but there's very little vulgarity or violence as usual, and no sex; so, just about anyone can watch it and not be overly offended.

Bottom Line: 7.5-8 out of 10 stars on the KTV drama scale!...I'll recommend it!