O Show dos Kangks

3 part british haunted house mini series made in 2015. Very well acted, and with a good amount of decent chills.

Based on a "true" story from the 70's. I also like that it is filmed as if it was made in the 70's. Well made for british tv.

The conjuring 2 was based on the same case.

I saw the adverts for the Enfield haunting and was so excited and I have not been disappointed I think the Enfield Haunting is a great believable representation of the events that actually occurred. It's scary but it's not with the usual stupid scares it's eerie it makes you think about it after you've watched it really does imprint on your opinion of the paranormal. Timothy Spall's acting as usual is brilliant and so very believable. I also think the little girl who plays Janet will go very far her she is also very talented in acting by her portrayal in the Enfield Haunting. The Enfield haunting is just great really, great actors, great representation great everything! It's so fascinating that the events actually happened it's made me want to read more into the events of the Enfield Haunting. The only negative I will have to mention is that Sky Living most definitely take the shine of it with the amount of adverts they ram Into the programme you get to see around 5 minutes of the programme and then an advert. Seeing as there's only three episodes you think they would have the Curtisy not to do this. the Enfield haunting probably could have managed to be a short film rather then the three episodes. However it is most definitely worth the watch.

The Enfield Poltergeist was, to many of us growing up in 1970s Britain, a terrifying story. Between 1977 and 1979, a council house in Enfield, England, was supposedly the home to a poltergeist, the definition of which is noisy ghost. The main focus of the poltergeist activity was towards young Janet Hodgson, giving some credence to the experts belief that poltergeists hone in on pre-pubescent teenagers. The events at the house caused a media storm, enticing specialists, believers and sceptics to visit and fuel a fire that still simmers away today.

Interestingly the title of this British production has it right, in that calling it a haunting at least doesn't lie to the viewers. As with Tobe Hooper's 1982 film, Poltergeist, the presence of a poltergeist spirit is pretty much a side-bar to another story, where Hooper's film went off to another dimension, Kristoffer Nyholm & Joshua St Johnston's film here dials into grief and absent parents, then choosing to grab demonic possession and mediums for its big shocks.

Many liberties have been taken with the facts, with added outside interests brought in to flesh a story out. Though the core essence of the story, the suspicions of truth etc, remain. The Enfield Haunting is a grand and unsettling production, undeniably scary for those that buy into the possibility of a haunting of this type being real. The performances are led by quality thespians, Timothy Spall and Juliet Stevenson, both of whom play grief and distress with a shattering conviction, and young Eleanor Worthington Cox as Janet is a bundle of exciting promise. Period detail is first class, though the house used here is some way away from the actual house of the events, while the opening credits are superb, even if they only tantalise as regards the alleged events in the girls' bedroom and disappointingly don't form part of this story.

If this pic has longevity of interest in its own land, or even being capable of garnering interest away from the shores of the UK? Is tricky to say at this point. Because ultimately it plays out with familiar horror conventions, like it's cashing in on the recent cravings for Conjuring and Insidious kinks. Ironically, the team behind The Conjuring have reconvened to make a sequel - about The Enfield Poltergeist. Now I wonder if that one will actually be about a poltergeist... 8/10

"The Enfield Haunting" is based off a true paranormal case which took place in Brimstone, England in the 1970's. The truth of the story is an interesting one, where even the police were puzzled by the strange occurrences taking place. On terms of this adaption, it is a fairly decent one. It stays true to the original source for the most part, while changing around a few minor facts. However, If you're expecting slasher Hollywood horror then prepare to be disappointed. Its slow pace and eerie atmosphere is what builds the suspense in this show. The one thing that truly makes this show work is that both the pacing and the characters have a very realistic feel, while still managing to create an entertainment for its audience. This could have easily turned into something clichéd, with the brooding main character dealing inner demons of his past, the skeptic who's only there for his own benefit, and the bratty kid you hope dies but for some reason never does. Instead, the characters actually feel like real people and you feel for everyone in that situation. This is not only credit towards the writing, but the actors as well. Originally I only watched the show after learning that Matthew Macfayden and Timothy Spall were a part of it (two very talented actors who I'm in absolute love with), but everyone was just great, even the kids surprisingly were really talented. My one true con would probably be that it isn't as scary as I wish it could be. There are moments where I know it's trying to be realistic but it ends up being a little silly, particularly when the poltergeist starts to communicate through other people. That could have been a great horror moment, but instead it's pretty off putting and kind of awkward. All in all, it's an interesting attempting. If you're looking for something more realistic then the conjuring then I would recommend this. The horror is definitely more died down, but it still manages to be eerie and very creepy in its own way :)

Despite the raving of one reviewer, who doesn't seem to know that different people can have differing views about the same topic, this mini-series misses the mark. The acting was good and the story was quite engaging ... until the last 10 minutes. The scene at the very end is the epitome of corny and, frankly, let down an otherwise fairly interesting watch.