Em 1921 com a perda e dor da Primeira Guerra Mundial, a expositora Florence Cathcart visita um internato para explicar os avistamentos de um fantasma. Tudo o que ela acredita é desfeito quan... Ler tudoEm 1921 com a perda e dor da Primeira Guerra Mundial, a expositora Florence Cathcart visita um internato para explicar os avistamentos de um fantasma. Tudo o que ela acredita é desfeito quando os "desaparecidos" começam a se mostrar.Em 1921 com a perda e dor da Primeira Guerra Mundial, a expositora Florence Cathcart visita um internato para explicar os avistamentos de um fantasma. Tudo o que ela acredita é desfeito quando os "desaparecidos" começam a se mostrar.
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- 4 vitórias e 2 indicações no total
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Avaliações em destaque
Rebecca Hall plays Florence Cathcart, a Hoax exposer who is called to a boarding house to investigate strange paranormal activity. Rebecca is one of the most under used actresses of today! She was so mesmerizing in this role and it's a shame that this didn't get a wide theatrical release so people can see what a great actress she is; this was Oscar worthy to me. The rest of the cast was great too, that include Dominic West who plays Robert Mallory and Imelda Staunton who gives a heartbreaking performance as the caretaker Maud Hill. These characters were so moving and heartfelt and give the story an emotional punch.
Director and writer, Nick Murphy shows true talent in his first full length feature film, and has strength as a writer. His ability to capture emotion along with shocks and spooks is breathtaking to me; his film grabs and doesn't let go. He is a director to look out for. Stephen Volk who is no stranger to the horror genre, he also wrote screenplays for Gothic, The Kiss, The Guardian, Superstition and Octane. He shows true growth here as a solid writer for this genre. They should collaborate again! Overall, The Awakening treads a lot on familiar grounds, but there is true talent in front and behind the camera that you can really appreciate the presentation. It could of used a couple more scares but the ones thrown at us were effectively spooky. The acting, characters, suspense and surprising twist though, truly drive this film. Recommended! 7.9 out of 10
This setting has a good old fashion atmosphere. It's basically a big old isolated building with a handful of people and a ghost story. You can't really get any more classic than that. The story does have a convoluted twist that could be quite problematic. I was able to follow the twist, and I'm fine with it. Rebecca Hall is a nice capable actress. And she makes a good avenging heroine and a damsel in distress.
"The Awakening" is set in 1921 England, our Protagonist Florence Cathcart a free thinking, strong willed ghost buster, author and hoax crusher opens this gem of a movie by diving right into the fray. Mediums, psychics and séances' were all the rage during that time period, which began with the religion of spiritualism. Spiritualism developed and reached its peak growth in the 1840's to the 1920's. With many patrons from the Aristocratic and famous class, like Abraham Lincoln joining his wife for a séance after the death of their young son. After WWI many bereaved souls were searching for a connection to loved ones lost either from deadly illness or the horrors of war and were further victimized by unscrupulous charlatans seeking only coin and selling false hope. Florence's main objective is to put a stop to this and shed light and truth on the subject of death, the afterlife and ghosts. But after being invited to a supposedly haunted old grand estate that was converted into a boy's boarding school, with a recent death of a student and a rumor of an old murder and sightings of a ghost, Florence finds much more than school boy pranks and hoaxes - she finds something good, something frightening and something truly enlightening.
The character development in "The Awakening" is done perfectly with solid performances from the entire cast. The cinematography is excellent as is the entire production tip to tail. From sets and wardrobe to the musical score. The research done for the story and time period is what really brings this ghost story to life. It's the small details and creepy little surprises that all add to the reality of the time this story is told and the ensuing mystery. I must also comment on the pacing - this movie wasted no time, it's no action packed, a scare a minute kind of movie, it's far more subtle, but it's never slow or boring and nothing is wasted.
As a true horror/suspense connoisseur (I have a degree in film production and I was a make-up artist/Stylist for print, film and T.V. for 12 years.) I'd like to comment on some of the cynical and negative reviews. One cannot simply lump all horror and suspense films together. There are many subsets of the genre (Slasher, Grind House, Mystery, Supernatural, Creature, Occult, Gothic..etc.)and each has it's own flavor so to speak. You cannot compare a movie like "A nightmare on Elm street" to "The Changeling". Though they are both considered to be horror, one is supernatural slasher and the other is classic ghost story. Even when comparing movies in the same subset like "The house on haunted hill" with "The Haunting" both of which have remakes, have huge differences, usually found in the details and presentation and should be considered unique in their own right. While it may be true that there is nothing new under the sun and we've all seen the same plots and themes over and over again - I have found there is always something new to add to the age old themes.
This movie is in my top 10 of great ghost stories - 8 out of 10 stars for "The Awakening".
While The Awakening does not have quite the depth of angst of El Orfanato, it nonetheless maintains a constant tension and audience puzzlement up until the last few minutes, when more questions than answers are evident.
Rebecca Hall's Florence Cathcart, and the method used for her professional 'Ghost Busting' procedures reminded me of the scenes set in Guy Ritchie's Sherlock Holmes mythology. I can't quite put my finger on it, but it is definitely there.
7/10 - Highly recommended.
Britain, post World War 1, and Florence Cathcart (Hall) makes a living as an exposer of charlatan spiritualists, a debunker of ghost sightings. When she receives a request from school master Robert Mallory (West) to investigate the supernatural events at a remote boarding school for boys, she is suitably intrigued to take on the assignment...
It comes as no surprise to find that numerous reviews for The Awakening make reference to ghost story films that were made previously. The Woman in Black released a year later would suffer the same fate, charges of it not bringing nothing new to the table etc. A ghost story set in a big mansion or remote educational/correctional establishment is what it is, and will continue to be so, all fans of such spooky fare ask is that it does it well and maybe add some adult themes into the bargain. The Awakening does these in spades.
The concept of a disbeliever in ghosts having their belief system tested to the full is not new, but it's a great concept and one with longevity assured. Here, boosted by a terrific performance from Hall, the screenplay consistently keeps you guessing. The possibilities of real or faked are constant as the director pumps up the creep factor, whilst he simultaneously crafts a number of genuine shock sequences - including one of the best doll house scenes put to film! This really has all the requisite jolts and atmospheric creeps for a period spooker.
It's not until the final quarter when the screenplay begins to unravel its mystery, a finale that has proved both ambiguous and divisive. The ambiguity factor is a little baffling since everything is made clear in a nicely staged scene, and this is something which the director has gone on record to state as well. As for the divisive side of things? That's a blight for this sub-genre of horror. It's convoluted! Contrived! It has been done before they cry! These are true to be sure, and without doubt there's a leap of faith required to not get annoyed, but it garners a reaction and has done its ghost story essence very well indeed.
Beautifully photographed, scored and performed by the leads to boot, this is for sure one for fans of period spookers with brains. 7.5/10
Você sabia?
- CuriosidadesThe painting, of two women killing a man, that is said to be the boys' favourite, is titled "Judith beheading Holofernes" and was painted in 1612 by Italian artist Artemisia Gentileschi (1593-1652).
- Erros de gravaçãoWhen Florence went into the hidden compartment and found the stuffed rabbit, the rabbit played a recorded song. At this point in history, toys only contained small music boxes, which played chiming music. The closest thing was the "Lioretgraph Jumeau" which sang a maximum of 35 words using a small phonograph. More advanced singing toys didn't make their appearance until the late 1930's and early 40's.
- Citações
[last lines]
Florence Cathcart: Not seeing them, it's not the same as forgetting. Is it?
- Cenas durante ou pós-créditos[opening title] Observation: Between 1914 and 1919, war and influenza claimed more than a million lives in Britain alone. Conclusion: This is a time for ghosts. Florence Cathcart "Seeing Through Ghosts" p7
- ConexõesFeatured in The Big Picture: November 2011 (2011)
- Trilhas sonorasFinlandia Hymn - Be Still My Soul
Written by Jean Sibelius, Katharina A. von Schlegel
Performed by Michael Csányi-Wills, Jeff Moore, Andrew Skeet
Principais escolhas
- How long is The Awakening?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Despertar de los muertos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 3.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 209.696
- Fim de semana de estreia nos EUA e Canadá
- US$ 95.933
- 19 de ago. de 2012
- Faturamento bruto mundial
- US$ 6.879.667
- Tempo de duração
- 1 h 42 min(102 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1