Uma mulher é contratada como criada de uma herdeira japonesa, mas secretamente esta envolvida em um plano para defraudá-la.Uma mulher é contratada como criada de uma herdeira japonesa, mas secretamente esta envolvida em um plano para defraudá-la.Uma mulher é contratada como criada de uma herdeira japonesa, mas secretamente esta envolvida em um plano para defraudá-la.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 prêmio BAFTA
- 69 vitórias e 104 indicações no total
Cho Jin-woong
- Uncle Kouzuki
- (as Jin-woong Jo)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Reviewers say 'The Handmaiden' is acclaimed for its intricate plot, breathtaking visuals, and powerful acting by Kim Min-hee and Kim Tae-ri. The film delves into love, betrayal, and power, earning praise for its artistic direction and the director's skill. However, some critics deem the explicit sexual scenes excessive and the pacing slow, with a lengthy runtime. Certain portrayals and scenes also cause discomfort among viewers. Despite these issues, 'The Handmaiden' is widely seen as a daring and visually striking movie.
Avaliações em destaque
Not the craziest film content wise, that award goes to The Neon Demon, but definitely the craziest film storytelling wise. Park Chan-Wook's The Handmaiden is almost as good as the film that put him on the map, Oldboy, and brings such ferocity and energy that it will be one of the most unforgettable films of 2016.
Think of The Handmaiden as The Duke of Burgundy F'd Up Edition. This film is pretty twisted in the most unexpected ways from the cinematography that is very reminiscent of Possession in that it always keeps moving, eroticism that is reminiscent of Blue is the Warmest Color, performances as spellbinding as Carol, and the insanity of Park Chan- Wook as expected.
The cinematography is some of the most entrancing of the year. Shots that look like they came out of The Master. It's shots like these that make me wonder how was this even possible? It looks so damn cool!
The performances are perfect in sucking you into this world of erotica, selfishness, and trickery. Both female leads were fantastic. Min-hee Kim and Kim Tae-ri are amazing with sharing their sexual tension with the audience watching. It's films like these that are the most memorable. Making you feel how ther characters are feeling. Jung-woo Ha and Jin- woong Jo were great as these sexually and financially repressed men who do the most screwed up things to feel the pleasure they so desire. Nothing wrong with the cast at all.
Of course Park Chank-Wook hits it out of the part with directing. How else would this immaculate vision be done without him niche for detail. He always knows exactly what to do to get an emotion out of his audience and I applaud him for that.
The only negative is that during the middle briefly the pacing slows down a lot and it became really unbearable because I wanted to know exactly what was going to happen next. Thankfully it doesn't last that long and it's really minor that probably won't affect others viewings.
If you have any interest in The Handmaiden or you've just heard about it for the first time I strongly suggest checking this out as soon as it comes out. I'll definitely re watch it when it releases in theaters. Easily one of the best films of the year and one I hope to re watch soon.
Think of The Handmaiden as The Duke of Burgundy F'd Up Edition. This film is pretty twisted in the most unexpected ways from the cinematography that is very reminiscent of Possession in that it always keeps moving, eroticism that is reminiscent of Blue is the Warmest Color, performances as spellbinding as Carol, and the insanity of Park Chan- Wook as expected.
The cinematography is some of the most entrancing of the year. Shots that look like they came out of The Master. It's shots like these that make me wonder how was this even possible? It looks so damn cool!
The performances are perfect in sucking you into this world of erotica, selfishness, and trickery. Both female leads were fantastic. Min-hee Kim and Kim Tae-ri are amazing with sharing their sexual tension with the audience watching. It's films like these that are the most memorable. Making you feel how ther characters are feeling. Jung-woo Ha and Jin- woong Jo were great as these sexually and financially repressed men who do the most screwed up things to feel the pleasure they so desire. Nothing wrong with the cast at all.
Of course Park Chank-Wook hits it out of the part with directing. How else would this immaculate vision be done without him niche for detail. He always knows exactly what to do to get an emotion out of his audience and I applaud him for that.
The only negative is that during the middle briefly the pacing slows down a lot and it became really unbearable because I wanted to know exactly what was going to happen next. Thankfully it doesn't last that long and it's really minor that probably won't affect others viewings.
If you have any interest in The Handmaiden or you've just heard about it for the first time I strongly suggest checking this out as soon as it comes out. I'll definitely re watch it when it releases in theaters. Easily one of the best films of the year and one I hope to re watch soon.
Park Chan-Wook explores the power of narrative (the way you tell a story and its ramifications), creating another astounding visual spectacle full of dark humor, sexual desire, betrayal and revenge, with intense performances and a wonderful production design, editing and score.
I saw this tonight at London Film Festival and Park Chan Wook was there, to answer Q&A. A very special moment to me.
I would advise anyone new to Park Chan-Wook's filmography to first explore his vampire flick 'Thirst' which has a similar style. 'Oldboy' is a cult classic, but more of an opium-filled, octopus eating thrill-ride, which this film is NOT, so be advised. I also think having SOME knowledge of Japanese rule in Korea is essential for understanding this film, or it will be above your head. Do some surface-level research on Japanese annexation of Korea and specifically the infamous 'comfort women'.
Completed that? OK now you're ready for this journey.
Now let's focus on the best part. The villain. This IS the best villain in recent memory. Seriously as far back as Hannibal Lecter. Uncle Kouzuki, is more creepy than Burton's Penguin. Compulsory viewing. I cannot mention anymore out of fear for spoiling the intricate plot. Highly recommended.
I would advise anyone new to Park Chan-Wook's filmography to first explore his vampire flick 'Thirst' which has a similar style. 'Oldboy' is a cult classic, but more of an opium-filled, octopus eating thrill-ride, which this film is NOT, so be advised. I also think having SOME knowledge of Japanese rule in Korea is essential for understanding this film, or it will be above your head. Do some surface-level research on Japanese annexation of Korea and specifically the infamous 'comfort women'.
Completed that? OK now you're ready for this journey.
Now let's focus on the best part. The villain. This IS the best villain in recent memory. Seriously as far back as Hannibal Lecter. Uncle Kouzuki, is more creepy than Burton's Penguin. Compulsory viewing. I cannot mention anymore out of fear for spoiling the intricate plot. Highly recommended.
Sex. One of the most overused element in cinema and often mis-used and unnecessary. I was concerned when this movie is announced, a mis-used sex scene could make the movie feels cheap.
This movie did manage to get it quite right.There were scenes of sexual attractions in many parts of the movie but it did not take away all other elements that were done well in the movie.
Thematically beautiful, the mansion itself is split half between a western and Japanese. The costume design and cinematography are perfect. The west : grand and luxury; The Japanese : Clean, simple elegant design.
The story can be summed up as a hero saving a princess and is split into 3 parts. I loved the first two parts, the third part was the only disappointing part where the plot was predictable and not as interesting and it being the last part makes the movie fell short.
The music is perfect. Just like Old Boy, music is more crucial than other movies. Old Boy is a movie that would make you think of a modernized hero revenge movie that is both realistic and unbelievable. The music have strong presence to help build up that world. Same goes with this movie as it is also a very realistic setting (you know the period of time it is based upon, the characters motives are clear and their actions are) yet with some very unbelievable events when you add everything together.
It isn't a perfect movie, I saw some editing that could be improved here and there. The last part was also a small disappointment for myself. But it is a damn unique movie that you have to watch.
This movie did manage to get it quite right.There were scenes of sexual attractions in many parts of the movie but it did not take away all other elements that were done well in the movie.
Thematically beautiful, the mansion itself is split half between a western and Japanese. The costume design and cinematography are perfect. The west : grand and luxury; The Japanese : Clean, simple elegant design.
The story can be summed up as a hero saving a princess and is split into 3 parts. I loved the first two parts, the third part was the only disappointing part where the plot was predictable and not as interesting and it being the last part makes the movie fell short.
The music is perfect. Just like Old Boy, music is more crucial than other movies. Old Boy is a movie that would make you think of a modernized hero revenge movie that is both realistic and unbelievable. The music have strong presence to help build up that world. Same goes with this movie as it is also a very realistic setting (you know the period of time it is based upon, the characters motives are clear and their actions are) yet with some very unbelievable events when you add everything together.
It isn't a perfect movie, I saw some editing that could be improved here and there. The last part was also a small disappointment for myself. But it is a damn unique movie that you have to watch.
8dw35
This is a movie without flying plots and you don't feel bored at all for the entire movie. Many layers of deceptions from different views. Worth watching for not only one time. There are tons of forums talking about this and mentioned that this is based on a TV series of BBC. Now I'm curious about that TV series.
Você sabia?
- CuriosidadesThe film title in Korean (Ah-ga-ssi) means ''The Lady'' referring to Lady Hideko, while the English/International title is The Handmaiden referring to Sook-hee.
- Erros de gravaçãoThe Count uses a propane gas lighter. That was impossible in 1930.
- Citações
Lady Hideko: The daughter of a legendary thief, who sewed winter coats out of stolen purses. Herself a thief, pickpocket, swindler. The saviour who came to tear my life apart. My Tamako. My Sookee.
- Cenas durante ou pós-créditosDuring the credits, the moon on the wall in the background shifts from full to new.
- Versões alternativasExtended version runs approx. 21 minutes longer.
- ConexõesFeatured in The EE British Academy Film Awards (2018)
Principais escolhas
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- How long is The Handmaiden?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- ₩ 10.000.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.006.788
- Fim de semana de estreia nos EUA e Canadá
- US$ 92.129
- 23 de out. de 2016
- Faturamento bruto mundial
- US$ 37.863.670
- Tempo de duração2 horas 25 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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