Unsettling story of male bonding and traffic in women
Gopal (Rajendra Kumar), Sunder (Raj Kapoor) and Radha (Vyjayanthimala) have been friends since childhood. When they become adults, both men fall in love with Radha - she loves Gopal. But Gopal, out of a flawed understanding of friendship and commitment, doesn't dare to speak his mind as Sunder, his best and closest friend, is also in love with Radha and is courting her. Many misunderstandings follow (especially by Sunder who seems to be completely blind to everyone around him and their feelings) that has as consequence that Gopal sacrifices both his love for Radha and her love for him. But the problem of the threesome remains by the close relationship of the two men with each other. Thus the ensuing conflicts can only be solved by a final breakup of this threesome...
On the surface a rather exasperating melodrama, but in depth one of the most unsettling stories of traffic in women between males (though I am not sure that the movie was really meant to be that critical). In this story, two men rather sacrifice a woman's happiness (and at least one of them his own) than bringing their own relationship - the emotional depth of which seems to go well beyond "ordinary" friendship - into jeopardy. They indulge in their own martyrdom and commitment to each other, while they use the (ostensibly beloved) woman as a gift to each other and as a proof of their mutual friendship/love. Though she sometimes speaks out her mind in quite a bitter way, she can never get what she really wants, no-one is interested in her feelings and wishes.
Though not a perfect film and sometimes even a bit unnerving by the constant misunderstandings in the plot, still very interesting (and unsettling) psychologically. Great food for feminist/gender analysis... :)
One of the best parts of "Sangam" is the honeymoon sequence in Europe, that is - in contradiction to the melancholy and fatality of most of plot - very lighthearted, with some pricelessly lovely and funny moments (Vyjayanthimala dancing in sexy "Western" clothing in a Paris hotel room) - and even a kissing scene (though enacted by non-Indians). The playback singers (Mukesh for Raj, Lata Mangeshkar for Vyjayanthimala, Mohd. Rafi for Rajendra) are great as always, the songs are beautiful.
On the surface a rather exasperating melodrama, but in depth one of the most unsettling stories of traffic in women between males (though I am not sure that the movie was really meant to be that critical). In this story, two men rather sacrifice a woman's happiness (and at least one of them his own) than bringing their own relationship - the emotional depth of which seems to go well beyond "ordinary" friendship - into jeopardy. They indulge in their own martyrdom and commitment to each other, while they use the (ostensibly beloved) woman as a gift to each other and as a proof of their mutual friendship/love. Though she sometimes speaks out her mind in quite a bitter way, she can never get what she really wants, no-one is interested in her feelings and wishes.
Though not a perfect film and sometimes even a bit unnerving by the constant misunderstandings in the plot, still very interesting (and unsettling) psychologically. Great food for feminist/gender analysis... :)
One of the best parts of "Sangam" is the honeymoon sequence in Europe, that is - in contradiction to the melancholy and fatality of most of plot - very lighthearted, with some pricelessly lovely and funny moments (Vyjayanthimala dancing in sexy "Western" clothing in a Paris hotel room) - and even a kissing scene (though enacted by non-Indians). The playback singers (Mukesh for Raj, Lata Mangeshkar for Vyjayanthimala, Mohd. Rafi for Rajendra) are great as always, the songs are beautiful.
- meitschi
- 3 de mar. de 2003