Advanced search

William Frawley was born in Burlington, Iowa. As a boy he sang at St. Paul's Catholic Church and played at the Burlington Opera House. His first job was as a stenographer for the Union Pacific Railroad. He did vaudeville with his brother Paul, then joined pianist Franz Rath in an act they took to San Francisco in 1910. Four years later he formed a light comedy act with his new wife Edna Louise Broedt, "Frawley and Louise", touring the Orpheum and Keith circuits until they divorced in 1927. He next moved to Broadway and then, in 1932, to Hollywood with Paramount. By 1951, when he contacted Lucille Ball about a part in her TV show I Love Lucy (1951), he had performed in over 100 films. His Fred Mertz role lasted until the show ended in 1960, after which he did a five-year stint on My Three Sons (1960). Poor health forced his retirement. He collapsed of a heart attack on March 3, 1966, aged 79, walking along Hollywood Boulevard after seeing a movie. He is buried in San Fernando Mission Cemetery.

An old-fashioned comedian, who, by recommendation by his son Keenan Wynn, became one of the world's most beloved clowns, and one of the best actors of his time. He was born on November 9, 1886. He performed in the Ziegfeld Follies, and later had a son Keenan in 1916. He later wrote his own shows, then known as the Perfect Fool. In 1941 at age 54, he became a grandfather. He became popular for roles throughout the 1950s and 1960s, best remembered for The Ed Wynn Show (1949), and for Mary Poppins (1964) as Uncle Albert, who reflects his old style charm. He continued to perform, until he died in 1966 at age 79.

Edward Montgomery Clift (nicknamed 'Monty' his entire life) was born on October 17, 1920 in Omaha, Nebraska, just after his twin sister Roberta (1920-2014) and eighteen months after his brother Brooks Clift. He was the son of Ethel "Sunny" Anderson (Fogg; 1888-1988) and William Brooks Clift (1886-1964). His father made a lot of money in banking but was quite poor during the depression. His mother was born out of wedlock and spent much of her life and the family fortune finding her illustrious southern lineage and raising her children as aristocrats.

At age 13, Monty appeared on Broadway ("Fly Away Home"), and chose to remain in the New York theater for over ten years before finally succumbing to Hollywood. He gained excellent theatrical notices and soon piqued the interests of numerous lovelorn actresses; their advances met with awkward conflict. While working in New York in the early 1940s, he met wealthy former Broadway star Libby Holman. She developed an intense decade-plus obsession over the young actor, even financing an experimental play, "Mexican Mural" for him. It was ironic his relationship with the bisexual middle-aged Holman would be the principal (and likely the last) heterosexual relationship of his life and only cause him further anguish over his sexuality. She would wield considerable influence over the early part of his film career, advising him in decisions to decline lead roles in Boulevard du Crépuscule (1950), (originally written specifically for him; the story perhaps hitting a little too close to home) and Le train sifflera trois fois (1952).

His long apprenticeship on stage made him a thoroughly accomplished actor, notable for the intensity with which he researched and approached his roles. By the early 1950s he was exclusively homosexual, though he continued to hide his homosexuality and maintained a number of close friendships with theater women (heavily promoted by studio publicists).

His film debut was La Rivière rouge (1948) with John Wayne quickly followed by his early personal success Les anges marqués (1948) (Oscar nominations for this, Une place au soleil (1951), Tant qu'il y aura des hommes (1953) and Jugement à Nuremberg (1961)). By 1950, he was troubled with allergies and colitis (the U.S. Army had rejected him for military service in World War II for chronic diarrhea) and, along with pill problems, he was alcoholic. He spent a great deal of time and money on psychiatry.

In 1956, during filming of L'arbre de vie (1957), he ran his Chevrolet into a tree after leaving a party at Elizabeth Taylor's; it was she who saved him from choking by pulling out two teeth lodged in his throat. His smashed face was rebuilt, he reconciled with his estranged father, but he continued bedeviled by dependency on drugs and his unrelenting guilt over his homosexuality.

With his Hollywood career in an irreversible slide despite giving an occasional riveting performance, such as in Stanley Kramer's Jugement à Nuremberg (1961), Monty returned to New York and tried to slowly develop a somewhat more sensible lifestyle in his brownstone row house on East 61st Street in Manhattan. He was set to play in Taylor's Reflets dans un oeil d'or (1967), when he died in the early morning hours of July 23, 1966, at his home at age 45. His body was found by his live-in personal secretary/companion Lorenzo James, who found Clift lying nude on top of his bed, dead from what the autopsy called "occlusive coronary artery disease." Clift's last 10 years prior to his death from his 1956 car accident were called the "longest suicide in history" by famed acting teacher Robert Lewis.

Joseph Frank Keaton was born on October 4, 1895 in Piqua, Kansas to Joe Keaton and Myra Keaton, Vaudevillian comedians with a popular, ever-changing variety act, which gave their son an eclectic and interesting upbringing. In the earliest days on stage, they traveled with a medicine show that included illusionist Harry Houdini, a family friend. Keaton himself verified the origin of his nickname "Buster", given to him by Houdini when the 3-year-old fell down a flight of stairs and Houdini picked him up, dusted him off, and told the boy's father Joe that the fall was "a buster." Savvy showman Joe Keaton liked the nickname, which has stuck for over one century.

At age 4, Keaton had already begun acting with his parents on the stage. Their act soon gained the reputation as one of the roughest in the country for their wild, physical onstage antics. It was normal for Joe to throw Buster around the stage and participate in elaborate, dangerous stunts to the awe of audiences. After several years on the Vaudeville circuit, "The Three Keatons" toured until Keaton had to break up the act because of his father's increasing alcohol dependence, making him a show business veteran by age 21.

While he was looking for work in New York, he had a chance run-in with wildly-successful film star and director Roscoe 'Fatty' Arbuckle, who invited him to be in his upcoming short Fatty garçon boucher (1917). This appearance launched Keaton's film career and spawned a friendship that lasted until Arbuckle's sudden death in 1933. By 1920, after making several successful shorts together, Arbuckle moved on to features, and Keaton inherited his studio, allowing him the opportunity to begin producing his own films. By September 1921, tragedy touched Arbuckle's life by way of a scandal, where he was tried three times for the murder of Virginia Rapp. Although he was not guilty of the charges, and never convicted, he was unable to regain his status, and the viewing public would no longer tolerate his presence in film. Keaton stood by his friend and mentor through out the incident, supporting him financially, finding him directorial work, even risking his own budding reputation offering to testify on Arbuckle's behalf.

In 1921, Keaton also married his first wife, Natalie Talmadge under unusual circumstance that have never been fully clarified. Popular conjecture states that he was encouraged by Joseph M. Schenck to marry into the powerful Talmadge dynasty, that he himself was already a part of. The union bore Keaton two sons. Keaton's independent shorts soon became too limiting for the growing star, and after a string of popular films like La maison démontable de Malec (1920), Frigo capitaine au long cours (1921) and Buster et les flics (1922), Keaton made the transition into feature films. His first feature, Les trois âges (1923), was produced similarly to his short films, and was the dawning of a new era in comedic cinema, where it became apparent to Keaton that he had to put more focus on the story lines and characterization.

At the height of his popularity, he was making two features a year, and followed Ages with Les lois de l'hospitalité (1923), La croisière du navigator (1924) and Le Mécano de la General (1926), the latter two he regarded as his best films. The most renowned of Keaton's comedies is Sherlock Junior (1924), which used cutting edge special effects that received mixed reviews as critics and audiences alike had never seen anything like it, and did not know what to make of it. Modern day film scholars liken the story and effects to Christopher Nolan Inception (2010), for its high level concept and ground-breaking execution. Keaton's Civil War epic The General (1926) kept up his momentum when he gave audiences the biggest and most expensive sequence ever seen in film at the time. At its climax, a bridge collapses while a train is passing over it, sending the train into a river. This wowed audiences, but did little for its long-term financial success. Audiences did not respond well to the film, disliking the higher level of drama over comedy, and the main character being a Confederate soldier.

After a few more silent features, including Sportif par amour (1927) and Cadet d'eau douce (1928), Keaton was informed that his contract had been sold to MGM, by brother-in-law and producer Joseph M. Schenck. Keaton regarded the incident as the worst professional mistake he ever made, as it sent his career, legacy, and personal life into a vicious downward spiral for many years. His first film with MGM was Le caméraman (1928), which is regarded as one of his best silent comedies, but the release signified the loss of control Keaton would incur, never again regaining his film -making independence. He made one more silent film at MGM entitled Le figurant (1929) before the sound era arrived.

His first appearance in a film with sound was with the ensemble piece Hollywood chante et danse (1929), though despite the popularity of it and his previous MGM silents, MGM never allowed Keaton his own production unit, and increasingly reduced his creative control over his films. By 1932, his marriage to Natalie Talmadge had dissolved when she sued him for divorce, and in an effort to placate her, put up little resistance. This resulted in the loss of the home he had built for his family nicknamed "The Italian Villa", the bulk of his assets, and contact with his children. Natalie changed their last names from Keaton to Talmadge, and they were disallowed from speaking about their father or seeing him. About 10 years later, when they became of age, they rekindled the relationship with Keaton. His hardships in his professional and private life that had been slowly taking their toll, begun to culminate by the early 1930s resulting in his own dependence on alcohol, and sometimes violent and erratic behavior. Depressed, penniless, and out of control, he was fired by MGM by 1933, and became a full-fledged alcoholic.

After spending time in hospitals to attempt and treat his alcoholism, he met second wife Mae Scrivens, a nurse, and married her hastily in Mexico, only to end in divorce by 1935. After his firing, he made several low-budget shorts for Educational Pictures, and spent the next several years of his life fading out of public favor, and finding work where he could. His career was slightly reinvigorated when he produced the short Chef d'orchestre malgré lui (1936), which many of his fans admire for giving such a good performance during the most difficult and unmanageable years of his life.

In 1940, he met and married his third wife Eleanor Norris, who was deeply devoted to him, and remained his constant companion and partner until Keaton's death. After several more years of hardship working as an uncredited, underpaid gag man for comedians such as the Marx Brothers, he was consulted on how to do a realistic and comedic fall for Amour poste restante (1949) in which an expensive violin is destroyed. Finding no one who could do this better than him, he was given a minor role in the film. His presence reignited interest in his silent films, which lead to interviews, television appearances, film roles, and world tours that kept him busy for the rest of his life.

After several more film, television, and stage appearances through the 1960s, he wrote the autobiography "My Wonderful World of Slapstick", having completed nearly 150 films in the span of his ground-breaking career. His last film appearance was Le forum en folie (1966) which premiered seven months after Keaton's death from the rapid onset of lung cancer. Since his death, Keaton's legacy is being discovered by new generations of viewers every day, many of his films are available on YouTube, DVD and Blu-ray, where he, like all gold-gilded and beloved entertainers can live forever.

Walter Elias Disney was born on December 5, 1901 in Chicago, Illinois, the son of Flora Disney (née Call) and Elias Disney, a Canadian-born farmer and businessperson. He had Irish, German, and English ancestry. Walt moved with his parents to Kansas City at age seven, where he spent the majority of his childhood. At age 16, during World War I, he faked his age to join the American Red Cross. He soon returned home, where he won a scholarship to the Kansas City Art Institute. There, he met a fellow animator, Ub Iwerks. The two soon set up their own company. In the early 1920s, they made a series of animated shorts for the Newman theater chain, entitled "Newman's Laugh-O-Grams". Their company soon went bankrupt, however.

The two then went to Hollywood in 1923. They started work on a new series, about a live-action little girl who journeys to a world of animated characters. Entitled the "Alice Comedies", they were distributed by M.J. Winkler (Margaret). Walt was backed up financially only by Winkler and his older brother Roy O. Disney, who remained his business partner for the rest of his life. Hundreds of "Alice Comedies" were produced between 1923 and 1927, before they lost popularity.

Walt then started work on a series around a new animated character, Oswald the Lucky Rabbit. This series was successful, but in 1928, Walt discovered that M.J. Winkler and her husband, Charles Mintz, had stolen the rights to the character away from him. They had also stolen all his animators, except for Ub Iwerks. While taking the train home, Walt started doodling on a piece of paper. The result of these doodles was a mouse named Mickey. With only Walt and Ub to animate, and Walt's wife Lillian Disney (Lilly) and Roy's wife Edna Disney to ink in the animation cells, three Mickey Mouse cartoons were quickly produced. The first two didn't sell, so Walt added synchronized sound to the last one, Willie, le bateau à vapeur (1928), and it was immediately picked up. With Walt as the voice of Mickey, it premiered to great success. Many more cartoons followed. Walt was now in the big time, but he didn't stop creating new ideas.

In 1929, he created the 'Silly Symphonies', a cartoon series that didn't have a continuous character. They were another success. One of them, Des arbres et des fleurs (1932), was the first cartoon to be produced in color and the first cartoon to win an Oscar; another, Les trois petits cochons (1933), was so popular it was often billed above the feature films it accompanied. The Silly Symphonies stopped coming out in 1939, but Mickey and friends, (including Minnie Mouse, Donald Duck, Goofy, Pluto, and plenty more), were still going strong and still very popular.

In 1934, Walt started work on another new idea: a cartoon that ran the length of a feature film. Everyone in Hollywood was calling it "Disney's Folly", but Blanche-Neige et les Sept Nains (1937) was anything but, winning critical raves, the adoration of the public, and one big and seven little special Oscars for Walt. Now Walt listed animated features among his ever-growing list of accomplishments. While continuing to produce cartoon shorts, he also started producing more of the animated features. Pinocchio (1940), Dumbo (1941), and Bambi (1942) were all successes; not even a flop like Fantasia (1940) and a studio animators' strike in 1941 could stop Disney now.

In the mid 1940s, he began producing "packaged features", essentially a group of shorts put together to run feature length, but by 1950 he was back with animated features that stuck to one story, with Cendrillon (1950), Alice au pays des merveilles (1951), and Les Aventures de Peter Pan (1953). In 1950, he also started producing live-action films, with L'ile au trésor (1950). These began taking on greater importance throughout the 50s and 60s, but Walt continued to produce animated features, including La Belle et le Clochard (1955), La Belle au bois dormant (1959), and Les 101 Dalmatiens (1961).

In 1955 he opened a theme park in southern California: Disneyland. It was a place where children and their parents could take rides, just explore, and meet the familiar animated characters, all in a clean, safe environment. It was another great success. Walt also became one of the first producers of films to venture into television, with his series Le monde merveilleux de Disney (1954) which he began in 1954 to promote his theme park. He also produced Le Club Mickey (1955) and Zorro (1957). To top it all off, Walt came out with the lavish musical fantasy Mary Poppins (1964), which mixed live-action with animation. It is considered by many to be his magnum opus. Even after that, Walt continued to forge onward, with plans to build a new theme park and an experimental prototype city in Florida.

He did not live to see the culmination of those plans, however; in 1966, he developed lung cancer brought on by his lifelong chain-smoking. He died of a heart attack following cancer surgery on December 15, 1966 at age 65. But not even his death, it seemed, could stop him. Roy carried on plans to build the Florida theme park, and it premiered in 1971 under the name Walt Disney World. His company continues to flourish, still producing animated and live-action films and overseeing the still-growing empire started by one man: Walt Disney, who will never be forgotten.

Stan Francis was born on 17 March 1899 in London, England. He was an actor, known for Rudolph, le petit renne au nez rouge (1964), Hawkeye and the Last of the Mohicans (1957) and The New Adventures of Pinocchio (1960). He died on 15 March 1966 in Toronto, Ontario, Canada.

Robert Graf was born on 18 November 1923 in Witten, Germany. He was an actor, known for La Grande Évasion (1963), Les enfants prodiges (1958) and Jonas (1957). He was married to Selma Urfer. He died on 4 February 1966 in Munich, Bavaria, West Germany.

Already trained in dance and theater, he quit school at age 13 to study music and painting. By 19 he was a professional ballroom dancer in New York, and by his mid-twenties he was performing in musicals, dramas on Broadway and in London, and in silent movies. His first real success in film came in middle age as the classy villain Waldo Lydecker in Laura (1944), followed by the part of Elliott Templeton in Le fil du rasoir (1946) - both of which won him Oscar nominations. His priggish Mr. Belvedere in a series of films was supposedly not far removed from his fastidious, finicky, fussy, abrasive and condescending real-life persona. He was inseparable from his overbearing mother Maybelle, with whom he lived until her death at 91, six years before his own death. The recent success of Titanic (1997) created brief interest due his having appeared with Barbara Stanwyck in the 1953 version of the story. He is interred at Abbey of the Psalms, Hollywood Memorial Cemetery (now known as Hollywood Forever).

A dainty but nevertheless feisty character actress, southern-bred (Mary) Elizabeth Patterson was born in Savannah, Tennessee, on November 22, 1874, and started her career over her strict parent's objections. She became a member of Chicago's Ben Greet Players, performing Shakespeare at the turn of the century. This followed college at Martin College where she studied music, elocution and English, and post-graduate work at Columbia Institute in Columbia, Tennessee.

Elizabeth eventually traveled for well over a decade in stock tours before given the opportunity to debut on Broadway with the short-lived play "Everyman" in 1913. She continued in such other Broadway comedies and dramas as "The Family Exit (1917), "The Piper" (1920), "Magnolia" (1923), "The Book of Charm" (1925), "Spellbound" (1927), "Rope" (1928), "The Marriage Bed" (1929), "Her Master's Voice" (1933), "Yankee Point" (1942), "But Not Goodbye" (1944) and "His and Hers" (1954).

By the time the veteran player finally advanced to the screen, she was 51 years of age. Starting with the silent films The Boy Friend (1926) and The Return of Peter Grimm (1926), she would be best recalled for her series of careworn ladies, playing a host of dressed-down, small-town folk -- grannies, aunts, spinsters, gossips, teachers, frontier women -- and other sweet-and-sour types. She added greatly to the atmosphere of such popular talking films as The Cat Creeps (1930), Penrod and Sam (1931), Héritage (1932), Les invités de huit heures (1933), Doctor Bull (1933), Roses de sang (1935), La furie de l'or noir (1937), Bulldog Drummond en péril (1938) (and series: as Aunt Blanche), Anne of Windy Poplars (1940), Le mystère de la maison Norman (1939), L'Aventure d'une nuit (1939), La route au tabac (1941) (her most famous film role: as Ada Lister), Her Cardboard Lover (1942), Ma femme est une sorcière (1942), Héros d'occasion (1944), Out of the Blue (1947), L'Extravagante Miss Pilgrim (1947), Les quatre filles du Dr March (1949), L'intrus (1949), La blonde ou la rousse (1957), and her final, La tête à l'envers (1960).

In the television arena, she appeared on several anthology shows ("Armstrong Circle Theatre," "Chevron Theatre," "Four Star Playhouse," "General Electric Theatre," "Pulitzer Prize Playhouse") and such regular shows as "The Adventures of Superman," "The Adventures of Jim Bowie," "77 Sunset Strip" and "Playhouse 90." She became a familiar household face, however, as the elderly neighbor and part-time babysitter, Mrs. Trumbull, on the I Love Lucy (1951) TV series.

The never-married Elizabeth, who lived at the Hollywood Roosevelt Hotel her entire TV and film career, died on January 31, 1966, after contracting pneumonia. The 91-year-old lady was buried in a hometown cemetery.

Making a career out of a post-nasal drip, this scene-stealing character comedienne was one of the best Broadway and Hollywood had to offer. It's too bad, then, that she wasn't utilized in films more often for this slight, chinless, parrot-faced, squawky-voiced bundle of (kill)joy could draw laughs from a well with a mere sniffle, gulp, or stare.

Plaintive Alice Pearce was born in New York City, the only child of a bank vice-president, but was raised in different European schools -- wherever her father had business. Eventually Alice settled back in NYC and began to gather experience in summer stock shows. She became a huge hit on the nightclub circuit which eventually paved the way to Broadway. She drew raves in the "New Faces of 1943" and was sensational in the role of Lucy Schmeeler, the sexless, adenoidal blind date, in the New York smash "On the Town" the very next year. As a testament to her talent, Alice was the only performer kept on board when Gene Kelly transferred the sailors-on-leave musical to film. Strangely, this did not lead to a slew of comedy vehicles, but Alice certainly sparked a number of fluffy films, even in the tiniest of roles -- never more so than as the hypochondriac patient who expounds on her physical ailments ad nauseam while overly-attentive Jerry Lewis suffers through a wrenching series of "sympathy pains" in Jerry chez les cinoques (1964). It's slapstick comedy at its very best.

TV proved an attractive medium for her as well, hosting her own variety show briefly in 1949. Her career ended on a high note as the nagging, irrepressibly nosy neighbor Gladys Kravitz in the Ma sorcière bien aimée (1964) sitcom. Ideally teamed with George Tobias as her hen-pecked husband, Abner, the two provided non-stop hilarity -- her frightened gulps, blank gaze and confused exasperation coupled with his dour disgust was comedy heaven. Sadly, Pearce developed ovarian cancer and died in 1966, only two seasons into the show. She was only 48. She quite deservedly won an Emmy trophy for her work a few months after her death. Hollywood lost a treasured talent in Alice Pearce, gone way before her time.

Verna Felton had extensive experience on the stage and in radio before she broke into film and television. Her trademarks was her distinctive husky voice and her no-nonsense attitude. She was quite in demand for voiceover work, as evidenced by her roles in Cendrillon (1950), Alice au pays des merveilles (1951) and La Belle et le Clochard (1955). She appeared in many films, but is best remembered as Hilda Crocker in the TV series December Bride (1954), a character she carried over into its spinoff, Pete and Gladys (1960). Verna died in 1966 at 76 years of age of a stroke.

Francis X. Bushman was born on 10 January 1883 in Baltimore, Maryland, USA. He was an actor and director, known for Sabrina (1954), La planète fantôme (1961) and Ben-Hur (1925). He was married to Iva Millicient Richardson, Norma Emily Atkin, Beverly Bayne and Josephine Fladine Duval. He died on 23 August 1966 in Pacific Palisades, California, USA.

A stocky, friendly-faced character actor, Ford was born Samuel Jones in England, where the brutality of his childhood rivaled anything that Charles Dickens ever dreamed up. He lived for a while in an orphanage after being separated from his parents. While still young, he was sent to a Toronto branch of the orphanage. There, he began a cycle that involved living in 17 foster homes, the longest being with a farm family that treated him like a slave. At age 11 he ran away and joined a vaudeville troupe called the Winnipeg Kiddies, with whom he stayed until 1914. He then joined a friend named Wallace Ford, and the two 'hoboed" their way into the United States. After the friend was crushed to death by a railroad car, he took the name Wallace Ford in his friend's memory and found work in theatrical troupes and repertory companies. On Broadway he acted in "Abraham Lincoln," "Abie's Irish Rose," and "Bad Girl." He left Broadway in 1932 to appear with Joan Crawford in Fascination (1931); he also landed the lead in MGM's notorious Freaks, la monstrueuse parade (1932), although his fellow actors proved more memorable. He also co-starred as Walter Huston's amoral brother in one of the studio's few full-blown gangster melodramas, La bête de la cité (1932), starring Jean Harlow in arguably her most hard-bitten role. In all he appeared in over 200 films, including five directed by John Ford (La dernière fanfare (1958), Toute la ville en parle (1935), Les sacrifiés (1945), La Patrouille perdue (1934), and Le mouchard (1935)). He also appeared with Henry Fonda in the TV series "The Deputy," which ran from 1959 to 1960. Ford died of a heart attack soon after his last memorable role as "Old Pa" in the hit Sidney Poitier drama Un coin de ciel bleu (1965).

Helen Menken was born in New York to deaf parents. Her original name was Meinken, her New York-born father Frederick being of French/German extraction. Her mother, Mary Madden, was Irish-born.

She married Humphrey Bogart at the Gramercy Park Hotel on May 20, 1926, four years after taking out a marriage license in New York City. It was the first marriage for both. She was granted a divorce in Chicago in November 1928, after separating in April of that year.

She collapsed and died of an apparent heart attack at a party at The Lambs, 128 West 44th Street, New York City, on March 27, 1966. She was survived by her third husband, George N. Richard, a special partner of the Wall Street brokerage firm C. B. Richard.

At the age of eight, Fleming hopped on a freight train to Chicago to escape his abusive father. Following hospitalization for gang fight injuries, he returned to California, where he lived with his mother and worked at Paramount as a laborer. Fleming joined the Merchant Marine, then served in the U.S. Navy in the Pacific in WW II, where he was a Master Carpenter in the Seabees.

From 1946 to 1957, Fleming appeared on stage in Chicago and New York with featured roles in numerous plays on Broadway, including "My Three Angels," "Stalag 17," and "No Time For Sergeants." Fleming's television career began in the early 1950s with live performances on Hallmark Summer Theatre (1952), The Web (1950), Suspicion (1957), Kraft Television Theatre (1947) (then called "Kraft Television Theatre"), and many other dramatic series. In 1954, he starred in Paramount's film La Conquête de l'espace (1955), followed by Queen of Outer Space (1958) for Allied Artists. In 1958, Fleming became the star of CBS-TV's long-running western Rawhide (1959) as trail boss Gil Favor. He remained with the top-rated show for seven of its eight seasons, and he had planned to retire to Hawaii, where he had purchased a ranch.

He acted in La blonde défie le FBI (1966) in 1965, and he was hired by MGM-TV to film the two-part adventure program "High Jungle" in Peru. During the shooting of location shots on the Huallaga River on September 28, 1966, Fleming dove (intentionally?) from a dug-out canoe after paddling it beyond the rapids. His body was lost in the turbulent water and was not recovered until three days later.

Robert Keith was an American character actor who appeared in a number of prominent films and was the father of actor Brian Keith. A native of Indiana, Keith joined a stock company as a teenager and developed skills as a writer and actor. He appeared in dozens of plays around the country and on Broadway.

He came to the attention of Hollywood as a writer after his play "The Tightwad" appeared in New York in 1927. He was contracted to write dialog for pictures and managed to act in several as well. He returned to Broadway as a playwright in 1932 and continued to act on the stage in a number of legendary theatre productions including "Yellow Jack", "The Children's Hour" and "Mr. Roberts" (as Doc).

In the late 1940s he returned to film work full-time and became a familiar and respected performer in films of the period. His son Brian, by his second wife, Helena Shipman, appeared with him in several silent films as a child, long before becoming a star in his own right. Robert Keith died in 1966.

Herbert Marshall had trained to become a certified accountant, but his interest turned to the stage. He lost a leg while serving in World War I and was rehabilitated with a wooden leg. This did not stop him from making good his decision to make the stage his vocation. He used a very deliberate square-shouldered and guided walk, largely unnoticeable, to cover up his disability. He spent 20 years in distinguished stage work in London before entering films. He almost made the transition from the stage directly to sound movies except for one silent film, Mumsie (1927), produced in Great Britain. His wonderfully mellow baritone and British accent rolled out with a minimum of mouth movement and a nonchalant ease that stood out as unique. His rather blasé demeanor could take on various nuances, without overt emotion, to fit any role he played, whether sophisticated comedy or drama, and the accent fit just as well. He filled the range from romantic lead, with several sympathetic strangers thrown in, to dignified military officer to doctor to various degrees of villainy, his unemotional delivery meshing with the cold, impassive criminal character.

He was almost 40 when he appeared in his first picture in Hollywood, The Letter (1929), a film worthy of comparison (but for the primitive sound recording) to the more famous second version (La Lettre (1940)) with Bette Davis. Marshall is the murder victim in 1929 and the betrayed husband in 1940. He was heavily in demand in the 1930s, sometimes in five or six pictures a year. Perhaps his best suave comedic role was in Haute pègre (1932), the first non-musical sound comedy by producer-director Ernst Lubitsch--to some, Lubitsch's greatest film. That same year, Marshall did one of his most warmly human, romantic roles in the marvelously erotic Blonde Vénus (1932), with the captivating Marlene Dietrich.

Through the '40s, his roles were more of the character variety, but always substantial. He was deviously subtle as the pre-World War II peace leader actually working against peace for a veiled foreign power (Germany) in Correspondant 17 (1940). The film was one of Alfred Hitchcock 's earliest Hollywood films and definitely an under-rated thriller. Who could forget Marshall's small but standout performance as "Scott Chavez", who at the beginning of Duel au soleil (1946), with typical Marshall nonchalance, calmly shoots his Indian cantina-entertainer wife for her cheating ways? By the '50s, Marshall was doing fewer movies, but still in varied genres. His voice was perfect to lend credence to some early sci-fi classics, such as Riders to the Stars (1954) and Le robot qui tue (1954) and the La Mouche noire (1958). He was also busy honing his considerable talent with various early-TV playhouse programs. He also fit comfortably into episodic TV, including a rare five-episode run as a priest on 77 Sunset Strip (1958). All told, Herbert Marshall graced nearly 100 movie and TV roles with an aplomb that remains a rich legacy.

Her father was a butcher. In 1913 she met and married matinée idol DeWolf Hopper Sr. and in 1915 they moved to Hollywood, where both began active film careers. He became a star with Triangle Company, she began in vamp parts and turned to supporting roles. After her divorce she appeared in dozens of films, becoming known as "Queen of the Quickies". In 1936 she started a gossipy radio show and two years later commenced a 28-year stint as a newspaper gossip columnist, rival of Louella Parsons. In her last films she mostly played herself, a tribute to her influence in Hollywood. Her son became famous as investigator Paul Drake in the Perry Mason (1957) series.

Lulu Mae Bohrman was born on 4 September 1891 in Harris, Mississippi, USA. She was an actress, known for Smoky River Serenade (1947) and Fireside Theatre (1949). She died on 28 February 1966 in Los Angeles County, California, USA.

Tall, oval-faced, fair-haired, sensitive-looking Douglass Montgomery was born in Los Angeles on October 29, 1909, the son of a jeweler. Graduating from Los Angeles High School, he sought early experience at the Pasadena Playhouse. Deciding to move to New York to pursue the stage, he was quickly typed as dashing suitors in romantic and social dramas.

After his discovery by an MGM agent and his resulting studio contract, Douglass's marquee name was immediately changed to Kent Douglass so as not to be mistaken for the studio's major star Robert Montgomery. A handsome and dapper dramatic "second lead" opposite some of MGM's powerhouse actresses, he supported Joan Crawford in her vehicle Il faut payer (1930), which was his debut film, and, more memorably, Katharine Hepburn in Les Quatre Filles du docteur March (1933) as "Laurie" opposite Hepburn's "Jo." Other "second lead" MGM credits include Daybreak (1931) starring Ramon Novarro and Helen Chandler, Five and Ten (1931) with Marion Davies and Leslie Howard, and two films as co-lead: the romantic WWI drama Waterloo Bridge (1931), directed by James Whale, as "Roy Cronin" opposite Mae Clarke's "Myra," and the melodrama Orages (1931), directed by William Wyler, as the son of Walter Huston and love interest to Helen Chandler.

Montgomery's stay at MGM was very brief, and when he left in 1932 he immediately changed his name back to his real name. Now a freelancing agent, Douglass went on to play leads or second leads in such films as Paramount's 8 Girls in a Boat (1934) opposite Dorothy Wilson, Universal's Et demain? (1934) co-starring Margaret Sullavan, Fox's Musique dans l'air (1934) starring Gloria Swanson, Universal's Mystery of Edwin Drood (1935) with Claude Rains and Heather Angel, and Universal's Lady Tubbs (1935) starring Alice Brady.

Montgomery scored well with his first top-billed role as the frail, alcoholic 19th century "Swanee River" composer Stephen Foster in the "poverty row" biopic Harmony Lane (1935) with Evelyn Venable and Adrienne Ames as his lady loves. This success was followed by a co-starring role opposite Constance Bennett in Evasion (1936) as well as a top-billed role in the British comedy Tropical Trouble (1936); a lead role as spoiled playboy Life Begins with Love (1937) opposite Jean Parker, who played "Beth" in his version of Les Quatre Filles du docteur March (1933); the crime drama L'avocat du diable (1937); and a fourth-billed role in the Bob Hope comedy-mystery classic Le mystère de la maison Norman (1939).

Montgomery's career was interrupted by World War II service with the Royal Canadian Air Force, after which he moved to Great Britain and made a few films there. He played American pilot John Hollis in Le chemin des étoiles (1945) starring Michael Redgrave and John Mills, played an amnesiac in the romantic drama Woman to Woman (1947), flew to Rome to play an American composer in the Italian romancer Sinfonia fatale (1947) ("When in Rome") with Marina Berti and Sarah Churchill, and starred in his last film, the melodrama Forbidden (1949) with Hazel Court.

On March 14, 1952, Montgomery married British actress Kay Young, who was previously married to actor Michael Wilding. Young and Montgomery remained married until his death. Moving to TV work, he and Kay eventually moved to the States, and he finished his career with guest appearances in such anthology shows as "Cameo Theatre" "Robert Montgomery Presents," "Kraft Theatre," and "TV Reader's Digest," in which he ably played the title roles in stories about "Peer Gynt," "Robert Louis Stevenson" and "Dr. Jekyll and Mr. Hyde."

Douglass Montgomery died of spinal cancer in Norwalk, Connecticut, aged 58, on July 23, 1966.

Art Baker was born on 7 January 1898 in New York City, New York, USA. He was an actor, known for La maison du docteur Edwardes (1945), Choc en retour (1949) and Ma femme est un grand homme (1947). He was married to Alice Baker. He died on 26 August 1966 in Los Angeles, California, USA.

Robert Rossen was born on 16 March 1908 in New York City, New York, USA. He was a writer and director, known for L'Arnaqueur (1961), Les fous du roi (1949) and Alexandre le Grand (1956). He was married to Sarah (Sue) Siegel. He died on 18 February 1966 in New York City, New York, USA.

Charles Watts was born on 30 October 1912 in Clarksville, Tennessee, USA. He was an actor, known for Elle et lui (1957), Géant (1956) and Un pyjama pour deux (1961). He died on 13 December 1966 in Nashville, Tennessee, USA.

Nestor Paiva was born on 30 June 1905 in Fresno, California, USA. He was an actor, known for L'Étrange Créature du lac noir (1954), The Madmen of Mandoras (1963) and On a vole le cerveau d'Hitler (1968). He was married to Maxine Kuntzman. He died on 9 September 1966 in Hollywood, California, USA.

A stage actress, Urecal made her screen debut in 1933. For the remainder of her career and two hundred plus movies, she played cleaning women, landladies, shopkeepers and the like. She was known as a Marjorie Main type actress and later went on to a career in television playing in such shows as "Tugboat Annie" and "Peter Gunn." Minerva claimed her name was an anagram of her hometown, Eureka, California.