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One of the world's most famous and distinguished actresses, Dame Maggie Smith was born Margaret Natalie Smith in Essex. Her Scottish mother, Margaret (Hutton), worked as a secretary, and her English father, Nathaniel Smith, was a teacher at Oxford University. Smith has been married twice: to actor Robert Stephens and to playwright Beverley Cross. Her marriage to Stephens ended in divorce in 1974. She was married to Cross until his death in 1998. She had two sons with Stephens, Chris Larkin and Toby Stephens who are also actors.

Maggie Smith's career began at the Oxford Playhouse in the 1950s. She made her film debut in 1956 as one of the party guests in Child in the House (1956). She has since performed in over sixty films and television series with some of the most prominent actors and actresses in the world. These include: Othello (1965) with Laurence Olivier, Les belles années de Miss Brodie (1969), California Hôtel (1978) with Michael Caine and Jane Fonda, Chambre avec vue... (1985), Richard III (1995) with Ian McKellen and Jim Broadbent, Franco Zeffirelli's Un thé avec Mussolini (1999) with Judi Dench, Joan Plowright and Cher and Gosford Park (2001) with Kristin Scott Thomas and Clive Owen, directed by Robert Altman. Maggie Smith has also been nominated for an Oscar six times and won twice, for Les belles années de Miss Brodie (1969) and California Hôtel (1978).

Smith later appeared in the very successful 'Harry Potter' franchise as the formidable Professor McGonagall as well as in Julian Fellowes' ITV drama series, Downton Abbey (2010) (2010-2011) as the Dowager Countess of Grantham.

Alan Arkin was an Academy Award-winning American actor who was also an acclaimed director, producer, author, singer and composer.

He was born Alan Wolf Arkin on March 26, 1934, in Brooklyn, New York. His family were Jewish emigrants from Russia and Germany. In 1946, the Arkins moved from Brooklyn to Los Angeles, California. His father, David I. Arkin, was an artist and writer, who worked as a teacher, and lost his job for merely refusing to answer questions about his political affiliation during the 1950s Red Scare. His father challenged the politically biased dismissal and eventually prevailed, but unfortunately it was after his death. His mother, Beatrice (Wortis) Arkin, a teacher, shared his father's views. Young Arkin was fond of music and acting, he was taking various acting classes from the age of 10. He attended Franklin High School, in Los Angeles, then Los Angeles City College from 1951 - 1953, and Bennington College in Vermont from 1953 - 1954. He sang in a college folk-band, and was involved in a drama class. He dropped out of college to form the folk music group The Tarriers, in which Arkin was the lead singer and played guitar. He co-wrote the 1956 hit "The Banana Boat Song" - a Jamaican calypso folk song, which became better known as Harry Belafonte's popular version, and reached #4 on the Billboard chart. At that time Arkin was a struggling young actor who played bit parts on television and on stage, and made a living as a delivery boy, repairman, pot washer and baby sitter. From 1958 - 1968 he performed and recorded with the children's folk group, The Babysitters. He has also recorded an entire album for the Elektra label titled "Folksongs - Once Over Lightly."

In 1957 Arkin made his first big screen appearance as a lead singer with The Tarriers in Calypso Heat Wave (1957). Then he made his Off-Broadway debut as a singer in "Heloise" (1958). Next year he joined the Compass Theatre in St. Louis, Missouri. There he caught the eye of stage director Bob Sills and became the original member of the "Second City" troupe in Chicago. In 1961 Arkin made his Broadway debut in musical "From the Second City", for which he wrote lyrics and sketches, then starred as David Kolowitz in the Broadway comedy "Enter Laughing" (1963), for which he won a Tony Award. He starred in a Broadway musical "From the Second City production, then returned to Broadway as Harry Berlin in "Luv" (1964). Arkin made his directorial debut with an Off-Broadway hit called "Eh?" (1966), which introduced the young actor, named Dustin Hoffman. He won a Drama Desk Award for his direction of the Off-Broadway production of "Little Murders" (1969), and another Drama Desk Award for "The White House Murder Case" (1970). He also directed the original version of Neil Simon's hilarious smash, "The Sunshine Boys" (1972), which ran over 500 performances.

Arkin earned his first Academy Award nomination as Best Actor for his feature acting debut in a comedy Les Russes arrivent, les Russes arrivent (1966), by director Norman Jewison, co-starring as Lt. Rozanov, a Soviet submariner who is mistaken for a spy after his boat accidentally wrecks aground in New England. Arkin demonstrated his dramatic range as the psychopathic killer Roat in suspense film Seule dans la nuit (1967), opposite Audrey Hepburn. He reinvented himself as the sensitive deaf-mute in Le coeur est un chasseur solitaire (1968), for which he received his second Academy Award Nomination as Best Actor in the Leading role. He followed with what remained his best known role as Captain Yossarian in Catch-22 (1970), directed by Mike Nichols and based on the eponymous anti-war novel by Joseph Heller. In it Arkin arguably gave his strongest performance, however, his career suffered because the film initially did not live up to expectations. After a few years of directorial work on television, Arkin made a comeback with an impressive portrayal of doctor Sigmund Freud in Sherlock Holmes attaque l'Orient-Express (1976). In the early 1980s he acted in three movies that were family affairs, written by his wife, Barbara Dana, and co-starring his son, Adam Arkin.

During the 1990s he turned out several notable performances, such as a bitter former baseball player in TNT's Cooperstown (1993), and as a hilarious psychiatrist opposite John Cusack in Tueurs à gages (1997). He won raves for his portrayal of a divorced father who struggles to keep his kids enrolled in the Beverly Hills school system in Les taudis de Beverly Hills (1998). Arkin gave a brilliant performance opposite Robin Williams in Jakob le menteur (1999), a film about the Nazi occupation of Poland. He also returned to the New York stage co-starring with his son, Tony Arkin and Elaine May in "Power Plays", which he also co-authored. His most recent comeback as a heroin-snorting, sex-crazed, foul-mouthed grandfather in Little Miss Sunshine (2006), earned him his third Academy Award nomination for Best Performance by an Actor in a Supporting Role, and his first Academy Award.

Alan Arkin had been a modern Renaissance man. In addition to his achievements as an actor, director, and producer, he made his mark as a singer-songwriter with his popular-song compositions "Banana Boat Song", "Cuddle Bug," "That's Me," and "Best Time of the Year." Arkin also authored several books, including science-fiction and some children's stories, such as "The Clearing", "The Lemming Condition" and "Cassie Loves Beethoven" among his other publications. He was a father of three sons, Adam Arkin, Matthew Arkin, and Anthony Arkin, and a grandfather of Molly Arkin.

Alan Arkin was a strong supporter of an organic way of living and also a proponent for preservation of the environment and natural habitat. He avoided the show-biz-milieu and was known as an actor who does not really care about prestigious awards, but values having a good job and being acknowledged by his peers. In Arkin's own words he wanted to "Stay home for three months. Living as quietly as humanly possible." Arkin was given an Indian name, Grey Wolf, by his Native American friends in New Mexico.

Alan Arkin died in California on June 29, 2023 at the age of 89. He is survived by his three sons - Adam, Matthew, and Anthony Dana Arkin, and with Dana, Alan Arkin is survived by third wife, Suzanne Newlander Arkin, whom he married in 1999.

Dame Judi Dench was born Judith Olivia Dench in York, England, to Eleanora Olive (Jones), who was from Dublin, Ireland, and Reginald Arthur Dench, a doctor from Dorset, England. She attended Mount School in York, and studied at the Central School of Speech and Drama. She has performed with the Royal Shakespeare Company, the National Theatre, and at Old Vic Theatre. She is a ten-time BAFTA winner including Best Actress in a Comedy Series for A Fine Romance (1981) in which she appeared with her husband, Michael Williams, and Best Supporting Actress in Une poignée de cendre (1988) and Chambre avec vue... (1985). She received an ACE award for her performance in the television series Mr & Mrs Edgehill (1985). She was appointed an Officer of the Order of the British Empire (OBE) in 1970, a Dame Commander of the Order of the British Empire (DBE) in 1988 and a Member of the Order of the Companions of Honour (CH) in 2005.

Shirley MacLaine was born Shirley MacLean Beaty in Richmond, Virginia. Her mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and her father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. Her brother, Warren Beatty, was born on March 30, 1937. Her ancestry includes English and Scottish.

Shirley was the tallest in her ballet classes at the Washington School of Ballet. Just after she graduated from Washington-Lee High School, she packed her bags and headed for New York. While auditioning for Richard Rodgers and Oscar Hammerstein II's "Me and Juliet", the producer kept mispronouncing her name. She then changed her name from Shirley MacLean Beaty to Shirley MacLaine. She later had a role in "The Pajama Game", as a member of the chorus and understudy to Carol Haney. A few months into the run, Shirley was going to leave the show for the lead role in "Can-Can" but ended up filling in for Haney, who had broken her ankle and could not perform. She would fill in for Carol, again, three months later, following another injury, the very night that movie producer Hal B. Wallis was in the audience. Wallis signed MacLaine to a five-year contract to Paramount Pictures. Three months later, she was off to shoot Mais qui a tué Harry? (1955). She then took roles in Vague de chaleur (1958) and Le tour du monde en 80 jours (1956), completed not too long before her daughter, Sachi Parker (born Stephanie), was born. With Shirley's career on track, she played one of her most challenging roles: "Ginny Moorhead" in Comme un torrent (1958), for which she received her first Academy Award nomination for Best Actress. She went on to do La vallée de la poudre (1958) and La meneuse de jeu (1958). In 1960, she got her second Academy Award nomination for La garçonnière (1960). Three years later, she received a third nomination for Irma la Douce (1963). In 1969, she brought her friend Bob Fosse from Broadway to direct her in Sweet Charity (1969), from which she got her "signature" song, "If My Friends Could See Me Now". After a five-year hiatus, Shirley made a documentary on China called The Other Half of the Sky: A China Memoir (1975), for which she received an Oscar nomination for best documentary.

In 1977, she got her fourth Best Actress Oscar nomination for Le tournant de la vie (1977). In 1979, she worked with Peter Sellers in Bienvenue Mister Chance (1979), made shortly before his death. After 20 years in the film industry, she finally took home the Best Actress Oscar for Tendres passions (1983). After a five-year hiatus, Shirley made Madame Sousatzka (1988), a critical and financial hit that took top prize at the Venice Film Festival. In 1989, she starred with Dolly Parton, Sally Field and Julia Roberts in Potins de femmes (1989). She received rave reviews playing Meryl Streep's mother in Bons baisers d'Hollywood (1990) and for Un ange gardien pour Tess (1994). In 1996, she reprised her role from "Terms of Endearment" as "Aurora Greenway" in Étoile du soir (1996), which didn't repeat its predecessor's success at the box office. In mid-1998, she directed Bruno (2000), which starred Alex D. Linz. In February 2001, Shirley worked with close friends once again in These Old Broads (2001), and co-starred with Julia Stiles in Carolina (2003) and with Kirstie Alley in Salem Witch Trials (2002).

MacLaine has her own website which includes her own radio show and interviews, the Encounter Board, and Independent Expression, a members-only section of the site. In the past few years, Shirley starred in a CBS miniseries based on the life of cosmetics queen Mary Kay Ash--Hell on Heels: The Battle of Mary Kay (2002), and wrote two more books, "The Camino" in 2001, and "Out On A Leash" in 2003. After taking a slight hiatus from motion pictures, Shirley returned with roles in the movies that were small, but wonderfully scene-stealing: Ma sorcière bien-aimée (2005) with Nicole Kidman and Will Ferrell, In Her Shoes (2005) with Cameron Diaz and Toni Collette, in which Shirley was nominated for a Golden Globe in the best supporting actress category, and La rumeur court... (2005) with Jennifer Aniston and Kevin Costner. Shirley completed filming of War and Destiny (2007), directed by Sir Richard Attenborough, in 2007. Her latest book is entitled "Sage-ing While Ag-ing"; Shirley's latest film is Valentine's Day (2010), which debuted in theaters on February 12, 2010.

One time Baby Dumpling in the "Blondie" films, he join the navy in his adulthood.

After Larry's first retirement, he worked at Arabian-American Oil Company refinery in Saudi Arabia for Fluor Daniel.

Later, Larry was tasked to spearhead the implementation of the Telecommunications infrastructure for a Shell refinery in Rayong, Thailand, also at the employ of Fluor Daniel.

Then he remained in Thailand in true retirement.

Puppeteer, actor, musician, and master of voices, Jerry Nelson originally joined Henson & Company as a temporary replacement for Frank Oz, who had been drafted into the armed services in the 60's. He later re-joined the crew as a full-time performer in the 70's, and has since been heavily involved in almost every major Muppet project, including 1, rue Sésame (1969), Le Muppet Show (1976), Fraggle Rock (1983) and feature films. Memorable characters include "The Count", "Herry Monster", "Mumford the Magician", "Robin the Frog", "Crazy Harry" and "Gobo". Come the late 1990s, Nelson has begun to focus more on his musical career but continues his involvement in The Muppets.

Sophia Loren was born as Sofia Scicolone at the Clinica Regina Margherita in Rome on September 20, 1934. Her father Riccardo was married to another woman and refused to marry her mother Romilda Villani, despite the fact that she was the mother of his two children (Sophia and her younger sister Maria Scicolone). Growing up in the slums of Pozzuoli during the second World War without any support from her father, she experienced great sadness in her childhood. Her life took an unexpected turn for the best when, at age 14, she entered into a beauty contest and placed as one of the finalists. It was here that Sophia caught the attention of film producer Carlo Ponti, some 22 years her senior, whom she later married. Perhaps he was the father figure she never experienced as a child. Under his guidance, Sophia was put under contract and appeared as an extra in ten films beginning with Toto et les six femmes de Barbe-Bleue (1950), before working her way up to supporting roles. In these early films, she was credited as "Sofia Lazzaro" because people joked her beauty could raise Lazzarus from the dead.

By her late teens, Sophia was playing lead roles in many Italian features such as La favorita (1952) and Aïda (1953). In 1957, she embarked on a successful acting career in the United States, starring in Ombres sous la mer (1957), La cité disparue (1957), and Orgueil et passion (1957) that year. She had a short-lived but much-publicized fling with co-star Cary Grant, who was nearly 31 years her senior. She was only 22 while he was 53, and she rejected a marriage proposal from him. They were paired together a second time in the family-friendly romantic comedy La Péniche du bonheur (1958). While under contract to Paramount, Sophia starred in Désir sous les ormes (1958), La clé (1958), L'orchidée noire (1958), C'est arrivé à Naples (1960), La diablesse en collant rose (1960), Un scandale à la cour (1960), and Les dessous de la millionnaire (1960) before returning to Italy to star in La ciociara (1960). The film was a period piece about a woman living in war-torn Italy who is raped while trying to protect her young daughter. Originally cast as the more glamorous child, Sophia fought against type and was re-cast as the mother, displaying a lack of vanity and proving herself as a genuine actress. This performance received international acclaim and was honored with an Academy Award for Best Actress.

Sophia remained a bona fide international movie star throughout the sixties and seventies, making films on both sides of the Atlantic, and starring opposite such leading men as Paul Newman, Marlon Brando, Gregory Peck, and Charlton Heston. Her English-language films included Le Cid (1961), La chute de l'Empire romain (1964), Arabesque (1966), L'homme de la Manche (1972), and Le pont de Cassandra (1976). She gained wider respect with her Italian films, especially Mariage à l'italienne (1964) and Une journée particulière (1977), both of which co-starred Marcello Mastroianni. During these years she received a second Oscar nomination and won five Golden Globe Awards.

From the eighties onward, Sophia's appearances on the big screen came few and far between. She preferred to spend the majority of her time raising sons Carlo Ponti Jr. (b. 1968) and Edoardo Ponti (b. 1973). Her only acting credits during the decade were five television films, beginning with Sophia Loren (1980), a biopic in which she portrayed herself and her mother. She ventured into other areas of business and became the first actress to launch her own fragrance and design of eyewear. In 1982 she voluntarily spent nineteen days in jail for tax evasion.

In 1991 Sophia received an Honorary Academy Award for her body of work, and was declared "one of world cinema's greatest treasures." That same year, she experienced a terrible loss when her mother died of cancer. Her return to mainstream films in Prêt-à-porter (1994) was well-received, although the film as a whole was not. She followed this up with her biggest U.S. hit in years, the comedy Les grincheux 2 (1995), in which she played a sexy divorcée who seduces Walter Matthau. Over the next decade Sophia had plum roles in a few independent films like Soleil (1997), Coeurs inconnus (2002) (directed by Edoardo), and Lives of the Saints (2004). Still beautiful at 72, she posed scantily-clad for the 2007 Pirelli Calendar. Sadly, that same year she mourned the death of her 94-year-old spouse, Carlo Ponti. In 2009, after far too much time away from film, she appeared in the musical Nine (2009) opposite Daniel Day-Lewis. These days Sophia is based in Switzerland but frequently travels to the states to spend time with her sons and their families (Eduardo is married to actress Sasha Alexander). Sophia Loren remains one of the most beloved and recognizable figures in the international film world.

One of the most prolific character actors of his time starting with his role of Santini in the Blackboard Jungle (1955). Since then has appeared in iconic shows as the Twilight Zone, the Red Skelton Hour, the Dick Van Dyke Show, the Danny Kaye Show, Hazel, My Three Sons, Ben Casey, The Lucy Show, I Dream of Jeannie, The Andy Griffith Show, My Favorite Martian, F Troop, Get Smart. Gomer Pyle, The Flying Nun, The Blue Knight, Barnaby Jones, The Love Boat, Diagnosis Murder and of course M*A*S*H.

Born in Birmingham, Alabama, to Episcopal minister Robert Fletcher and his wife Estelle, both of whom were deaf, Louise Fletcher was introduced to performing at a young age by the aunt who taught her to speak. After graduating from the University of North Carolina, she took a trip out west with her roommates, finding herself in Los Angeles without enough money to return home. She took a temporary job as a receptionist and signed up for acting classes at night. Soon she was working regularly in television and film, but after marrying producer Jerry Bick and having two sons, the actress took a long hiatus to raise her children.

Returning to work in 1974 in Robert Altman's Nous sommes tous des voleurs (1974), Fletcher came to the attention of director Milos Forman, who was casting the difficult role of the nurse in Vol au-dessus d'un nid de coucou (1975). She won the role -- and then the Academy Award -- portraying deadly, inflexible Nurse Ratched, who has since become a cultural icon. Numerous film roles followed, including co-starring turns with Peter Falk in Le privé de ces dames (1978) and with Richard Burton in L'Exorciste II : L'Hérétique (1977). Fletcher has appeared in a number of science fiction and horror classics such as Firestarter (1984), Brainstorm (1983), and Flowers in the Attic (1987).

Though she earned an Emmy Award nomination for her recurring role on Un drôle de shérif (1992), Fletcher is perhaps best known to recent television audiences as Kai Winn from Star Trek: Deep Space Nine (1993) and as Nora Bloom from the cult classic VR.5 (1995).

Sydney Pollack was an Academy Award-winning director, producer, actor, writer and public figure, who directed and produced over 40 films.

Sydney Irwin Pollack was born July 1, 1934 in Lafayette, Indiana, USA, to Rebecca (Miller), a homemaker, and David Pollack, a professional boxer turned pharmacist. All of his grandparents were Russian Jewish immigrants. His parents divorced when he was young. His mother, an alcoholic, died at age 37, when Sydney was 16. He spent his formative years in Indiana, graduating from his HS in 1952, then moved to New York City.

From 1952-1954 young Pollack studied acting with Sanford Meisner at The Neighborhood Playhouse School of the Theatre in New York. He served two years in the army, and then returned to the Neighborhood Playhouse and taught acting. In 1958, Pollack married his former student Claire Griswold. They had three children. Their son, Steven Pollack, died in a plane crash on November 26, 1993, in Santa Monica, California. Their daughter, Rebecca Pollack, served as vice president of film production at United Artists during the 1990s. Their youngest daughter, Rachel Pollack, was born in 1969.

Pollack began his acting career on stage, then made his name as television director in the early 1960s. He made his big screen acting debut in Le Mal de tuer (1962), where he met fellow actor Robert Redford, and the two co-stars established a life-long friendship. Pollack called on his good friend Redford to play opposite Natalie Wood in Propriété interdite (1966). Pollack and Redford worked together on six more films over the years. His biggest success came with Out of Africa - Souvenirs d'Afrique (1985), starring Robert Redford and Meryl Streep. The movie earned eleven Academy Award nominations in all and seven wins, including Pollack's two Oscars: one for Best Direction and one for Best Picture.

Pollack showed his best as a comedy director and actor in Tootsie (1982), where he brought feminist issues to public awareness using his remarkable wit and wisdom, and created a highly entertaining film, which was nominated for ten Academy Awards. Pollack's directing revealed Dustin Hoffman's range and nuanced acting in gender switching from a dominant boyfriend to a nurse in drag, a brilliant collaboration of director and actor that broadened public perception about sex roles. Pollack also made success in producing such films as Le talentueux Mr. Ripley (1999), Un Américain bien tranquille (2002) and Retour à Cold Mountain (2003). Pollack returned to the director's chair in 2004, when he directed L'interprète (2005), the first film ever shot on location at the United Nations Headquarters and within the General Assembly in New York City.

In 2000, Sydney Pollack was honored with the John Huston Award from the Directors Guild of America as a "defender of artists' rights." He died from cancer on May 26, 2008, at his home in the Los Angeles suburb of Pacific Palisades, California.

A New York stage actress in the 1950s, McClanahan was plucked from the stage by Norman Lear for roles on All in the family (1971) and later Maude (1972). For two years (1982 - 1984), she played "Aunt Fran" on Mama's Family (1983) until her character was killed off and she joined the cast of Les craquantes (1985), in which she hit her comedic stride as a sharp tongued oversexed Southern belle.

Danny Mummert was born on 20 February 1934 in Dallas, Texas, USA. He was an actor, known for La vie est belle (1946), Blondie's Big Moment (1947) and Footlight Glamour (1943). He was married to Linda Louise Earl Moreno, Mae Louise Horwitz Helms, Helene L Harnett and Joan H. Hummel. He died on 10 August 1974 in Kingfisher, Oklahoma, USA.

Richard Chamberlain became the leading heartthrob of early 1960s television. As the impeccably handsome Dr. James Kildare, the slim, butter-haired hunk with the near-perfect Ivy-League charm and smooth, intelligent demeanor, had the distaff fans fawning unwavering over him through the series' run. While this would appear to be a dream situation for any new star, to Chamberlain it brought about a major, unsettling identity crisis.

Born George Richard Chamberlain in Beverly Hills on March 31, 1934, he was the second son of Elsa Winnifred (von Benzon) (1902-1993) and Charles Axiom Chamberlain (1902-1984), a salesman. He has English and German ancestry. Richard experienced a profoundly unhappy childhood and did not enjoy school at all, making up for it somewhat by excelling in track and becoming a four-year letter man in high school and college. He also developed a strong interest and enjoyment in acting while attending Pomona College. Losing an initial chance to sign up with Paramount Pictures, the studio later renewed interest. Complications arose when he was drafted into the Unites States Army on December 7, 1956 for 16 months, serving in Korea.

Chamberlain headed for Hollywood soon after his discharge and, in just a couple of years, worked up a decent resumé with a number of visible guest spots on such popular series as Gunsmoke (1955) and Bonne chance M. Lucky (1959). But it was the stardom of the medical series Le Jeune Docteur Kildare (1961) that garnered overnight female worship and he became a huge sweater-vested pin-up favorite. It also sparked a brief, modest singing career for the actor.

The attention Richard received was phenomenal. True to his "Prince Charming" type, he advanced into typically bland, soap-styled leads on film befitting said image, but crossover stardom proved to be elusive. The vehicles he appeared in, Le motel du crime (1963) with Joey Heatherton and Joy in the Morning (1965) opposite Yvette Mimieux, did not bring him the screen fame foreseen. The public obviously saw the actor as nothing more than a television commodity.

More interested in a reputation as a serious actor, Chamberlain took a huge risk and turned his back on Hollywood, devoting himself to the stage. In 1966 alone, he appeared in such legit productions as "The Philadelphia Story" and "Private Lives", and also showed off his vocal talents playing Tony in "West Side Story". In December of that year, a musical version of "Breakfast at Tiffany's" starring Richard and Mary Tyler Moore in the sparkling George Peppard/Audrey Hepburn roles was headed for Broadway. However, it flopped badly in previews and closed after only four performances. Even today, it is still deemed one of Broadway's biggest musical disasters.

An important dramatic role in director Richard Lester's Petulia (1968) led Richard to England, where he stayed and dared to test his acting prowess on the classical stage. With it, his personal satisfaction over image and career improved. Bravura performances as "Hamlet" (1969) and "Richard II" (1971), as well as his triumph in "The Lady's Not for Burning" (1972), won over the not-so-easy-to-impress British audiences. And on the classier film front, he ably portrayed Octavius Caesar opposite Charlton Heston's Mark Antony and Jason Robards' Brutus in Jules César (1970), composer Pyotr Ilyich Tchaikovsky in Ken Russell's grandiose Music Lovers - La Symphonie pathétique (1971) opposite Glenda Jackson, and Lord Byron alongside Sarah Miles in La vie tumultueuse de Lady Caroline Lamb (1972). While none of these three films were critical favorites, they were instrumental in helping to reshape Chamberlain's career as a serious, sturdy and reliable actor.

With his new image in place, Richard felt ready to face American audiences again. While he made a triumphant Broadway debut as Reverend Shannon in "The Night of the Iguana" (1975), he also enjoyed modest box-office popularity with the action-driven adventure films Les trois mousquetaires (1973) as Aramis and a villainous role in La tour infernale (1974), and earned cult status for the Australian film La dernière vague (1977). On the television front, he became a television idol all over again (on his own terms this time) as the "King of 80s Mini-Movies". The epic storytelling of Le comte de Monte-Cristo (1975), Les oiseaux se cachent pour mourir (1983) and Shogun (1980), all of which earned him Emmy nominations, placed Richard solidly on the quality star list. He won Golden Globe Awards for his starring roles in the last two miniseries mentioned.

In later years, the actor devoted a great deal of his time to musical stage tours as Henry Higgins in "My Fair Lady", Captain Von Trapp in "The Sound of Music" and Ebenezer Scrooge in "Scrooge: The Musical". Enormously private and having moved to Hawaii to avoid the Hollywood glare, at age 69 finally "came out" with a tell-all biography entitled "Shattered Love", in which he quite candidly discussed the anguish of hiding his homosexuality to protect his enduring matinée idol image.

Married now to his longtime partner of over 40 years, writer/producer Martin Rabbett, he has since accepted himself and shown to be quite a good sport in the process, appearing as gay characters in the film Quand Chuck rencontre Larry (2007), and in television episodes of Will & Grace (1998), Desperate Housewives (2004) and Brothers & Sisters (2006). More recently, he has enjoyed featured roles in the films Strength and Honour (2007), The Perfect Family (2011), We Are the Hartmans (2011), Nightmare Cinema (2018) and Finding Julia (2019).

Bill Cobbs was born and raised in Cleveland, Ohio, where his parents were hard-working people, who instilled in him a sense of self-reliance and humility. As an amateur actor in the city's Karamu House Theater, he starred in the Ossie Davis play "Purlie Victorious". Cobbs was an Air Force radar technician for eight years; he also worked in office products at IBM and sold cars in Cleveland. In 1970, at the age of 36, he left for New York to seek work as an actor. There he turned down a job in the NBC sales department in order to have time for auditions. He supported himself by driving a cab, repairing office equipment, selling toys, and performing odd jobs. His first professional acting role was in "Ride a Black Horse" at the Negro Ensemble Company. From there, he appeared in small theater productions, street theater, regional theater and at the Eugene O'Neill Theater. His first television credit was in Vegetable Soup (1975), a New York public television educational series, and he made his feature film debut in Les Pirates du métro (1974). In his free time, Cobbs enjoys music, reading, and playing his drums. He lives in New York City and Los Angeles, California and continues acting.

Wilford Brimley was born on 27 September 1934 in Salt Lake City, Utah, USA. He was an actor, known for Le meilleur (1984), In & Out (1997) and Cocoon (1985). He was married to Beverly Berry and Lynne Brimley. He died on 1 August 2020 in St. George, Utah, USA.

Named after child star Shirley Temple, Shirley Jones started singing at the age of six. She started formal training at the age of 12 and would dream of singing with her idol, Gordon MacRae. Upon graduating from high school, Shirley went to New York to audition for the casting director of Rodgers & Hammerstein. Taken by Shirley's beautifully trained voice, Shirley was signed as a nurse in the Broadway production of "South Pacific". Within a year, she would be in Hollywood to appear in her first film Oklahoma! (1955) as Laurey, the farm girl in love with cowboy Gordon MacRae. Oklahoma! (1955) would be filmed in CinemaScope and Todd-AO wide-screen and would take a year to shoot. After that, Shirley returned to Broadway for the stage production of "Oklahoma!" before returning to Hollywood for Carousel (1956). But by this time, musicals were a dying art and she would have a few lean years. She would work on television in programs like Playhouse 90 (1956). With a screen image comparable to peaches-n-cream, Shirley wanted a darker role to change her image. In 1960, she would be cast as the vengeful prostitute in the Richard Brooks dramatic film Elmer Gantry, le charlatan (1960). With a brilliant performance against an equally brilliant Burt Lancaster, Shirley would win the Oscar for Supporting Actress. But the public wanted the good Shirley so she was cast as "Marion", the librarian, in the successful musical Le marchand de fanfares (1962). Robert Preston had played the role on Broadway and his performance along with Shirley was magic. Shirley would again work with little Ron Howard in Il faut marier papa (1963). But the movies changed in the 60's and Shirley's image did not fit so she would see her movie career stop in 1965. There were always nightclubs, but Shirley would be remembered by another generation as "Shirley Partridge" in the television series The Partridge Family (1970). While the success of the show would do more for her stepson, teen idol David Cassidy, it would keep her name and face in the public view for the four years that the series ran. The show still plays in reruns. After the show ended, Shirley would spend the rest of the 70's in the land of television movies. The television movie L'enquête de Jenny Dolan (1975) would be made as a pilot for a series that was not picked up. In 1979, Shirley appeared in a comedy show called Shirley (1979), but the show lasted only one season. Shirley would appear infrequently in the 80's and in video's extolling fitness and beauty at the end of the decade.

Adept at both comedy and drama, veteran "second lead" and character actress Joyce Van Patten was born on March 9, 1934, in New York City. Prodded by a typically assertive magazine editor (stage) mother, Joyce and her equally famous older brother Dick Van Patten displayed natural talent and began performing regularly at a very early age.

Of Dutch, English and Italian descent, Joyce was auditioning for modeling roles before reaching her first birthday, and by the age of 6 was on Broadway performing in the play "Popsy" (1941). In the same year she and brother Dick appear on radio with "Reg'lar Fellers," a summer replacement series for "The Jack Benny Program." As an adolescent, Joyce appeared in the Broadway plays "This Rock" (1943), "Tomorrow the World" (1943), "The Perfect Marriage" (1944), "The Wind Is Ninety" (1945) (also with Dickie) and "The Bees and the Flowers" (1946).

Following her relatively brief marriage (1950-1953) to Thomas King at the age of 16 which produced her son Thomas Casey King, who later turned actor and billed himself as Casey King, Joyce moved to teen parts on such TV anthologies as "Armstrong Circle Theatre" and "Kraft Theatre." On TV she appeared a few times on brother Dick's TV series Mama (1949) and originated the role of Janice Turner Hughes on the popular daytime soaper As the World Turns (1956).

As she grew into a young adult, Joyce purposely dressed down and downplayed her beauty in order to play more interesting characters. Specializing in smart, calculating, cynical, earthy and brittle characters, Joyce reveled in wry comedy as well as quirky drama. Making an inauspicious film debut with an unbilled role in the urban drama 14 heures (1951) with a later small part in La déesse (1958) starring Kim Stanley, Joyce remained a strong presence on TV and in the theatre. Such popular Broadway shows would include "The Desk Set" (1955), "A Hole in the Head" (1957) and "Spoon River Anthology" (1963). She also appeared with Dick elsewhere on stage with "The Male Animal" (1953), "The Tender Trap" (1955), and "Oh Men! Oh Women! (1955). In 1957, she married actor Martin Balsam and their daughter, Talia Balsam, also became an actress.

In addition to co-starring in the TV diner sitcom The Good Guys (1968) co-starring Bob Denver and Herb Edelman and playing a neurotic assistant to a TV variety show star in The Mary Tyler Moore Hour (1979), Joyce would grace a host of popular 60's and 70's TV shows, including "The Defenders," "Alfred Hitchcock Presents," "Ben Casey," "Dr. Kildare," " "Perry Mason," "The Danny Kaye Show," "The Andy Griffith Show," "The Outer Limits," "The Jack Benny Program," "Gunsmoke," "Mannix," "Love, American Style," "Medical Center," "The Odd Couple," "Columbo," "The Bold Ones," "Family" and "The Bob Newhart Show."

Joyce's infrequent movie roles would be some of her most interesting and quirkiest. She played naïve "square" Peter Sellers's plain-Jane girlfriend in the "hippy" comedy Le baiser papillon (1968); played one half of a romantic couple with real brother Dick(!) in the teen dramedy Faut se les faire! (1971); portrayed one-half of a bickering couple held hostage and given marital advice by a house-breaking thief in Bone (1972) (featuring son Casey); played an embittered woman picking up hitchhikers in Thumb Tripping (1972); played a conniving Southern belle fiancée in the Lucille Ball version of Mame (1974); portrayed a bedridden trailer park trash wife in the murder mystery The Manchu Eagle Murder Caper Mystery (1975); and a blunt Little League supervisor in the hit comedy La chouette équipe (1976). She also returned to Broadway as a replacement in the two-person comedy drama "Same Time, Next Year" (1975) and the short-lived "Murder at the Howard Johnsons" (1979).

Other vital theatre, both Broadway and regional, in later years included "I Oughta Be in Pictures" (1980), "The Supporting Cast" (1981), "Brighton Beach Memoirs" (1983), "Rumors" (1988), "Jake's Women" (1992), "Ring Round the Moon" (1999), "Taller Than a Dwarf" (2000), "Harvey" (2003), "The Oldest Profession" (2004), and "Rabbit Hole" (2006) and "The People in Pictures" (2011). Also, seen in TV movie versions of hit plays such as You Can't Take It with You (1979) as Miss Wellington, and Bus Stop (1982) as diner owner Grace, she also appeared in Malice in Wonderland (1985), La bonne à rien faire (1992) and Jake et ses femmes (1996). She also was part of the cast for the first season of the comedy Unhappily Ever After (1995). She was a standout as the overbearing mother to Jason Beghe's quadriplegic son in the horror flick Incidents de parcours (1988).

Into the millennium, Joyce has supporting roles in the films Marley & Moi (2008), Copains pour toujours (2010), God's Pocket (2014) and Diane (2018); and the TV programs "Oz," "The Sopranos," "NYPD Blue," "Desperate Housewives," "The Good Wife," "Boardwalk Empire" and "Cady Did."

After two rather brief marriages, Joyce married twice more -- briefly to actor Hal Lynch and a longer one to actor Dennis Dugan.

Garry Kent Marshall (November 13, 1934 - July 19, 2016) was an American actor and filmmaker. He started his career in the 1960s writing for The Lucy Show and The Dick Van Dyke Show before he developed Neil Simon's 1965 play The Odd Couple for television in 1970. He gained fame for creating Happy Days (1974-1984), Laverne and Shirley (1976-1983), and Mork and Mindy (1978-1982). He is also known for directing Overboard (1987), Beaches (1988), Pretty Woman (1990), Runaway Bride (1999), and the family films The Princess Diaries (2001) and The Princess Diaries 2: Royal Engagement (2004). He also directed the romantic comedy ensemble films Valentine's Day (2010), New Year's Eve (2011), and Mother's Day (2016).

Born in London, Jean Marsh became interested in show business while taking dancing and mime classes as therapy for a childhood illness. After attending a charm school and working as a model, she started acting in repertory and took voice lessons. Her repertory work was supplemented by a number of film appearances as a dancer. She then spent three years in America, appearing in Sir John Gielgud's Broadway production of "Much Ado About Nothing" and numerous TV shows, including an episode of La quatrième dimension (1959). Returning to London, she won roles on stage, film and TV. It was during this period that she appeared in Docteur Who (1963), first as Princess Joanna in "The Crusade" and then as Sara Kingdom in "The Daleks' Master Plan." In the early 1970s she co-created and starred in LWT's Maîtres et valets (1971). Since then she has maintained a very busy career in the theatre, on TV - including a starring role in the US sitcom Comment se débarrasser de son patron (1982) and films such as Oz: Un monde extraordinaire (1985) and Willow (1988). She also co-created another successful series, The House of Eliott (1991).

Anne Haney held prominent roles acting on stage, on the screen, and on TV. All these achievements came in her mid-40s, after she had raised a daughter and buried a husband. It wasn't until after she had packed her daughter off to college and "the maid quit", as she said, that she decided to try her hand at acting. She was born in Memphis, Tennessee and studied drama, radio and TV at the University of North Carolina, where she met her husband, John Haney. She did apply her schooling briefly at a Memphis television station, but soon settled down with her husband and devoted herself to family life. "I was a lovely faculty wife. We made ambrosia salad. We did good works. We played a lot of bridge", she said of those times. By the 1970s, however, Haney began seeking work in local theatre productions and television commercials. Soon, she was traveling with a touring company performing as the maid in Noël Coward's "Fallen Angels". She toured for two years. Eventually, she joined the Screen Actors Guild and the American Federation of T.V. and Radio Artists. She and her husband had, in fact, planned to move to Southern California after his retirement. She was eager to experience and, she hoped, benefit from the variety and prestige available only in Hollywood. Those plans changed when Mr. Haney died of kidney disease in 1980; Anne Haney made the trek to California, alone. Not long after arriving, she had an agent and a part in the Walter Matthau vehicle Jeux d'espions (1980). As her career took off, she also secured roles on stage, notably the role of Margaret Fielding in the Theatre West production of "Verdigris". When asked whether she ever dwelled on the prospect that had she begun her career too late, she replied that "this is gravy to me. It's a wonderful way to spend the last third of my life".

Sir John Standing is one of England's most respected stage, film and television actors. From a distinguished acting dynasty which includes his great-grandfather Herbert Standing (1846-1923), grandfather Sir Guy Standing (1873-1937) and mother, the actress Kay Hammond, John Robert Leon Standing, born in London on August, 16, 1934, succeeded his father Sir Ronald Leon, as the 4th baronet in 1964.

A one-time art student and avid painter, Sir John attended both Millfield Preparatory School and Eton College and made his debut on stage in minor roles in the Shakespeare Memorial Theatre Company's production of "Titus Andronicus." In London from 1959, he worked productively on the London stage (Bristol Old Vic, Chicester, Haymarket, Royal Court) for two decades with a resume that included "The Darling Buds," "The Irregular Verb to Love," "See How They Run," "The Clandestine Marriage," "The Cherry Orchard," "The Fighting Cock," The Beaux' Stratgem," "The Importance of Being Earnest" (as Algernon), "Ring Around the Moon," "The Alchemist," "Arms and the Man, "A Sense of Detachment" by John Osborne, "Saint Joan," "Dead-Eyed Dicks," "Plunder," "The Philanderer" and, most notably, as Elyot Chase in Noël Coward's "Private Lives," co-starring Maggie Smith and directed by John Gielgud, which was taken to Broadway in 1975.

Lesser known for his work on the big screen, a few BBC-TV guest parts came to Sir John's way before he entered films in 1962 with featured roles in the light comedy A Pair of Briefs (1962) and romantic drama The Wild and the Willing (1962). Standing followed these with performances in such films as Un Caïd (1965), Poupées de cendres (1966), Rien ne sert de courir (1966), A Touch of Love (1969), All the Right Noises (1970), Une belle tigresse (1972), Femmes en location (1972), L'aigle s'est envolé (1976), Psychose phase 3 (1978), Le commando de sa majesté (1980), Elephant Man (1980), Privates on Parade (1983), Nightflyers (1987), Chaplin (1992), Mrs. Dalloway (1997), and a starring role as a businessman who opens a brothel with his playboy son after the death of his wife in the dramedy 8 femmes 1/2 (1999).

Sir John had more prestigious work come to him on TV. He lightened up at times as he died as a aristocratic politician who falls for a working class model in the British comedy series The Other 'Arf (1980) and a spy partnered with Tom Conti in Old Boy Network (1992), but found more rewarding work in the classic mini-series The First Churchills (1969), La taupe (1979), Mission danger à Bucarest (1988), The Choir (1995), Club V.R. (1996) and Drovers' Gold (1997).

In the U.S., he has graced numerous weekly programs including La loi de Los Angeles (1986), Guerres privées (1991), and Arabesque (1984) and co-starred briefly with Robert Wagner and the late Samantha Smith in the action series Le gentleman mène l'enquète (1985), which ended abruptly with the young girl's death in a plane crash. The 13-year-old Smith became an instant celebrity after writing a touching and concerned letter to the then Soviet President Yuri Andropov about the relations between the two dominant powers and being invited to Russia.

Into the millennium, the elderly Standing has remained extremely busy playing a number of distinguished lords and higher-ups, especially with British TV appearances ("The Vice," "In Deep," "Keen Eddie," "MidSommer Murders," "Game of Thrones," "The Crown") and in above-par TV movies and miniseries including Longitude (2000), Love in a Cold Climate (2001), The Falklands Play (2002), La tempête qui se prépare (2002), Allan Quatermain et la Pierre des ancêtres (2004), La ligne de beauté (2006), Fallen Angel (2007), The Other Wife (2012), Patrick Melrose (2018) and King Lear (2018).

Divorced from actress Jill Melford, Sir John's second wife, actress Sarah Forbes, is the daughter of director Bryan Forbes and actress Nanette Newman.

She was only 18 years old and working as a photographer's assistant in Stockholm when two Italians showed up. Producer Carlo Ponti and director Mario Soldati were there to see pictures of beautiful models, searching for a blonde girl for a movie. They picked her instead and soon she found herself in Rome. She quickly made a number of movies, almost all of them forgotten, where all she had to do was look beautiful. She was offered a contract with 20th Century Fox and came to Hollywood, where her part in L'ange bleu (1959) got pretty good reviews.

But she got tired of always playing the femme fatale and after marrying Sammy Davis Jr. she left the movies to take care of her children instead.

After his schooling in Edinburgh, the British character actor Roy Kinnear attended the Royal Academy of Dramatic Art in London. Following national service, Kinnear appeared on stage, radio, and television in Scotland before becoming a household name in Britain in the early 1960s as one of the original members of the television series That Was the Week That Was (1962). Around this time, he also established his film career, specializing in jovial, yet sometimes slightly sinister, characters, such as Finney, Moriarty's henchman, in Le frère le plus fûté de Sherlock Holmes (1975). Another characteristic role was that of Planchet in the Musketeer movies, a role that tragically led to his death from a riding accident during the filming of Le retour des mousquetaires (1989).

"I am too old to die young, and too young to grow up," Marty Feldman told a reporter -- a week before he died.

This beloved comedian, who poked fun at himself, as well as others, was born Martin Alan Feldman on July 8, 1934, in London, England. His parents were of Ukrainian Jewish heritage (from Kiev). He was the son of Cecilia (née Crook) and Myer Feldman, a gown manufacturer. Marty spent his childhood in the poverty-stricken London East End and left school at the age of 15, hoping for a career as a jazz trumpeter (his appearance in a Variety show earned him the title "the worst trumpeter in the world"). He had just started his comedy career, as a writer for BBC radio programs and TV shows in the late 1950s, when he married Lauretta Sullivan in January 1959 (they would stay married until his death in 1982). There's a saying: "Your face is your fortune"; Marty had received a double-whammy. His nose was mangled in his youthful years in a boxing match; his walleyed orbs were the result of both a hyperactive thyroid and a botched operation after a car accident before his 30th birthday, in 1963. American audiences first saw Marty in Dean Martin Presents the Golddiggers (1968), where he did comedy skits with Susie Ewing and the Golddiggers. He appeared in a number of movies, his most-remembered role being that of Igor (pronounced Eye-Gor) in Frankenstein junior (1974). Besides acting, he made his directorial debut in Mon 'Beau' légionnaire (1977). Beloved and popular, it seemed Marty was to enjoy a long career in the entertainment field. However, he died of a massive heart attack, caused by shellfish food poisoning, while filming Barbe d'or et les pirates (1983) in Mexico City, on December 2, 1982... he was only 48.

Eileen Atkins was born in a Salvation Army Women's Hostel in north London. Her father was a gas meter reader; her mother, a seamstress and barmaid. A drama teacher taught her how to drop her Cockney accent, and she studied Shakespeare and Greek tragedies. Her breakthrough role in "The Killing of Sister George" took her to Broadway.