The King's Men
- Actor
- Music Department
- Composer
The King's Men quartet comprised Ken Darby, arranger & bass; Rad Robinson baritone; Jon Dodson, lead tenor;
Bud Linn, top tenor. As The Ramblers, the quartet was founded in Los Angeles in 1929. The quartet was featured on radio and recorded with The Happy Chappies for Columbia Records in 1930. By June, 1931 the tenor Joe Mitchell was replaced by Rad Robinson, and the name was changed to the King's Men, named for a radio sponsor named King. Their first film appearance was as a singing foursome in the Paramount film Grande chérie (1929). This led to other films and radio contracts. When the The Boswell Sisters left Los Angeles station KFWB in 1932, the The King's Men replaced them for two years.
They achieved national prominence on radio and records as a feature of the Paul Whiteman Orchestra. They sang with Paul Whiteman's Orchestra from 1934 until 1937. Whiteman also acted as their agent, and encouraged their musical activities outside his organization. They subsequently appeared on other broadcasts, including the Rudy Vallee program. They were heard, and sometimes seen, in many feature films, including Grande chérie (1929), ("My Sweeter than Sweet"), Hollywood Party (1934) ("Feelin' High"), Let's Go Native (1930) (title song), Ce n'est pas un péché (1934) ("Troubled Waters"), La folle parade (1938), Rythmes d'amour (1934) ("Lovely One"), and notably Le Magicien d'Oz (1939), in which they are the off screen voices for the Lollipop Guild.
After leaving the Whiteman band in 1937, Ken Darby was hired by conductor/composer Herbert Stothart at MGM. Darby's first screen credit was as vocal arranger and supervisor for Le Magicien d'Oz (1939) in which the The King's Men are the off screen voices for specific Munchkins. Darby was the voice of the Mayor of Munchkin Land, while Robinson's voice was heard as Coroner. Dodson and Linn represented the two boys in the Lollipop Guild. Darby's other MGM films included three MacDonald/Eddy pictures. On screen, The King's Men were best remembered as the singing cowboys in sixteen Hopalong Cassidy films. In the film Honolulu (1939), the The King's Men play the The Marx Brothers on ice skates. Darby was subsequently associated with the Music Department at Walt Disney Studios (Dumbo (1941), Mélodie du sud (1946), La Boîte à musique (1946), Pinocchio (1940), Si cher à mon cœur (1948), Bambi (1942).
For fifteen years The King's Men were regulars on the "Fibber McGee and Molly" broadcasts, and made records with Jim Jordan and Marian Jordan. The King's Men quartet was the basis for the Ken Darby Singers, featured on John Charles Thomas "Westinghouse Broadcasts" and on many Decca phonograph records, such as Bing Crosby's original recording of "White Christmas." Darby went on to win three Academy Awards (Le roi et moi (1956), Porgy and Bess (1959), Camelot (1967)) as Associate Musical Supervisor with Alfred Newman and André Previn. The King's Men and their families remained lifelong friends.
They achieved national prominence on radio and records as a feature of the Paul Whiteman Orchestra. They sang with Paul Whiteman's Orchestra from 1934 until 1937. Whiteman also acted as their agent, and encouraged their musical activities outside his organization. They subsequently appeared on other broadcasts, including the Rudy Vallee program. They were heard, and sometimes seen, in many feature films, including Grande chérie (1929), ("My Sweeter than Sweet"), Hollywood Party (1934) ("Feelin' High"), Let's Go Native (1930) (title song), Ce n'est pas un péché (1934) ("Troubled Waters"), La folle parade (1938), Rythmes d'amour (1934) ("Lovely One"), and notably Le Magicien d'Oz (1939), in which they are the off screen voices for the Lollipop Guild.
After leaving the Whiteman band in 1937, Ken Darby was hired by conductor/composer Herbert Stothart at MGM. Darby's first screen credit was as vocal arranger and supervisor for Le Magicien d'Oz (1939) in which the The King's Men are the off screen voices for specific Munchkins. Darby was the voice of the Mayor of Munchkin Land, while Robinson's voice was heard as Coroner. Dodson and Linn represented the two boys in the Lollipop Guild. Darby's other MGM films included three MacDonald/Eddy pictures. On screen, The King's Men were best remembered as the singing cowboys in sixteen Hopalong Cassidy films. In the film Honolulu (1939), the The King's Men play the The Marx Brothers on ice skates. Darby was subsequently associated with the Music Department at Walt Disney Studios (Dumbo (1941), Mélodie du sud (1946), La Boîte à musique (1946), Pinocchio (1940), Si cher à mon cœur (1948), Bambi (1942).
For fifteen years The King's Men were regulars on the "Fibber McGee and Molly" broadcasts, and made records with Jim Jordan and Marian Jordan. The King's Men quartet was the basis for the Ken Darby Singers, featured on John Charles Thomas "Westinghouse Broadcasts" and on many Decca phonograph records, such as Bing Crosby's original recording of "White Christmas." Darby went on to win three Academy Awards (Le roi et moi (1956), Porgy and Bess (1959), Camelot (1967)) as Associate Musical Supervisor with Alfred Newman and André Previn. The King's Men and their families remained lifelong friends.
