Donald Crisp(1882-1974)
- Actor
- Director
- Writer
White-haired London-born character actor, a familiar face in Hollywood for more than five decades. He was born George William Crisp, the youngest of ten siblings, to working class parents James Crisp and his wife Elizabeth (nee Christy). Despite his humble beginnings, Donald was educated at Oxford University. He saw action with the 10th Hussars of the British Army at Kimberley and Ladysmith during the Boer War and subsequently moved to the United States to begin a new life as an actor.
Arriving in New York in 1906 he began as a singer in Grand Opera with the company of impresario John C. Fisher. By 1910, he had climbed his way up the ladder to become stage manager for George M. Cohan. He was a member of D.W. Griffith's original stock company in the early days of the film industry, beginning with Biograph in New Jersey and featured in Naissance d'une nation (1915) (as General Ulysses S. Grant), Intolérance (1916) and Le lys brisé (1919). He later joined Famous Players Lasky (subsequently Paramount) and turned with some success to directing in the 1920s, on occasion also appearing in his films (as for example in Don X., fils de Zorro (1925), as Don Sebastian). By the early 30s, Crisp concentrated exclusively on acting and became one of the more prolific Hollywood character players on the scene. Though he was actually a cockney, he -- for unknown reasons -- invented a Scottish ancestry for himself early on, claiming that he was born in Aberfeldy and affected a Scottish accent throughout his career. Crisp's particular stock-in-trade types were crusty or benevolent patriarchs, stern military officers, doctors and judges. He had lengthy stints under contract at Warner Brothers (1935-42) and MGM (1943-51) with an impressive list of A-grade output to his credit: Burkitt in Les révoltés du Bounty (1935), Colonel Campbell in La charge de la brigade légère (1936), Maitre Labori in La vie d'Emile Zola (1937), Phipps in La patrouille de l'aube (1938), General Bazaine in Juarez (1939), Francis Bacon in La vie privée d'Elisabeth d'Angleterre (1939) and Sir John Burleson in L'aigle des mers (1940). He is perhaps most fondly remembered as the famous canine's original owner in Lassie Come Home (1943), Elizabeth Taylor's dad Mr. Brown in Le Grand National (1944), and, above all, as the head of a Welsh mining family in Qu'elle était verte ma vallée (1941) (the role which won him an Oscar for Best Supporting Actor). In a less sympathetic vein, Crisp gave a sterling performance as a ruthless tobacco planter in the underrated Gary Cooper drama Le roi du tabac (1950).
Donald Crisp died in May 1974 in Van Nuys, California, at the age of 91. He is commemorated by a star on the Hollywood Walk of Fame on Vine Street.
Arriving in New York in 1906 he began as a singer in Grand Opera with the company of impresario John C. Fisher. By 1910, he had climbed his way up the ladder to become stage manager for George M. Cohan. He was a member of D.W. Griffith's original stock company in the early days of the film industry, beginning with Biograph in New Jersey and featured in Naissance d'une nation (1915) (as General Ulysses S. Grant), Intolérance (1916) and Le lys brisé (1919). He later joined Famous Players Lasky (subsequently Paramount) and turned with some success to directing in the 1920s, on occasion also appearing in his films (as for example in Don X., fils de Zorro (1925), as Don Sebastian). By the early 30s, Crisp concentrated exclusively on acting and became one of the more prolific Hollywood character players on the scene. Though he was actually a cockney, he -- for unknown reasons -- invented a Scottish ancestry for himself early on, claiming that he was born in Aberfeldy and affected a Scottish accent throughout his career. Crisp's particular stock-in-trade types were crusty or benevolent patriarchs, stern military officers, doctors and judges. He had lengthy stints under contract at Warner Brothers (1935-42) and MGM (1943-51) with an impressive list of A-grade output to his credit: Burkitt in Les révoltés du Bounty (1935), Colonel Campbell in La charge de la brigade légère (1936), Maitre Labori in La vie d'Emile Zola (1937), Phipps in La patrouille de l'aube (1938), General Bazaine in Juarez (1939), Francis Bacon in La vie privée d'Elisabeth d'Angleterre (1939) and Sir John Burleson in L'aigle des mers (1940). He is perhaps most fondly remembered as the famous canine's original owner in Lassie Come Home (1943), Elizabeth Taylor's dad Mr. Brown in Le Grand National (1944), and, above all, as the head of a Welsh mining family in Qu'elle était verte ma vallée (1941) (the role which won him an Oscar for Best Supporting Actor). In a less sympathetic vein, Crisp gave a sterling performance as a ruthless tobacco planter in the underrated Gary Cooper drama Le roi du tabac (1950).
Donald Crisp died in May 1974 in Van Nuys, California, at the age of 91. He is commemorated by a star on the Hollywood Walk of Fame on Vine Street.
